Anette Vandsø is an assistant professor of Aesthetics and Culture at Aarhus University in Denmark, whose work draws on art, cultura, media and environmental theories to examine how aesthetic experiences reflect and impact larger societal and cultural contexts. Working within the scope of attention ecology she is primarily intersted in the sensorial phenomenon that exits in the periphery of our cognitive field - in particular sound and plants.
She is expert in sound art, anthropocene and plantbased art, acoustic ecology, avantgarde art, and environmental humanities. She was previously researcher and Head of Collection and Research at the Artmuseum ARoS.
In her most recent projects Hidden Plant Stories and The Garden: The Aesthetic Reconfiguration of Nature, she explores ecology, materiality, and art in the context of (Pl)anthropocene issues, with exhibitions at ARoS, Den Hirschsprungske Samling and Ordrupgaard.
Her earlier project A World in Sound supported by the prestegious Danish Sapere Aude Elite research program focussed on contemporary sound artists’ use of technologies of listening as a way of staying with current troublesome issues such as attention economy, digital culture or environmental issues. Vandsø’s ph.d. project (published Musik som værk og handling) developed a performative (sonic) work concept that still informs her current research.
She is currently co-director of the research programme in Environmental Media and Aesthetics at Aarhus University and member and supporting head of Center for Sound Studies
I teach and supervise broadly within aesthetics, cultural, art, and media theory.
I often give guest lectures on my research; On sound art and sonic citizenship. On climate art, the Anthropocene, plant and post-nature in art.
Jeg indgår jævnligt i samarabejder med eksterne partnere i en rådgivende funktion og har især arbejdet med-
- kunstmuseers forsknings- og samlingsstrategi.
- professionalisering af ensembler og foreninger for ny musik
-udvikling af forskningscentre på tværs af institutioner. Som leder af Center for Sound Studies arbejde jeg for med etableringen af forskningscenter for sonisk kulturarv sammen med Nationalmuseet og Struer museum.
- udvikling af udstillingskoncepter, advisory board på udstillinger
