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School of Communication and Culture

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Korsgaard, M. B. & Nielsen, J. I. (2023). 16:9 Podcast: 16:9 fylder 20 år. Pictures, Video and sound recordings (digital), 16:9 Filmtidsskrift. http://www.16-9.dk/2023/09/podcast-08/

Korsgaard, M. B. (2023). 169 Seconds: Causality in The Square. Pictures, Video and sound recordings (digital), 16:9 Filmtidsskrift. http://www.16-9.dk/2023/10/causality-in-the-square/

Korsgaard, M. B. (2024). En kamp på den filmsproglige frontlinje: Martin de Thurah om hans musikvideoer. 16:9. https://www.16-9.dk/2024/01/martin-de-thurah/

Korsgaard, M. B. (2024). Music Video Space. Pictures, Video and sound recordings (digital), [in]Transition. https://intransition.openlibhums.org/article/id/15421/

Korsgaard, M. B. (2024). "You Can't Get the Feeling Back": The Sounds of Twin Peaks: The Return Between Film and Television. In A.-E. Pääkkölä, T. Auvinen, F. Jarman & J. Deaville (Eds.), Between Popular Music and Avant-Garde: Essays in Honour of John Richardson Suomen Etnomusikologinen Seura.

Korsgaard, M. B. (2024). Hvad er 'the sunken place'? Om hypnosescenen i Get Out. 16:9. https://www.16-9.dk/2024/12/hypnosescenen-i-get-out/

Korsgaard, M. B. (2025). Vernacular Music Video: Danish Music Videos Outside the Music Industry. In A.-E. Pääkkölä, M. B. Korsgaard & J. Richardson (Eds.), Nordic Music Videos (pp. 291-304). Routledge. https://doi.org/10.4324/9781003514008-23

Korsgaard, M. B. (2025). Interview with Rasmus Stolberg of Efterklang. In A.-E. Pääkkölä, M. B. Korsgaard & J. Richardson (Eds.), Nordic Music Videos (pp. 230-239). Routledge. https://doi.org/10.4324/9781003514008-17

Korsgaard, M. B. (2025). Interview with Martin de Thurah. In A.-E. Pääkkölä, M. B. Korsgaard & J. Richardson (Eds.), Nordic Music Videos (pp. 240-247). Routledge. https://doi.org/10.4324/9781003514008-18

Korsgaard, M. B. (2025). Troskab gennem udeladelse i serieadaptationen af The Last of Us. 16:9. https://www.16-9.dk/2025/04/the-last-of-us/

Korsgaard, M. B. (2025). 16:9 Podcast: Bong Joon-ho. Pictures, Video and sound recordings (digital) https://www.16-9.dk/2025/04/podcast-bong-joon-ho/

Korsgaard, M. B. (2013). Music Video Today: Audiovisual Remediation in Postmillennial Music Video.

Korsgaard, M. B. (2025). The History of Music Video in 169 Seconds. Pictures, Video and sound recordings (digital), 16:9 Filmtidsskrift. https://www.16-9.dk/2025/06/the-history-of-music-video/

Korsgaard, M. B. (2026). Knogler og plastik : Lyden af en slåskamp i Toy Story. 16:9. https://16-9.dk/2026/03/knogler-og-plastik-lyden-af-en-slaaskamp-i-toy-story/

Knudsen, B. T. & Waade, A. M. (Eds.) (2010). Re-investing Authenticity: Tourism, Place and Emotions. Channel View Publications.

Knudsen, B. T. & Waade, A. M. (2010). Performative Authenticity in Tourism and Spatial Experience: Rethinking the relation between travel, place and emotion in the context of cultural economy and emotional geography. In Re-investing Authenticity: Tourism, Place and Emotions (pp. 1-19). Channel View Publications.

Knudsen, L., Werge, L., Blaagaard, C., Albrechtsen, T., Bechmann, A., Kürstein, B., Petersen, T. D., Hvid, A., Ploug, T., Bolander, T., Bodskov, H., Simonsen, K., Munk, G. & Langhorn, A. (2019). AI, MEDIER OG DEMOKRATI: Sådan styrker vi vores demokratiske immunforsvar. IDA for Siri Kommissionen. https://ida.dk/media/3441/ai-medier-og-demokrati-2019-siri-komissionen.pdf

Klausen, H. B. & Stephensen, J. L. (2017). Lyde, der føles godt: Multisensorisk online markedskommunikation. In B. Stougaard Pedersen & A. M. Waade (Eds.), Kreativ markedskommunikation : Æstetik og deltagelse (pp. 65-92). Systime.

Klausen, H. B. & Have, I. (2019). "Today let's gently brush your ears": ASMR som mediekulturelt og lydligt fænomen. MedieKultur, 35(66), 37-54. https://doi.org/10.7146/mediekultur.v35i66.106133

Klausen, H. B. (2019). 'Safe and Sound': What technologically-mediated ASMR is capable of through sound. SoundEffects, 8(1), 87-103. https://www.soundeffects.dk/article/view/115035

Klausen, H. B. (2019). T. L. Taylor: Watch Me Play. Princeton University Press. 2018. MedieKultur, 35(66). https://tidsskrift.dk/mediekultur/article/download/115622/164616

Klausen, H. B. (2019). The ambivalence of technology in ASMR experiences – do YouTube videos help or hinder to establish intimacy?. Paper presented at NordMedia 2019, Malmö, Sweden.

Klausen, H. B. & Toft-Nielsen, C. (2020). Editorial: MedieKultur 2020, 68. MedieKultur: Journal of media and communication research, 36(68), 001-003. https://tidsskrift.dk/mediekultur/article/view/121099/169468

Klausen, H. B. (2021). ASMR explained: role play videos as a form of touching with the eyes and the ears. First Monday, 26(9). https://doi.org/10.5210/fm.v26i9.11691

Klausen, H. B. (2021). The ambiguity of technology in ASMR experiences: Four types of intimacies and struggles in the user comments on YouTube. Nordicom Review, 42(S4), 124-136. https://doi.org/10.2478/nor-2021-0045

Klausen, H. B., Toft-Nielsen, C., Krogager, S. G. S. & Mortensen, C. H. (Eds.) (2020). MedieKultur: Journal of media and communication research. Sammenslutningen af Medieforskere i Danmark. MedieKultur Vol. 36 No. 68

Klausen, H. B. (2021, Mar 4). “I really love how Gibi always asks for consent before face touching” – direct addressing in ASMR role-play videos. http://mediacommons.org/imr/content/%E2%80%9Ci-really-love-how-gibi-always-asks-consent-face-touching%E2%80%9D-%E2%80%93-direct-addressing-asmr-role

Klausen, H. B. (2022). Touching from a distance’ – Conceptualizing the intimate, affective and para-haptic potentials of technologically-mediated ASMR. [PhD dissertation, Aarhus University].

Kjeldsen, A. M., Boye, S., Brænder, M., Jacobsen, C. B. & Jensen, U. T. (2016). Fast er foranderlig? Arbejdskontekstens betydning for offentligt ansattes public service-motivation. Økonomi og Politik, 89(4), 15-28.

Kjeldgaard-Christiansen, J. (2016). Evil Origins: A Darwinian Genealogy of the Popcultural Villain. Evolutionary Behavioral Sciences, 10(2), 109-122. https://doi.org/10.1037/ebs0000057

Kjeldgaard-Christiansen, J. (2016). “The good ended happily and the bad unhappily”: An Evolutionary Approach to Narrative Agonistic Structure. Abstract from The 28th Human Evolution and Behavior Society conference, Vancouver, Canada.

Kjeldgaard-Christiansen, J. (2017). The Bad Breaks of Walter White: An Evolutionary Approach to the Fictional Antihero. Evolutionary Studies in Imaginative Culture, 1(1), 103-120. https://doi.org/10.26613/esic/1.1.19

Kjeldgaard-Christiansen, J. (2016, Oct 31). Are Horror Video Games the Ultimate Scare? http://www.psychreg.org/horror-video-games-ultimate-scare/

Kjeldgaard-Christiansen, J. (2016, Jun 26). Video Games in a Culture of Convergence. https://thegameevolution.wordpress.com/2016/06/26/video-games-in-a-culture-of-convergence/

Kjeldgaard-Christiansen, J., Clasen, M. & Johnson, J. (2017). Can an Evolutionary Analysis Dissolve the Paradox of Horror? A Quantitative Study of Individual Variables and Horror Media Use. Abstract from The 29th Human Behavior and Evolution Society conference, Boise, Idaho, United States. http://goo.gl/WXK4NOcontent_copyCopy short URL

Kjeldgaard-Christiansen, J. (2019). Skurke. Aarhus Universitetsforlag. Tænkepauser - viden til hverdagen Vol. 65

Kjeldgaard-Christiansen, J. (2017). Why Publish, and Why Publish in Leviathan: Interdisciplinary Journal in English? Leviathan: Interdisciplinary Journal in English, (1), 1-4. https://doi.org/10.7146/lev.v0i1.96776

Kjeldgaard-Christiansen, J. (2017). ‘A Monster for the Ages': Anton Chigurh and the Image of Evil. 16:9. http://www.16-9.dk/2017/10/a-monster-for-the-ages/

Kjeldgaard-Christiansen, J. (2018). Social Signals and Antisocial Essences: The Function of Evil Laughter in Popular Culture. Journal of Popular Culture, 51(5), 1214-1233. https://doi.org/10.1111/jpcu.12728

Kjeldgaard-Christiansen, J. (2017, Oct 3). What Makes Pennywise from It so Damn Creepy? MovieGeek. http://www.moviegeek.eu/what-about-clowns-and-about-clown-pennywise-in-it-is-so-damn-creepy.html

Kjeldgaard-Christiansen, J. (2019). Disneys helte og skurke mellem natur og kultur. In T. Kellberg Nielsen, A. Kratschmer, C. Andersen & M. Clasen (Eds.), Menneske, kultur, evolution : et biokulturelt perspektiv (pp. 187-200). Aarhus Universitetsforlag.

Kjeldgaard-Christiansen, J., Sadri, H. & Trotta, J. (2018). The GotPop Popular Culture Podcast: Smile, and Be a Villain. Pictures, Video and sound recordings (digital), University of Gothenburg.

Kjeldgaard-Christiansen, J. (2019). A Structure of Antipathy: Constructing the Villain in Narrative Film. Projections: The Journal for Movies and Mind, 13(1), 67-90. https://doi.org/10.3167/proj.2019.130105

Kjeldgaard-Christiansen, J. (2018). Studying English at Aarhus University: The Unknown Unknowns. Leviathan: Interdisciplinary Journal in English, (3), 1-5. https://doi.org/10.7146/lev.v0i3.108058

Kjeldgaard-Christiansen, J. (2018, Oct 14). Hvorfor tiltrækkes vi af antihelte som Walter White? Videnskab.dk. https://videnskab.dk/kultur-samfund/hvorfor-tiltraekkes-vi-af-antihelte-som-walter-white

Kjeldgaard-Christiansen, J. & Clasen, M. (2019). Threat Simulation in Virtual Limbo: An Evolutionary Approach to Horror Video Games. Journal of Gaming & Virtual Worlds, 11(2), 119-138. https://doi.org/10.1386/jgvw.11.2.119_1

Kjeldgaard-Christiansen, J. (2019). En god skurk ser ond ud. Videnskab.dk. https://videnskab.dk/kultur-samfund/en-god-skurk-ser-ond-ud

Kjeldgaard-Christiansen, J. (2019). Science Unlimited? The Challenges of Scientism by Boudry, Maarten, Massimo Pigliucci. Evolutionary Studies in Imaginative Culture, 2(2), 111-114. https://doi.org/10.26613/esic.2.2.96

Kjeldgaard-Christiansen, J. (2019). De fleste skurke er bare selviske slyngler: Superskurken er en sadistisk psykopat. Jyllands-Posten, 2021. https://jyllands-posten.dk/premium/viden/ECE11057427/de-fleste-skurke-er-bare-selviske-slyngler-superskurken-er-en-sadistisk-psykopat/

Kjeldgaard-Christiansen, J. & Schmidt Rasmussen, S. H. (2019). Disney’s Shifting Visions of Villainy from the 1990s to the 2010s: A Biocultural Analysis. Evolutionary Studies in Imaginative Culture, 3(2), 1-16. https://doi.org/10.26613/esic.3.2.140

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