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Institut for Kommunikation og Kultur

Publications

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Brænder, M. & Holsting, V. S. (2017). New Model Army Conservatism: Post-materialist values and military branch affiliation. Afhandling præsenteret på ERGOMAS, European Research Group on Military and Society, Athen, Grækenland.

Waade, A. M. (2017). Nordic Noir landscape values: Transnational co-productions, screen tourism and place branding . Afhandling præsenteret på Branding Nordic Aesthetics conference, Oslo , Norge.

Ngomba, T. J. (2017). Online Journalism in Africa: Trends, Practices and Emerging. Digital Journalism, 5(2), 254-255. https://doi.org/10.1080/21670811.2016.1264708

Jensen, P. M. (2017). “Original Good, Adaptation Bad”: Investigating the Deeper Reasons behind Australian Audience Preference for the Nordic Versions of Forbrydelsen and Bron/Broen. Afhandling præsenteret på Media Mutations 9: The Format Factor, Bologna, Italien.

Brügger, N. (2017). Probing a nation’s web domain: a new approach to web history and a new kind of historical source. I G. Goggin & M. McLelland (red.), The Routledge Companion to Global Internet Histories (s. 61-73). Routledge. https://doi.org/10.4324/9781315748962

Jensen, P. M. & McCutcheon, M. (2017). Ratings behaving madly: Danish TV drama’s fortuitous success in Australia. Afhandling præsenteret på Nordmedia 2017, Tampere, Finland. http://www.uta.fi/cmt/en/Conferences/NordMedia2017/Divisions/Division10/Division10_Abstracts.pdf

McCutcheon, M. & Jensen, P. M. (2017). Ratings Behaving Madly: Danish TV Drama's Fortuitous Success in Australia. Afhandling præsenteret på ANZCA - Australian and New Zealand Communication Association Annual Conference - Sydney University, Sydney, Australien.

Clasen, M. (2017). Recreational Fear: On the Psychology of Horror Media. Abstract fra Fear: Brain, Behavior, Society, Aarhus, Danmark. http://aias.au.dk/fileadmin/www.aias.au.dk/AIAS_Events/Abstracts__AIAS_FEAR_conference_FV4.pdf

Korsgaard, M. (2017). Reddet i sidste øjeblik. 16:9. http://www.16-9.dk/2017/06/reddet-i-sidste-oejeblik/

Johansen, S. L. (2017). Sådan kan tablets få små børn til at løbe rundt og juble. Videnskab.dk [online]. http://videnskab.dk/teknologi-innovation/saadan-kan-tablets-faa-smaa-boern-til-at-loebe-rundt-og-juble

Brænder, M. (2017). "Sage mir, wofür Du sterben wirst, so sage ich Dir, wer Du bist": Krieg als ein zivilreligiöses Ritual. I H. Bungert & J. Weiss (red.), "God Bless America" Zivilreligion in den USA im 20. Jahrhundert (s. 163-190). Campus Verlag.

Platts, T. & Clasen, M. (2017). Scary Business: Horror at the North American Box Office, 2006-2016. Frames Cinema Journal, 11. http://framescinemajournal.com/article/scary-business-horror-at-the-north-american-box-office-2006-2016/

Bruun, H. (2017). Scheduling and 'Continuity' in the Third Television Paradigm? A production Study. Afhandling præsenteret på Nordmedia 2017, Tampere, Finland.

Johansen, S. L. & Koefoed Hansen, L. (2017). S[k]amtaler: Om etnografisk metode og forskerpositioner. Nordisk Tidsskrift for Informationsvidenskab og Kulturformidling, Årg. 6(2), 89-98. https://tidsskrift.dk/ntik/article/download/99087/148197/

Have, I. & Pedersen, B. S. (2017). Smørbar æstetisk kommunikation: En Lurpak-kampagne i et multisensorisk perspektiv. I B. S. Pedersen & A. M. Waade (red.), Kreativ markedskommunikation : Æstetik og deltagelse (Bind 6, s. 29-46). Systime.

Tække, J. (2017). Social media and (dis)connectivity. 1-23. Afhandling præsenteret på The politics of (dis)connectivity, Beijing, Kina.

Bruun, H. (2017). Syrebad og flertydigheder: om sketchkomediens aktuelle karakteristika. I A. Halskov, H. Højer & T. Schwartz Larsen (red.), Helt til grin: moderne audiovisuel komik på tværs af medier (s. 104-117). VIA Film & Transmedia.

Johansen, S. L. (2017, apr. 9). Tablets enhance play by taking toddlers on a digital adventure. http://sciencenordic.com/tablets-enhance-play-taking-toddlers-digital-adventure

Bechmann, A. (2017). The Algorithmic Gaze: Predicting Uploader's Gender Based on Private Social Media Images. Afhandling præsenteret på AOIR 2017 Networked Publics, Tartu, Estland.

Kjeldgaard-Christiansen, J. (2017). The Bad Breaks of Walter White: An Evolutionary Approach to the Fictional Antihero. Evolutionary Studies in Imaginative Culture, 1(1), 103-120. https://doi.org/10.26613/esic/1.1.19

Nørgaard Kristensen, N., From, U. & Kammer, A. (2017). The Changing Logics of Danish Cultural Journalism. I N. Nørgaard Kristensen & K. Riegert (red.), Cultural Journalism in the Nordic Countries (s. 29-48). Nordicom. https://www.nordicom.gu.se/sv/system/tdf/publikationer-hela-pdf/cultural_journalism_in_the_nordic_countries.pdf?file=1&type=node&id=38457&force=0

Bechmann, A. (2017). The Facebook newsfeed as a news source. Abstract fra Nordmedia 2017, Tampere, Finland. http://www.uta.fi/cmt/en/Conferences/NordMedia2017/Downloads/TWG5_Abstracts.pdf

Waade, A. M. & Hansen, K. T. (2017). The German Connection in Nordic noir. Afhandling præsenteret på Researching Media Companies Producing Audio-visual Content, Lillehammer, Norge.

Clasen, M., Trotta, J. & Sadri, H. (2017). The GotPop Popular Culture Podcast: The horror! The horror!. Audiovisuelle produktioner, Soundcloud. https://soundcloud.com/gotpop/gotpop09

Bechmann, A. (2017). The Invisible Shaping of Public Discourse in Online Spaces: Algorithms. Abstract fra AOIR 2017 Networked Publics, Tartu, Estland.

Damkjaer, M. S. (2017, apr. 13). The ‘joys’ of digital media in new parenting. London School of Economics. http://blogs.lse.ac.uk/parenting4digitalfuture/2017/04/13/the-joys-of-digital-media-in-new-parenting/

Have, I. (2017). The Musical Framing of THE BEACH. Short Film Studies, 7(1), 63-65. https://doi.org/10.1386/sfs.7.1.63_1

Brænder, M. & Holsting, V. S. (2017). The New Spirit of Militarism? Person/organisation-fit and the economies of worth among new military cadets. Afhandling præsenteret på The Inter-University Seminar on Armed Forces and Society, Reston, VA, USA.

Korsgaard, M. B. (2017). The Origins of Ruben Östlund's Long-Take Style. 16:9. http://www.16-9.dk/2017/11/ruben-ostlund/

Sonne Damkjær, M. (2017). The role of digital media for new parents’ information practices: negotiating parenthood truths. Abstract fra NordMedia 2017: Mediated Realities - Global Challenges, Tampere, Finland.

Clasen, M. (2017). The Science of Horror: Why Dark Fiction Seduces. Horror Writers Association newsletter, (October 2017). http://horror.org/private/newsletter/the-science-of-horror-why-dark-fiction-seduces/

Jensen, P. M. & Jacobsen, U. C. (2017). The 'three-leaf clover': A methodological lens to understand transnational audiences. Critical Studies in Television, 12(4), 430-444. https://doi.org/10.1177/1749602017729312

Brügger, N. & Schroeder, R. (red.) (2017). The Web as History: Using Web Archives to Understand the Past and the Present. UCL Press. https://doi.org/10.1145/3027063.3053259

Bruun, H. & Frandsen, K. (2017). Tid og timing: et metodisk perspektiv på produktionsanalyse. MedieKultur, 62, 119-133. https://tidsskrift.dk/mediekultur/article/download/25217/23225

Frandsen, K. (2017). Tour de France: mediatization of sport and place. I L. A. Wenner & A. C. Billings (red.), Sport, Media and Mega-Events (s. 156-169). Routledge. https://doi.org/10.4324/9781315680521

Have, I. & Nielsen, J. (2017). User Manual for LARM.fm: A Digital Radio and TV Research Infrastructure for Researchers, Teachers and Students. DIGHUMLAB. https://dighumlab.org/wp-content/uploads/2017/07/ENG-User-Manual-LARM.fm-11.7.17.pdf

Brügger, N. (red.) (2017). Web 25: Histories from the first 25 years of the World Wide Web. Peter Lang. Digital Formations Nr. 112

Brügger, N. (2017). Webraries and Web Archives: The Web between public and private. I D. Baker & W. Evans (red.), The End of Wisdom?: The Future of Libraries in a Digital Age (s. 185-190). Chandos Publishing (Oxford) Ltd . https://doi.org/10.1016/B978-0-08-100142-4.00023-3

Kjeldgaard-Christiansen, J. (2017, okt. 3). What Makes Pennywise from It so Damn Creepy? MovieGeek. http://www.moviegeek.eu/what-about-clowns-and-about-clown-pennywise-in-it-is-so-damn-creepy.html

Bechmann, A. & Bowker, G. C. (2017). Whose Ontologies, at what Cost? AI and Invisibility in Social Media Arenas. Abstract fra Propaganda and Media Manipulation, New York, USA.

Bechmann, A. (2017). Whose vision? The Use of Convolutional Neural Networks on Facebook Images. Abstract fra Social AI, Irvine, CA, USA.

Clasen, M. (2017). Why Horror Seduces. Oxford University Press.

Kjeldgaard-Christiansen, J. (2017). Why Publish, and Why Publish in Leviathan: Interdisciplinary Journal in English? Leviathan: Interdisciplinary Journal in English, (1), 1-4. https://doi.org/10.7146/lev.v0i1.96776

Kring, N., Thaarup, C., Rasmussen, A., Svenningsen, S. D. & Waade, A. M. (2016). 1864 og DR under forandring: public service, branding og lancering . I K. T. Hansen (red.), 1864 : tv-serien, historien, kritikken (s. 115-134). Aalborg Universitetsforlag.

Waade, A. M. & Østergaard, I. A. (2016). 1864 på Fyn: FilmFyn, branding, filmturisme og location placement . I K. T. Hansen (red.), 1864: tv-serien, historien, kritikken (s. 209-234). Aalborg Universitetsforlag.

Clasen, M. & Kjeldgaard-Christiansen, J. (2016). A Consilient Approach to Horror Video Games: Challenges and Opportunities. Akademisk Kvarter, 13, 127-142. http://www.akademiskkvarter.hum.aau.dk/pdf/vol13/10_MathiasClasen_Jens_Kjeldgaard-Christiansen_AConsilientApproachToHorrorViedoGames.pdf

Andersen, C. U., Bechmann, A., Brügger, N., Brynskov, M., Holst, M. K., Markham, A., Møldrup-Dalum, P., Nielbo, K. L. & Thomsen, M. R., (2016). A Digital Strategy for Arts: Digital Arts’ White Paper on AU’s Digital Strategy 2016, 4 s., aug. 31, 2016.

Brænder, M. (2016). Adrenalin Junkies: Why Soldiers Return from War Wanting More. Armed Forces and Society, 42(1), 3-25. https://doi.org/10.1177/0095327X15569296

Bechmann, A. (2016). AoIR Early Career Scholars Workshop: preconference workshop. Abstract fra IR 16, Berlin, Tyskland.

Kjeldgaard-Christiansen, J. (2016, okt. 31). Are Horror Video Games the Ultimate Scare? http://www.psychreg.org/horror-video-games-ultimate-scare/

Viser resultater 901 til 950 ud af 1890

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Revideret 08.10.2026

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