Publications

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Kjeldgaard-Christiansen, J. (2017). The Bad Breaks of Walter White: An Evolutionary Approach to the Fictional Antihero. Evolutionary Studies in Imaginative Culture, 1(1), 103-120. https://doi.org/10.26613/esic/1.1.19

Nørgaard Kristensen, N., From, U. & Kammer, A. (2017). The Changing Logics of Danish Cultural Journalism. In N. Nørgaard Kristensen & K. Riegert (Eds.), Cultural Journalism in the Nordic Countries (pp. 29-48). Nordicom. https://www.nordicom.gu.se/sv/system/tdf/publikationer-hela-pdf/cultural_journalism_in_the_nordic_countries.pdf?file=1&type=node&id=38457&force=0

Bechmann, A. (2017). The Facebook newsfeed as a news source. Abstract from Nordmedia 2017, Tampere, Finland. http://www.uta.fi/cmt/en/Conferences/NordMedia2017/Downloads/TWG5_Abstracts.pdf

Jauert, P., Ala-Fossi, M., Föllmer, G., Lax, S. & Murphy, K. (2017). The Future of Radio Revisited: Expert Perspectives and Future Scenarios for Radio Media in 2025. Journal of Radio and Audio Media, 24(1), 7-27. https://doi.org/10.1080/19376529.2017.1310574

Waade, A. M. & Hansen, K. T. (2017). The German Connection in Nordic noir. Paper presented at Researching Media Companies Producing Audio-visual Content, Lillehammer, Norway.

Clasen, M., Trotta, J. & Sadri, H. (2017). The GotPop Popular Culture Podcast: The horror! The horror!. Pictures, Video and sound recordings (digital), Soundcloud. https://soundcloud.com/gotpop/gotpop09

Bechmann, A. (2017). The Invisible Shaping of Public Discourse in Online Spaces: Algorithms. Abstract from AOIR 2017 Networked Publics, Tartu, Estonia.

Damkjaer, M. S. (2017, Apr 13). The ‘joys’ of digital media in new parenting. London School of Economics. http://blogs.lse.ac.uk/parenting4digitalfuture/2017/04/13/the-joys-of-digital-media-in-new-parenting/

Have, I. (2017). The Musical Framing of THE BEACH. Short Film Studies, 7(1), 63-65. https://doi.org/10.1386/sfs.7.1.63_1

Brænder, M. & Holsting, V. S. (2017). The New Spirit of Militarism? Person/organisation-fit and the economies of worth among new military cadets. Paper presented at The Inter-University Seminar on Armed Forces and Society, Reston, VA, United States.

Korsgaard, M. B. (2017). The Origins of Ruben Östlund's Long-Take Style. 16:9. http://www.16-9.dk/2017/11/ruben-ostlund/

Sonne Damkjær, M. (2017). The role of digital media for new parents’ information practices: negotiating parenthood truths. Abstract from NordMedia 2017: Mediated Realities - Global Challenges, Tampere, Finland.

Clasen, M. (2017). The Science of Horror: Why Dark Fiction Seduces. Horror Writers Association newsletter, (October 2017). http://horror.org/private/newsletter/the-science-of-horror-why-dark-fiction-seduces/

Jensen, P. M. & Jacobsen, U. C. (2017). The 'three-leaf clover': A methodological lens to understand transnational audiences. Critical Studies in Television, 12(4), 430-444. https://doi.org/10.1177/1749602017729312

Brügger, N. & Schroeder, R. (Eds.) (2017). The Web as History: Using Web Archives to Understand the Past and the Present. UCL Press.

Bruun, H. & Frandsen, K. (2017). Tid og timing: et metodisk perspektiv på produktionsanalyse. MedieKultur, 62, 119-133. https://tidsskrift.dk/mediekultur/article/download/25217/23225

Frandsen, K. (2017). Tour de France: mediatization of sport and place. In L. A. Wenner & A. C. Billings (Eds.), Sport, Media and Mega-Events (pp. 156-169). Routledge.

Have, I. & Nielsen, J. (2017). User Manual for LARM.fm: A Digital Radio and TV Research Infrastructure for Researchers, Teachers and Students. DIGHUMLAB. https://dighumlab.org/wp-content/uploads/2017/07/ENG-User-Manual-LARM.fm-11.7.17.pdf

Brügger, N. (Ed.) (2017). Web 25: Histories from the first 25 years of the World Wide Web. Peter Lang. Digital Formations No. 112

Brügger, N. (2017). Webraries and Web Archives: The Web between public and private. In D. Baker & W. Evans (Eds.), The End of Wisdom?: The Future of Libraries in a Digital Age (pp. 185-190). Chandos Publishing (Oxford) Ltd . https://drive.google.com/file/d/0B5MEGgSRcBgobHR3cjRPRkZFVHc/view?usp=sharing

Kjeldgaard-Christiansen, J. (2017, Oct 3). What Makes Pennywise from It so Damn Creepy? MovieGeek. http://www.moviegeek.eu/what-about-clowns-and-about-clown-pennywise-in-it-is-so-damn-creepy.html

Bechmann, A. & Bowker, G. C. (2017). Whose Ontologies, at what Cost? AI and Invisibility in Social Media Arenas. Abstract from Propaganda and Media Manipulation, New York, United States.

Bechmann, A. (2017). Whose vision? The Use of Convolutional Neural Networks on Facebook Images. Abstract from Social AI, Irvine, CA, United States.

Clasen, M. (2017). Why Horror Seduces. Oxford University Press.

Kjeldgaard-Christiansen, J. (2017). Why Publish, and Why Publish in Leviathan: Interdisciplinary Journal in English? Leviathan: Interdisciplinary Journal in English, (1), 1-4. https://doi.org/10.7146/lev.v0i1.96776

Kring, N., Thaarup, C., Rasmussen, A., Svenningsen, S. D. & Waade, A. M. (2016). 1864 og DR under forandring: public service, branding og lancering . In K. T. Hansen (Ed.), 1864 : tv-serien, historien, kritikken (pp. 115-134). Aalborg Universitetsforlag.

Waade, A. M. & Østergaard, I. A. (2016). 1864 på Fyn: FilmFyn, branding, filmturisme og location placement . In K. T. Hansen (Ed.), 1864: tv-serien, historien, kritikken (pp. 209-234). Aalborg Universitetsforlag.

Clasen, M. & Kjeldgaard-Christiansen, J. (2016). A Consilient Approach to Horror Video Games: Challenges and Opportunities. Akademisk Kvarter, 13, 127-142. http://www.akademiskkvarter.hum.aau.dk/pdf/vol13/10_MathiasClasen_Jens_Kjeldgaard-Christiansen_AConsilientApproachToHorrorViedoGames.pdf

Andersen, C. U., Bechmann, A., Brügger, N., Brynskov, M., Holst, M. K., Markham, A., Møldrup-Dalum, P., Nielbo, K. L. & Thomsen, M. R., (2016). A Digital Strategy for Arts: Digital Arts’ White Paper on AU’s Digital Strategy 2016, 4 p., Aug 31, 2016.

Brænder, M. (2016). Adrenalin Junkies: Why Soldiers Return from War Wanting More. Armed Forces and Society, 42(1), 3-25. https://doi.org/10.1177/0095327X15569296

Bechmann, A. (2016). AoIR Early Career Scholars Workshop: preconference workshop. Abstract from IR 16, Berlin, Germany.

Kjeldgaard-Christiansen, J. (2016, Oct 31). Are Horror Video Games the Ultimate Scare? http://www.psychreg.org/horror-video-games-ultimate-scare/

Johansen, S. L. (2016). Being a football kid: football as a mediatised play practice. In A. Schwell, M. Buchowski, M. Kowalska & N. Szogs (Eds.), New ethnographies of football in Europe: people, passions, politics (pp. 161-175). Palgrave Macmillan.

Tække, J. & Paulsen, M. E. (2016). Bildung in the Digital Medium Environment. Paper presented at The Third ISA Forum “The Futures We Want: Global Sociology and the Struggles for a Better World.” RC 51, Sociocybernetics. , Wien, Austria.

Tække, J. (2016). Boosting skills: comment. In Social Media is Serious Business: A view from European Youth (pp. 41). Tata Consultancy Services. http://www.criticaleye.com/insights-servfile.cfm?id=4643

Jacobsen, U. C. & Jensen, P. M. (2016). Born European, born regional, or born global? Language convergence in The Team. Nordic Journal of Media Studies, 14(1), 123-140. https://doi.org/10.1386/nl.14.1.123_1

Johansen, S. L. & Hermansen, M. (2016). Børn skal lære at færdes på sociale medier. Videnskab.dk. http://videnskab.dk/teknologi-innovation/boern-skal-laere-at-faerdes-paa-sociale-medier

Jensen, P. M. & Raats, T. (2016). Bringing distinctive TV drama? The role and effectiveness of public service media as lever for tv drama production: a two-case comparison. Paper presented at RIPE@2016 Public Service Media in a Networked Society?, Antwerpen, Belgium.

Have, I. & Nielsen, J. (2016). Brugermanual til LARM.fm: En digital infrastuktur for radio og tv til forskere, undervisere og studerende. (1 ed.) DIGHUMLAB. http://www.dighumlab.com

Jensen, P. M. (2016, Jul 11). C'é del drama in Danimarca. http://www.linkideeperlatv.it/drama-danimarca/

Nielsen, J., Brügger, N. & Laursen, D. (2016). Changes in the characteristics of the Danish web 2005-2015. Abstract from SMID Biennial Meeting, Middelfart, Denmark.

Johansen, S. L. (2016). Chris Davies, John Coleman and Sonia Livingstone (2014): Digital Technologies in the Lives of Young People. Routledge and: Sonia Livingstone and Julian Sefton-Green (2016): The Class. Living and Learning in the Digital Age. New York University Press. MedieKultur, (61), 178-181. http://ojs.statsbiblioteket.dk/index.php/mediekultur/article/view/23907/21912

Degn, H.-P., Lynghøj, H. & Hansen, L. E. (2016). Creating legacy through evaluation: A processoriented approach to cultural policy and value creation. Paper presented at International Conference on Cultural Policy Research, Seoul, Korea, Republic of.

Kristensen, N. N. & From, U. (2016). Cultural Journalism and Cultural Critique in the Media. Routledge. Journalism Studies - theory and practice

Bechmann, A., Bilgrav-Nielsen, K., Korsgaard Jensen, A.-L. & Jensen, A.-L. (2016). Data as a revenue model: Sharewall as a payment method and editorial algorithm in the news industry. Nordicom Information, 38(1), 76-82. http://www.nordicom.gu.se/sites/default/files/kapitel-pdf/nordicom-information_38_2016_1_76-82.pdf

Johansen, S. L. (2016). Den medialiserede leg. In S. Hjarvard (Ed.), Medialisering: mediernes rolle i social og kulturel forandring (pp. 103-124). Hans Reitzels Forlag.

Petersen, A. C., Knudsen, J., Thestrup, K., Sandvik, K., Johansen, S. L., Skjærris, M. & Sørensen, L. (2016). Den store opdagelsesrejse for de helt små. Pictures, Video and sound recordings (digital) https://youtu.be/1E2tBN6py0w

Tække, J. (2016). Det store sammenhængskollaps på Facebook: det er medierne som slår Facebook ihjel. http://www.kommunikationsforum.dk/artikler/Det-store-sammenhaengskollaps-paa-Facebook

Have, I. & Pedersen, B. S. (2016). Digital Audiobooks: Changing Target Groups, Situations, Places, and Experiences for Reading. Paper presented at Literature Between Paper and Pixels, Aarhus, Denmark.

Johansen, S. L. & Larsen, M. C. (2016). Digitale medier i småbørnshøjde: Om 0-8-årige børns brug af digitale medier i hjemmet .

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