Publications

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Korsgaard, M. (2009). Den omvendte død. 16:9, 7.årgang(30), 8. http://www.16-9.dk/2009-02/side08_filmanmeldelse.htm

Korsgaard, M. (2005). Velskrevet medievejviser. Graf, 3.årgang(3).

Korsgaard, M. (2009). Leth og selvrepetitionen. 16:9, 7.årgang(nr. 34), 10. http://16-9.dk/2009-11/side10_dvdanmeldelse.htm

Korsgaard, M. (2010). En scenes anatomi: Lynchs kaffekopper. 16:9, 8.årgang(35), 7. http://16-9.dk/2010-02/side07_anatomi.htm

Korsgaard, M. B. (2011). Emotional Landscapes: The Construction of Place in Björk's Music and Music Videos. In B. M. S. Thomsen & K. Ørjasæter (Eds.), Globalizing Art: Negotiating Place, Identity and Nation in Contemporary Nordic Art Aarhus Universitetsforlag.

Korsgaard, M. B. (2011). Reality killed the video star? Musikvideoens remediering på nettet. CUT, nr.95, 16-21.

Korsgaard, M. B. (2011). Den interaktive musikvideo. 16:9, (41).

Korsgaard, M. B. (2012). Creation and Erasure: Music Video as a Signaletic Form of Practice. Journal of Aesthetics & Culture, 4-2012. https://doi.org/10.3402/jac.v4i0.18151

Korsgaard, M. B. (2013). Music Video Transformed. In C. Gorbman, J. Richardson & C. Vernallis (Eds.), The Oxford Handbook of New Audiovisual Aesthetics Oxford University Press.

Korsgaard, M. B. (2013). Et billedes anatomi: en hemmelig note i Oldboy? 16:9, 11(53), 12-. http://16-9.dk/2013-11/side12_frame.htm

Korsgaard, M. B. (2014). I Don't Want My MTV: Musikvideoens forhistorie. 16:9. http://www.16-9.dk/2014/06/i-dont-want-my-mtv/

Korsgaard, M. B. (2014). Ansigtet som maske. 16:9. http://www.16-9.dk/2014/07/ansigtet-som-maske/

Korsgaard, M. B. (2015). Det indifferente kamera: Et billedes anatomi. 16:9. http://www.16-9.dk/2015/03/det-indifferente-kamera/

Korsgaard, M. B. (2015, Mar 18). Video-essay: Musikvideoens visuelle polyfoni. 16:9 Vol. 18.3.2015 http://www.16-9.dk/2015/03/musikvideoens-visuelle-polyfoni/

Korsgaard, M. (2016). Godard in Wall-eyed 3D. 16:9. http://www.16-9.dk/2016/05/godard-in-wall-eyed-3d/

Korsgaard, M. (2017). Music Video After MTV: Audiovisual Studies, New Media, and Popular Music. Routledge. https://doi.org/10.4324/9781315617565

Korsgaard, M. (2016). Pik træet og nisseost. 16:9. http://www.16-9.dk/2016/11/pik-traeet-og-nisseost/

Korsgaard, M. (2017). Reddet i sidste øjeblik. 16:9. http://www.16-9.dk/2017/06/reddet-i-sidste-oejeblik/

Korsgaard, M. (2017). En husmoders væsentligste redskaber. 16:9. http://www.16-9.dk/2017/08/en-husmoders-redskaber/

Korsgaard, M. B. (2017). The Origins of Ruben Östlund's Long-Take Style. 16:9. http://www.16-9.dk/2017/11/ruben-ostlund/

Korsgaard, M. B. (2017). Dramaturgi i nye medier og korte audiovisuelle formater. In M. W. Linnebjerg & M. Højer (Eds.), Det nye mediefag - et inspirationsmateriale (pp. 42-49). Medielærerforeningen/Undervisningsministeriet. https://www.emu.dk/sites/default/files/Det%20Nye%20Mediefag.pdf

Korsgaard, M. B. (2018). Er Lars von Trier egentlig morsom? 16:9. http://www.16-9.dk/2018/09/er-lars-von-trier-egentlig-morsom/

Korsgaard, M. B. (2018). "All Kind of Manner of Crazy Monsters" - om dårlige special effects. 16:9. http://www.16-9.dk/2018/11/crazy-monsters/

Korsgaard, M. B. (2019). Audiovisual Literacy and the Ghost of Silent Cinema in Contemporary YouTube Clips. Quarterly Review of Film and Video, 36(7), 573-583. https://doi.org/10.1080/10509208.2019.1593017

Korsgaard, M. B. (2019). Changing dynamics and diversity in music video production and distribution. In L. Burns & S. Hawkins (Eds.), The Bloomsbury handbook to popular music video analysis Bloomsbury Academic.

Korsgaard, M. B. (2019). Leths stilistiske (im)perfektion: 66 scener fra Amerika. 16:9. http://www.16-9.dk/2019/02/leths-stilistiske-imperfektion/

Korsgaard, M. B. & Halskov, A. (2019). 16:9 Podcast: Populærmusik på film (1:2). Pictures, Video and sound recordings (digital), 16:9 Filmtidsskrift. http://www.16-9.dk/2019/06/podcast-03/

Korsgaard, M. B. & Halskov, A. (2019). 16:9 Podcast: Populærmusik på film (2:2). Pictures, Video and sound recordings (digital), 16:9 Filmtidsskrift. http://www.16-9.dk/2019/06/podcast-04/

Korsgaard, M. B. (2019). Den falske happy end i Eternal Sunshine of the Spotless Mind. 16:9. http://www.16-9.dk/2019/09/eternal-sunshine-of-the-spotless-mind/

Korsgaard, M. B. (2019). SOPHIE's 'Faceshopping' as (Anti-)Lyric Video. Music, Sound and the Moving Image, 13(2), 209-230. https://doi.org/10.3828/msmi.2019.12

Korsgaard, M. B. & Jirsa, T. (2019). The Music Video in Transformation: Notes on a Hybrid Audiovisual Configuration. Music, Sound and the Moving Image, 13(2), 111-122. https://doi.org/10.3828/msmi.2019.7

Korsgaard, M. B. (2019). Den dobbelte darling: Bong Joon-hos The Host. 16:9. http://www.16-9.dk/2019/12/den-dobbelte-darling-the-host/

Korsgaard, M. B. (2020). Parasite er som mange film på én gang. 16:9. http://www.16-9.dk/2020/01/parasite/

Korsgaard, M. B. (2021). Projections of Image on Sound: Reassessing the Relation Between Music Video and Cinema. In C. Cenciarelli (Ed.), The Oxford Handbook of Cinematic Listening (pp. 619-638). Oxford University Press. https://doi.org/10.1093/oxfordhb/9780190853617.001.0001

Korsgaard, M. B. (2020). 'Musical Moments' i nyere serier. In J. I. Nielsen, M. B. Korsgaard, H. Højer & A. Halskov (Eds.), Streaming for viderekomne: Fra Doggystyle til Black Mirror og The Jinx (pp. 196-216). VIA Film & Transmedia.

Korsgaard, M. B. (2020). Gyldne dråber: om den symbolske brug af alkohol på film. 16:9. http://www.16-9.dk/2020/04/gyldne-draaber/

Korsgaard, M. B. & Straw, W. (2020). Music Video. In Oxford Bibliographies Oxford University Press. https://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0046.xml

Korsgaard, M. B. (2020). Fake trailers as imaginary paratexts. MedieKultur: Journal of media and communication research, 36(68), 107-125. https://doi.org/10.7146/mediekultur.v36i68.118431

Korsgaard, M. B. (2021, Dec). Glas og regn: Et interview med Kristian Eidnes Andersen. 16:9 Filmtidsskrift. http://www.16-9.dk/2021/12/glas-og-regn/

Korsgaard, M. B., Nielsen, J. I., Højer, H., Langkjær (vært), J. & Oxholm (optagelse, klip), J. (2022). Kunstfilmen i streaminglandskabet. Pictures, Video and sound recordings (digital), 16:9 Filmtidsskrift. http://www.16-9.dk/2022/03/podcast-07/

Korsgaard, M. B. (2022). The End... or Is It?. Pictures, Video and sound recordings (digital), [in]Transition. http://mediacommons.org/intransition/end-or-it

Korsgaard, M. B. (2022). Paul Frosh, The Poetics of Digital Media. Screen, 63(2), 252–254. https://doi.org/10.1093/screen/hjac015

Korsgaard, M. B. (2023). It Belongs in a Museum? Music Videos in Danish Museum Exhibitions. In K. Dreckmann & E. Vomberg (Eds.), More Than Illustrated Music: Aesthetics of Hybrid Media between Pop, Art, and Video (pp. 47-58). Bloomsbury Academic. https://doi.org/10.5040/9781501381263.0010

Korsgaard, M. B. (2022). Hvordan analyserer man en musikvideo? 16:9. http://www.16-9.dk/2022/09/musikvideo/

Korsgaard, M. B. (2023). "If You Don't Have at Least Two Careers, You Don't Fit In": Transmedia Authorship and the Music Videos of Sofia Coppola. In S. Ferriss (Ed.), The Bloomsbury Handbook to Sofia Coppola (pp. 125-138). Bloomsbury Academic. https://doi.org/10.5040/9781350244337.0016

Korsgaard, M. B. (2022). Parasite: Props at the Periphery of Perception. Pictures, Video and sound recordings (digital), 16:9 Filmtidsskrift. http://www.16-9.dk/2022/11/169-seconds-parasite/

Korsgaard, M. B. (2023). Porten til Riget er lukket. 16:9, Forår 2023. http://www.16-9.dk/2023/02/riget-exodus/

Korsgaard, M. B. (2023). Music Videos and Video Games: Radiohead's Kid A Mnesia Exhibition. In M. B. Korsgaard & T. Jirsa (Eds.), Traveling Music Videos (pp. 185-198). Bloomsbury Academic.

Korsgaard, M. B. (2023). Analyzing Music Videos: On Weval's "Someday". Pictures, Video and sound recordings (digital), COLLATERAL: Online Journal for Cross-Cultural Close Reading. https://www.collateral-journal.com/index.php?cluster=36

Korsgaard, M. B. & Nielsen, J. I. (2023). 16:9 Podcast: 16:9 fylder 20 år. Pictures, Video and sound recordings (digital), 16:9 Filmtidsskrift. http://www.16-9.dk/2023/09/podcast-08/

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