Publications

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Shiyi, Y. & Clasen, M. (Eds.) (2021). 生物文化文学批评论集. Tsinghua University Press.

Shiyi, Y. & Clasen, M. (2021). 序. In Y. Shiyi & M. Clasen (Eds.), 生物文化文学批评论集 (pp. i-xiii). Tsinghua University Press.

Clasen, M. (2021). 人性的隐忧：斯蒂芬·金《闪灵》的进化论解读。. In Y. Shiyi & M. Clasen (Eds.), 生物文化文学批评论集 (pp. 165-179). Tsinghua University Press.

Brænder, M. (2013). ”It's my job. I am a professional”: An Explorative Panel Study of Combat Soldiers motivations and how it helps them deal with their Deployment Experiences. Paper presented at American Sociological Association: Annual Meeting 2013, New York, United States.

Kjeldgaard-Christiansen, J. (2016). “The good ended happily and the bad unhappily”: An Evolutionary Approach to Narrative Agonistic Structure. Abstract from The 28th Human Evolution and Behavior Society conference, Vancouver, Canada.

Jensen, P. M. (2017). “Original Good, Adaptation Bad”: Investigating the Deeper Reasons behind Australian Audience Preference for the Nordic Versions of Forbrydelsen and Bron/Broen. Paper presented at Media Mutations 9: The Format Factor, Bologna, Italy.

Brügger, N. (2009). “Netside” & “Netsted”. In S. Kolstrup, P. Jauert, G. Agger & K. Schrøder (Eds.), Medie- og kommunikationsleksikon (1. ed., pp. 370 & 370-371). Samfundslitteratur.

Iversen, S. & Nørremark, R. L. (2021). “Men så skedde inte i Sverige” – om anklagens anatomi. Rhetorica Scandinavica, 25(82), 50-66. https://doi.org/10.52610/LWPV1444

Thomsen, L. H. (2018). “It’s like a family!” How Danish journalists unite across broadcasters. In E. Freedman, R. Goodman & E. Steyn (Eds.), Critical Perspectives on Journalistic Beliefs (pp. 47-56). Routledge. Routledge Research in Journalism

Klausen, H. B. (2021, Mar 4). “I really love how Gibi always asks for consent before face touching” – direct addressing in ASMR role-play videos. http://mediacommons.org/imr/content/%E2%80%9Ci-really-love-how-gibi-always-asks-consent-face-touching%E2%80%9D-%E2%80%93-direct-addressing-asmr-role

Waade, A. M. (2015). “Behind Every Series is a Strong Woman”: Gender as transnational production value in the Danish TV drama series.. Paper presented at TV in the Age of Transnationalisation and Transmedialisation, London, United Kingdom.

Waade, A. M. (2020). ‘Just Follow the Trail of Blood’: Nordic Noir Tourism and Screened Landscapes. In A. M. Waade, E. N. Redvall & P. M. Jensen (Eds.), Danish Television Drama: Global Lessons from a Small Nation (pp. 231-252). Palgrave Macmillan. Palgrave European Film and Media Studies https://doi.org/10.1007/978-3-030-40798-8

Thomsen, L. H. (2014). ‘It’s like a family!’ - The Unity and Community of Journalists: On connections between newsrooms and how journalists share a community of practice.. Paper presented at Ecrea 2014, Lisbon, Portugal. http://ecrea2014.ulusofona.pt/

Thomsen, L. H. (2016). ‘It’s like a family!’: On connections between newsrooms and how journalists share a community of practice. http://www.media-anthropology.net/file/thomsen_like_a_family.pdf

Jensen, P. M. (2017). ‘Far Away, So Close’: Sydney-siders Watching Forbrydelsen, Borgen And Bron/Broen . Paper presented at ECREA TV Section Conference 2017, Málaga, Spain.

Bengesser, C. H. & Antoniazzi, L. (2021). ‘European Netflix’, Media Policy and PSBs Interoperability. In Diversity and Transculturality on VoD platforms (pp. 38-50)

Waade, A. M. (2012). ‘Death in a Cold Climate’: Wallander tourism, production value and belongings. Paper presented at Cultural Studies Association of Australia, Sydney, Australia.

Kjeldgaard-Christiansen, J. (2017). ‘A Monster for the Ages': Anton Chigurh and the Image of Evil. 16:9. http://www.16-9.dk/2017/10/a-monster-for-the-ages/

Tække, J. (2007). Introduktion til Luhmanns organisationsteori i lyset af hans almene systemteori. (1 ed.) (pp. 1-16).

Povlsen, K. K. (2006). køn, litterær kvalitet og presset fra medierne: Kanindebatten i kulturhistorisk lys. Kvinder, Koen og Forskning, 06(1), 51-59.

Povlsen, K. K. (2013). krimi, krimi, krimi. In O. Ingemann-Hansen, K. K. Povlsen & G. T. Nielsen (Eds.), Viden om drab (pp. 129-141). Aarhus Universitetsforlag. Viden om-serien Vol. 1 No. 2

Johansen, S. L. (2013). iPads som legetøj - medialiseringen af børns leg. Vera : tidsskrift for pædagoger.

Karoff, H. S. & Johansen, S. L. (2015). iPads og god legestemning. In E. Brandt & A. Pedersen (Eds.), Digital Pædagogik (pp. 21-32). Systime.

Johansen, S. L. (2012). iPad, krop og stemning. http://videnskab.dk/blog/ipad-krop-og-stemning

Brügger, N. (2010). dr.dk’s historie 1996-2006: Et eksempel på webhistorie. Humaniora, 25(1), 12-15.

Teke, N. (2006, Mar 20). Zimbabwe's MDC and Cameroon's SDF: Epitomes of Africa's Frivolous Opposition.

Mortensen, F. & Reitan, R. (Ed.) (2001). Ytringsfrihed og informationsfrihed - Danmark og Den europæiske menneskerettighedskonvension. In Vejen ved verdens ende - Festskrift til Jens Cramer

Waade, A. M. (2010). Ystad som (å)sted i Wallander serierne : Analyse af brug af location i henholdsvis den svenske Wallander II serie og den engelske BBC Wallander serie. Paper presented at SMID 2010, Kolding, Denmark.

Johansen, S. L. & Givskov, C. (2015). Young or old: – discussions on age groups and media use . Abstract from NordMedia, København, Denmark.

Johansen, S. L. (2008). Young Children as Media Users and Consumers. In D. Buckingham & V. Tingstad (Eds.), Proceedings from Child and Teen Consumption 2008: NoSEB, NTNU, Trondheim, Norge (pp. 569-581). Norges teknisk-naturvitenskapelige universitet. http://www.svt.ntnu.no/noseb/Consuming/papers.pdf

Johansen, S. L. & Larsen, M. C. (2016). Young Children (0-8) and Digital Technology: A Qualitative Exploratory Study - National Report - DENMARK.

Christensen, N. & Johansen, S. L. (2018). YouTube er en del af dannelsen! LæringsCentret, (2), 8-9. http://plcf.dk/wp-content/uploads/2018/03/L%C3%A6ringsCentret_nr2_18.pdf

Tække, J. & Paulsen, M. (2018). Written interaction in education: Bildung through social media. In S. Zlitni (Ed.), Réseaux Sociaux, Traces Numériques et Communication Electronique (5 ed., pp. 319-335). Réseaux Sociaux, Traces Numériques et Communication Electronique

Nielsen, J. (2013). Working in and across archives. Abstract from Digital Archives, Audiovisual Media and Cultural Memory, Copenhagen, Denmark. http://larm.blogs.ku.dk/files/2013/08/AbstractsTilProgam1Nov.pdf

Bruun, H. (2016). Work Package 4: Kommunikation og medier: Mus og medier. In H. Callesen (Ed.), AU Cross Species Centre Aarhus Universitet, Det Jordbrugsvidenskabelige Fakultet.

Tække, J. (2008). Winni Johansen og Finn Frandsen: Krisekommunikation - når virksomhedens image og omdømme er truet, Forlaget Samfundslitteratur, 2007. MedieKultur, 08(44), 74-76.

Brügger, N. (2009). Wiki i tilknytning til forskningsprojektet "dr.dk's historie 1996-2006". http://drdk.dk/wiki

Clasen, M. (2016, Oct 28). Why we love horror (and Halloween). http://blog.oup.com/2016/10/horror-film-popularity/

Tække, J. (2015, Jan). Why we are tracking. http://www.jespertaekke.dk/2015/01/why-we-are-tracking/

Bengesser, C. (2022). Why translations matter – An introduction to Critical Studies in Television’s new section ‘In Translation’. Critical Studies in Television, 17(1), 76-83. https://doi.org/10.1177/17496020211070046

Clasen, M. (2020). Why the World Is a Better Place with Stephen King in It: An Evolutionary Perspective. In J. Carroll, M. Clasen & E. Jonsson (Eds.), Evolutionary Perspectives on Imaginative Culture (pp. 325-341). Springer. https://doi.org/10.1007/978-3-030-46190-4_17

Kjeldgaard-Christiansen, J. (2020, Jan 15). Why has it become so difficult to spot who’s the villain in Disney films? Evolutionary Studies in Imaginative Culture (ESIC). https://esiculture.com/blog/2020/1/15/whos-the-villain-in-disney-films

Jensen, P. M. (2015). Why does Danish TV Drama Travel? A Three-Tier Seven-Country Audience Study on the Rise of Denmark’s Transnational TV Culture: A Three-Tier Seven-Country Audience Study on the Rise of Denmark’s Transnational TV Culture. Paper presented at IAMCR 2015, Montreal, Canada.

Hansen, L. E. & Degn, H-P. (2021). Why do people attend cultural events? Towards a typology of motivations. Abstract from NCCPR 2021: Nordic Conference on Cultural Policy Research, Borås, Sweden.

Kjeldgaard-Christiansen, J. (2017). Why Publish, and Why Publish in Leviathan: Interdisciplinary Journal in English? Leviathan: Interdisciplinary Journal in English, (1), 1-4. https://doi.org/10.7146/lev.v0i1.96776

Clasen, M. (2017). Why Horror Seduces. Oxford University Press.

Clasen, M. (2018, Jan 7). Why Horror Is So Popular: And may even be good for us. http://sciencenordic.com/why-horror-so-popular

Jensen, P. M. (2016). Why Does the World Love Danish Television Drama?. Abstract from SMID Biennial Meeting, Middelfart, Denmark.

Bechmann, A. (2017). Whose vision? The Use of Convolutional Neural Networks on Facebook Images. Abstract from Social AI, Irvine, CA, United States.

Karlsson, A. (2021). Whose bodies? Approaching the quantified menstruating body through a feminist ethnography. In B. Ajana, J. Braga & S. Guidi (Eds.), The Quantification of Bodies in Health: Multidisciplinary Perspectives (pp. 117-132). Emerald Group Publishing.

Displaying results 1 to 50 out of 1704

Revised 13.04.2021

Mathias Holm Tveen