Institut for Kommunikation og Kultur

Aarhus Universitets segl

Publications

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Johansen, S. L., Lundtofte, T. E. & Mortensen, C. H. (2023). Pandemedia How Covid-19 has affected the role of media in society. MedieKultur, 38(73), 1-5. https://doi.org/10.7146/mk.v38i73.134829
Arregui Olivera, C. (2023). Peace Journalism Revisited: Tracing the multiple tensions around a dynamic concept in the Kenyan news landscape. [Ph.d.-afhandling, Aarhus Universitet].
Taranu, M., Andersen, M., Rosas, F. E., Dodd, H. & Clasen, M. (2023). Playing With Fear: Patterns Of Engagement With Recreational Fear Among 1-17-Year-Old Danish Children. Abstract fra 2023 International Play Association TRIENNIAL WORLD CONFERENCE, Glasgow, Storbritannien.
Johansen, S. L. & Lundtofte, T. E. (2023). Politikernes skærmalarm og selektive viden har reelle konsekvenser. Berlingske Tidende, 20-21.
Korsgaard, M. B. (2023). Porten til Riget er lukket. 16:9, Forår 2023. http://www.16-9.dk/2023/02/riget-exodus/
Bengesser, C. H. (2023). Public Value after the News: A Life-world-based Approach to the Legitimation of Content Universality as Contribution to Society. I M. Puppis & C. Ali (red.), RIPE@2021: Public Service Media’s Contribution to Society (s. 47-68). Nordicom. https://doi.org/10.48335/9789188855756
Finceur, B., Frandsen, K. & Thompson, C. (red.) (2023). Racing Time: Interdisciplinary Perspectives on the Tour de France. (1. udg.) EPFL Press.
Munk-Hansen, P. L. & Clasen, M. (2023). Rædsler fra dybet: Om havuhyrer, Dødens gab og den rekreative frygt. I C. B. Thøstesen, K. Rathjen & J. K. Eriksen (red.), Havets mysterier: Myter, virkelighed og videnskab (s. 279-287). Fiskeri- og Søfartsmuseets Forlag.
Pedersen, B. S. & Have, I. (2023). Reading toward multiliteracies: understanding reading comprehension and reading experience. I The Digital Reading Condition (s. 46-54). Routledge.
Frandsen, K. (2023). Rivalling concepts, huge gaps and analytical complexities. I K. Kopecka-Piech & G. Bolin (red.), Contemporary Challenges in Mediatization Research (s. 44--60). Routledge.
Brænder, M. (2023). Same event, different outcomes: How the War in Ukraine has affected political efficacy differently in different countries. Afhandling præsenteret på Zeitenwende: From the Cold War to the War in Ukraine , Potsdam, Tyskland.
Bruhn, T., Villadsen, L. S., Schou Therkildsen, L. T., Ringgaard, R. L., Olsen, F. A., Skovbo Moser, K., Larsen, J. M., Härgestam, K., Hidle, C., Dehlie Glædesdahl, A., Keitum Fisker, T. & Hviid Broberg, F. (2023). Scandinavian emerging scholars and their Ph.D. projects – an overview. Res Rhetorica, 10(4), 140-175. https://resrhetorica.com/index.php/RR/article/view/810/424
Saunders, R. A., Souch, I. & Waade, A. M. R. (2023). Screening Arctic Landscapes in Nordic Television Drama: Anthropocenic Imageries, Ecological Crises, National Identities . I Disturbed Ecologies : Photography, Geopolitics, and the Northern Landscape in the Era of Environmental Crisis. (Bind 203, s. 257-281). Transcript Verlag.
Tække, J. (2023). Skolen bør omfavne mobiltelefonerne. Drop forbud. Politiken. https://politiken.dk/debat/kroniken/art9203627/Det-er-skadeligt-at-forbyde-mobiltelefoner-i-skolerne
Tække, J. (2023). Sociomediacæn - den sociotekniske autopoiesismaskine. 1-32. Afhandling præsenteret på The Nature of Nature, København, Danmark.
Frandsen, K., Olesen, M. & Thorhauge, A. M. (2023). Sports events in a transmedia landscape. MedieKultur, 39(75), 1-7. https://doi.org/10.7146/mk.v39i75.141716
Frandsen, K. (2023). Television's contribution to the experience of the Tour de France. I B. Fincouer, K. Frandsen & C. Thompson (red.), Racing Time: Interdisciplinary Perspectives on The Tour de France (1. udg.). EPFL Press.
Waade, A. M. R. & Grønlund, A. (2023). Televisual landscape technologies: Borgen: Power & Glory in Greenland. 45-45. Abstract fra Redefining Televisuality: Programmes, Practices, Methods, Potsdam-Babelsberg, Tyskland.
Jensen, P. M. & Mitric, P. (2023). The appeal of public service fiction in an internationalised media context: Findings from a survey of 8–17-year-old Danes. I Audiovisual content for children and adolescents in Scandinavia: Production, distribution, and reception in a multiplatform era (s. 139-162). Nordicom. https://doi.org/10.48335/9789188855817-8
Bruun, H. (2023). The changing role of a video-on-demand service in the strategies of public service media: A production study of Danish TV 2 Play and its impact on the production culture of the schedulers, 2016–2022. Nordicom Review, 44(2), 235-252. https://doi.org/10.2478/nor-2023-0013
Engberg, M., Have, I. & Pedersen, B. S. (red.) (2023). The Digital Reading Condition. Routledge.
Tække, J. (2023). The Environment as the Anthropocene: the Sociotechnical Autopoiesis Machine. 1 - 25. Afhandling præsenteret på Environments. Observed with social systems theory, Dubrovnik, Kroatien.
Clasen, M. (2023). The New Science of Recreational Fear. Engelskmeddelelser, 2023(207), 36-41.
Tække, J. (2023). The Nexus of Education, Climate Crisis, and Digital Media Revolution: An Examination of Future Scenarios. 1-16. Afhandling præsenteret på NordMedia 2023, Bergen, Norge.
Bruun, H. & Lassen, J. M. M. (2023). The platformisation of public service television: a quatitative study of the changing continuity announcements on DR and TV 2. Abstract fra NordMedia 2023, Bergen, Norge.
Scrivner, C., Andersen, M., Schjødt, U. & Clasen, M. (2023). The Psychological Benefits of Scary Play in Three Types of Horror Fans. Journal of Media Psychology, 35(2), 87-98. https://doi.org/10.1027/1864-1105/a000354
Arregui Olivera, C. & Cheruiyot, D. (2023). The risks of peace: Exploring the relationship between peaceocracy and journalism in Kenya. The International Communication Gazette (Online), 85(8), 663-677. https://doi.org/10.1177/17480485231214365
Kjeldgaard-Christiansen, J. & Hejná, M. (2023). The Voices of Game Worlds: A Sociolinguistic Analysis of Disco Elysium. Games and Culture: A Journal of Interactive Media, 18(5), 578-597. Artikel 15554120221115396. https://doi.org/10.1177/15554120221115396
Brügger, N. (2023). The WARCnet network: The third year. WARCnet. WARCnet Papers https://cc.au.dk/fileadmin/dac/Projekter/WARCnet/Bru__gger_The_third_year.pdf
Frandsen, K. (2023). Tour de France in a digital television paradigm. MedieKultur, 39(75), 32-52. https://doi.org/10.7146/mk.v39i75.138616
Toft-Nielsen, C. & Waade, A. M. R. (2023). Transmedia storytelling, paratekster og fankultur. I P. S. Lauridsen & E. Svendsen (red.), Medieanalyse (2 udg., s. 59-79). Samfundslitteratur.
Jirsa, T. & Korsgaard, M. B. (red.) (2023). Traveling Music Videos. (1. udg.) Bloomsbury Academic. https://doi.org/10.5040/9781501398025
Have, I. & Engberg, M. (2023). Trends in immersive journalism. I The Digital Reading Condition (s. 79-87). Routledge.
Have, I. (2023). Værd at vente på: Ellen Hillingsøs karakteristiske dybe stemme bidrager til legen med kønsstereotyper i Maren Uthaugs roman ”11%”. Få en gratis lytteprøve i anmeldelsen. Jyllands-Posten.
Brænder, M. & Holsting, V. S. (2023). “What do they teach you at the Academy?”: The Lasting Importance of Command Experience. Afhandling præsenteret på Eastern Sociological Society, Baltimore, USA.
Clasen, M. (2023, jan. 3). Why Some People Don't Like Horror Movies: There are good as well as bad reasons for avoiding horror movies. https://www.psychologytoday.com/us/blog/why-we-love-horror/202301/why-some-people-dont-like-horror-movies
Terkildsen, T., Christensen, L. E. & Clasen, M. (2023). Work Hard, Scare Hard? An Investigation of How Mental Workload Impacts Jump Scare Intensity. Proceedings of the ACM on Human-Computer Interaction, 7(CHI PLAY), 27-44. Artikel 375. https://doi.org/10.1145/3611021
Bengesser, C. H., Esser, A. & Steemers, J. (2023). Young Danish audiences and British screen content: A critical reflection on transnational consumption, geo-linguistic regions and cultural proximity. Nordicom Review, 44(1), 85-105. https://doi.org/10.2478/nor-2023-0005
Brænder, M. & Holsting, V. S. (2023). ˮÉt er søkort at forstå, et andet skib at føre": Om betydningen af praktisk militær ledelseserfaring for tidligere udsendte soldaters ledelsesværdier. Dansk Sociologi, 34(3), 31-54. https://rauli.cbs.dk/index.php/dansksociologi/article/view/7313
Johansen, S. L. (2022). 10 tanker om digital dannelse. Dafolo.
Tække, J. (2022). Algorithmic Differentiation of Society: a Luhmann Perspective on the Societal Impact of Digital Media. Journal of Sociocybernetics, 18(1). https://doi.org/10.26754/ojs_jos/jos.202216225
Hansen, L. E., Særkjær, C. & Degn, H.-P. (2022). Analyse af egnsteaterlandskabet og dets kulturpolitiske vilkår. Center for Kulturevaluering, Aarhus Universitet.
Degn, H.-P., Hansen, L. E. & Særkjær, C. (2022). Analyse af kulturaktørernes internationalisering i Region Midtjylland. Center for Kulturevaluering, Aarhus Universitet.
Tække, J. & Paulsen, M. (2022). A New Perspective on Education in the Digital Age: Teaching, Media and Bildung. Bloomsbury. https://doi.org/10.5040/9781350175426
Kjeldgaard-Christiansen, J. (2022). Audiovisual media. Evolutionary Studies in Imaginative Culture, 6(2), 135-136. https://doi.org/10.26613/esic.6.2.309
Kjeldgaard-Christiansen, J. (2022). Audiovisual Media (spring 2021). Evolutionary Studies in Imaginative Culture, 5(2, 2021), 135-137. https://doi.org/10.26613/esic.5.2.256
Platts, T., McCollum, V. & Clasen, M. (red.) (2022). Blumhouse Productions: The New House of Horror. University of Wales Press. https://www.uwp.co.uk/book/blumhouse-productions/
Damkjaer, M. S. (2022). Bringing mediatization and audience research closer together by pertaining to the lived experience of media-related social change and the opting in and out of media. 1-7. Abstract fra Mediatization 3.0?
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Tække, J. (2022). Dannelse. I G. A. N. N. K. P. J. K. S. (red.), Medie- og kommunikationsleksikon Samfundslitteratur. https://medieogkommunikationsleksikon.dk/dannelse/
Søndergaard, M. & Clasen, M. (2022, okt. 15). Det gode gys: Derfor kan horrorfilm være gode for dit mentale helbred. Videnskab.dk. https://videnskab.dk/forskerzonen/krop-sundhed/det-gode-gys-derfor-kan-horrorfilm-vaere-gode-for-dit-mentale-helbred

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