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School of Communication and Culture

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Sonne Damkjær, M. (2017). The role of digital media for new parents’ information practices: negotiating parenthood truths. Abstract from NordMedia 2017: Mediated Realities - Global Challenges, Tampere, Finland.

Douw, L., van Dellen, E., Gouw, A. A., Griffa, A., de Haan, W., van den Heuvel, M., Hillebrand, A., Van Mieghem, P., Nissen, I. A., Otte, W. M., Reijmer, Y. D., Schoonheim, M. M., Senden, M., van Straaten, E. C. W., Tijms, B. M., Tewarie, P. & Stam, C. J. (2019). The road ahead in clinical network neuroscience. Network Neuroscience, 3(4), 969-993. https://doi.org/10.1162/netn_a_00103

Arregui Olivera, C. & Cheruiyot, D. (2023). The risks of peace: Exploring the relationship between peaceocracy and journalism in Kenya. The International Communication Gazette (Online), 85(8), 663-677. https://doi.org/10.1177/17480485231214365

Degn, H.-P., Straubhaar, J. D. & Hjarvard, S. (2009). The Rise of the Anglophone in an Increasingly Multilayered, Transnational Danish Television System and Audience?. Paper presented at Keywords in Communication. 59th Annual Conference of ICA., Chicago, United States.

From, U. (2010). The Reading of Cultural and Lifestyle Journalism. Nordic Journal of Media Studies, 8, 157–175. https://doi.org/10.1386/nl.8.157_1

Brænder, M. (2022). The Rainbow Curtain in the European Armed forces: how military personnel attitudes amplify those of their civilian counterparts. Paper presented at The sixth Kinneret Conference on Civil-Military Studies, Israel.

Bruun, H. (2016). The Qualitative Interview in Media Production Studies. In C. Paterson, D. Lee, A. Saha & A. Zoellner (Eds.), Advancing Media Production Research : Shifting Sites, Methods, and Politics (pp. 131-146). Palgrave Macmillan.

Clasen, M., Kjeldgaard-Christiansen, J. & Johnson, J. A. (2019). The Psychological Underpinnings of Horror Media: Survey Results and Theoretical Implications. Abstract from SCSMI 2019, Hamburg, Germany.

Scrivner, C., Andersen, M., Schjødt, U. & Clasen, M. (2023). The Psychological Benefits of Scary Play in Three Types of Horror Fans. Journal of Media Psychology, 35(2), 87-98. https://doi.org/10.1027/1864-1105/a000354

Bruun, H. (2016). The Prism of Change: 'Continuity' in Public Service Television in the Digital Era. Nordicom Review, 37(2), 1-17. https://doi.org/10.1515/nor-2016-0016

Brænder, M. & Holsting, V. S. (2022). The Power of Experience? Innovative and Authoritative Leadership Values Among Danish Army Cadets. Armed Forces and Society, 48(1), 70-91. https://doi.org/10.1177/0095327X20951435

Tække, J. (2020). The post-humanism of Niklas Luhmann’s systems theory. 1-10. Paper presented at Posthumanism 20/20 , Aarhus, Denmark.

Bruun, H. & Lassen, J. M. M. (2023). The platformisation of public service television: a quatitative study of the changing continuity announcements on DR and TV 2. Abstract from NordMedia 2023, Bergen, Norway.

Jensen, P. M. (2016). The peripheral counter-flow of Danish TV drama and the reasons behind it: a non-anglophone turn in global television?. Paper presented at ECREA 2016 Prague, Prague, Czech Republic.

Pedersen, B. S. & Have, I. (2014). The Performing Voice of the Audiobook. In M. Angelucci & C. Caines (Eds.), VOICE/PRESENCE/ABSENCE: An interdisciplinary dialogue on voice and the humanities Article 11 UTS epress. https://doi.org/10.5130/978-1-86365-431-9

Korsgaard, M. B. (2017). The Origins of Ruben Östlund's Long-Take Style. 16:9. http://www.16-9.dk/2017/11/ruben-ostlund/

Brügger, N. (2003). Theories of Media and Communication: Histories and Relevance. (Skrifter om medie- og kommunikationsteori, 01 ed.) Forskningsprojektet Medie- og kommunikationsvidenskabernes teorier.

Brügger, N. (2008). Theoretical Reflections on the Website and Website History: The Website as an object of study. Paper presented at The ICA pre-conference 'The Long History of New Media: Contemporary and Future Developments Contextualized', Montreal, Canada.

Brügger, N. (2002). Theoretical Reflections on Media and Media History. In Media History: Theories, Methods, Analysis (red. N. Brügger, S. Kolstrup) (pp. 33-66). Aarhus Universitetsforlag.

Teke, N. (2003). The Opposition should Learn from History. The Post Newspaper, (0470), 4.

Tække, J. (2023). The Nexus of Education, Climate Crisis, and Digital Media Revolution: An Examination of Future Scenarios. 1-16. Paper presented at NordMedia 2023, Bergen, Norway.

Brænder, M. & Holsting, V. S. (2017). The New Spirit of Militarism? Person/organisation-fit and the economies of worth among new military cadets. Paper presented at The Inter-University Seminar on Armed Forces and Society, Reston, VA, United States.

Clasen, M. (2023). The New Science of Recreational Fear. Anglo Files, 2023(207), 36-41.

Jauert, P. (2014). The New Radio and Social Media: PSM forms of user participation and inclusion. Paper presented at RIPE 2014, Tokyo, Japan.

Bruun, H. (2015). The new communicative ethos of the political debate talk show in Danish multi-platform public service television. International Journal of Digital Television, 6(1), 25-41. https://doi.org/10.1386/jdtv.6.1.25_1

Brügger, N. (2021). The need for research infrastructures for the study of web archives. In D. Gomes, E. Demidova, J. Winters & T. Risse (Eds.), The past web: Exploring web archives (pp. 217-224). Springer. https://doi.org/10.1007/978-3-030-63291-5_17

Korsgaard, M. B. & Jirsa, T. (2019). The Music Video in Transformation: Notes on a Hybrid Audiovisual Configuration. Music, Sound and the Moving Image, 13(2), 111-122. https://doi.org/10.3828/msmi.2019.7

Have, I. (2012). The musicalized soundtracks of Armadillo: Emotional realism and real emotions. SoundEffect, Vol 2 (No 1), 155-170. https://doi.org/The Musicalized Soundtrack of Armadillo

Have, I. (2017). The Musical Framing of THE BEACH. Short Film Studies, 7(1), 63-65. https://doi.org/10.1386/sfs.7.1.63_1

Brænder, M. (2022). The military profession in transition – an analytical framework. Paper presented at Centrum för Studier av Militär och Samhälle (CSMS): Modern militär professionalism, Stockholm, Sweden.

Damkjaer, M. S. (2024). The life-transition perspective in mediatization research: Exploring lived experiences of media-related social changes through transitioning social roles. Media, Culture & Society, 46(6), 1251-1268. https://doi.org/10.1177/01634437241237946

Kjeldgaard-Christiansen, J. (2019). The Leviathan Podcast. Pictures, Video and sound recordings (digital) https://soundcloud.com/user-283260542

Brügger, N. (2001). The Last page of the Internet?. Paper presented at Preserving the Present for the Future. Conference on strategies for the Interne. http://www.deflink.dk/upload/doc_filer/doc_alle/846_Trykt%20proceeding.pdf

Waade, A. M. & Jensen, P. M. (2013). The Killing and The Bridge as Nordic Noir: Setting, LIght and Language as Production Values in Danish TV series. Paper presented at nordmedia 2013: Defending Democracy, Oslo, Norway.

Teke, N. (2005, Nov 28). The Kibaki Chameleon.

Damkjaer, M. S. (2017, Apr 13). The ‘joys’ of digital media in new parenting. London School of Economics. http://blogs.lse.ac.uk/parenting4digitalfuture/2017/04/13/the-joys-of-digital-media-in-new-parenting/

Teke, N. (2004, Nov 16). The Ivorian Crisis: Xenophobia as Patriotism.

Johansen, S. L. (2013). The iPad as a Tool for Play: Methodological Considerations. Paper presented at nordmedia 2013: Defending Democracy, Oslo, Norway. http://www.academia.edu/4782319/The_iPad_as_a_Tool_for_Play_-_Methodological_Considerations._Paper_for_NordMedia_2013._Oslo_August_2013

Bechmann, A. (2017). The Invisible Shaping of Public Discourse in Online Spaces: Algorithms. Abstract from AOIR 2017 Networked Publics, Tartu, Estonia.

Presser, M., Zhang, Q., Bechmann, A. & Beliatis, M. (2018). The Internet of Things as Driver for Digital Business Model Innovation. In A. Aagaard (Ed.), Digital Business Models: Driving Transformation and Innovation (pp. 27-55). Springer. https://doi.org/10.1007/978-3-319-96902-2_2

Jensen, P. M. (2008). The International Extent and Elasticity of Lifestyle Television. MedieKultur, 45.

Brügger, N. (2012). The Idea of Public Service in the Early History of DR Online. In N. Brügger & M. Burns (Eds.), Histories of Public Service Broadcasters on the Web (pp. 91-104). Peter Lang.

Clasen, M. (2010). The Horror! The Horror! The Evolutionary Review, 1(1), 112-119.

Brügger, N. & Laursen, D. (Eds.) (2019). The historical web and Digital Humanities: The case of national web domains. Routledge. Digital Research in the Arts and Humanities

Clasen, M., Trotta, J. & Sadri, H. (2017). The GotPop Popular Culture Podcast: The horror! The horror!. Pictures, Video and sound recordings (digital), Soundcloud. https://soundcloud.com/gotpop/gotpop09

Kjeldgaard-Christiansen, J., Sadri, H. & Trotta, J. (2018). The GotPop Popular Culture Podcast: Smile, and Be a Villain. Pictures, Video and sound recordings (digital), University of Gothenburg.

Kjeldgaard-Christiansen, J. (2016). “The good ended happily and the bad unhappily”: An Evolutionary Approach to Narrative Agonistic Structure. Abstract from The 28th Human Evolution and Behavior Society conference, Vancouver, Canada.

Johansen, S. L. (2015). The Glue of Everyday Life: – children’s playful media practices . Abstract from NordMedia, København, Denmark.

Jensen, P. M. (2016). The Global Rise of the Danish TV Drama. Paper presented at Transnational Audiences, Wollongong, Australia.

Jensen, P. M. & Jacobsen, U. C. (Eds.) (2020). The Global Audiences of Danish Television Drama. Nordicom. http://norden.diva-portal.org/smash/record.jsf?pid=diva2%3A1414057&dswid=-2095

Displaying results 251 to 300 out of 1763

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Revised 13.03.2023