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Hansen, L. E. (2011). Tegning som udtryksform - at tegne og at se. I L. E. Hansen (red.), Teateroplevelser: Hvad oplever børn, når de ser teater? (Bind rapport 2, s. 33-34). Scenekunstnetværket i Region Midtjylland.

Søndergaard, P. B. (2011). Tekstil-plastik. Passepartout, (32), 30-54.

Klujeff, M. L. & Roer, H. (2011). Temaintroduktion: Smæderetorik. Rhetorica Scandinavica, (57), 9-18.

Klujeff, M. L. & Roer, H. (2011). Tema: Smæderetorik. Rhetorica Scandinavica, (57), 3-112.

Nord, J. C. (2011). Teologi som akademisk fag og livsprojekt - Interview med Jørn Henrik Olsen. Figenbladet, (52), 8-10. http://www.e-pages.dk/aarhusuniversitet/263/8

Have, I. (2011, feb. 15). Testosteron-tv: “Livsfarlig fangst” til Nis Bank-Mikkelsens stemme. http://www.avlyt.dk/2011/02/testosteron-tv-livsfarlig-fangst-til-nis-bank-mikkelsens-stemme/

Knudsen, B. T. (2011). Thanatourism: Witnessing Difficult Pasts. Tourist Studies, 11(1), 55-72.

Biskjaer, M. M., Onarheim, B. & Wiltschnig, S. (2011). The Ambiguous Role of Constraints in Creativity: A Cross-Domain Exploration. I Proceedings of the Design, Development & Research conference, Cape Town, South Africa, September 26-27, 2011 http://www.design-development-research.co.za/uploadfolder/DDR%202011%20Full%20proceeding.pdf

Andersen, H. L. & Fernandez, S. S. (2011). The articulation of language modules at Danish foreign language bachelor studies. I R. Cancino, L. Dam & K. Jæger (red.), Policies, Principles, Practices. New Directions in Foreign Language Education in the Era of Educational Globalization (s. 114-138). Cambridge Scholars Press.

Hansen, L. K. (2011). The art is in the scale. Or: Using the GPS as a critical tool. Afhandling præsenteret på Nordic Geographers Meeting 2011, Roskilde, Danmark. http://ruconf.ruc.dk/index.php/ngm/ngm2011

Raskin, R. (2011). The Art of Storytelling in the Short Fiction Film: Guidelines for Student Filmmakers. (3. udg.) Institut for informations- og medievidenskab.

Thomsen, B. M. S. & Jørgensen, U. A. (2011). The Body As 'The Place of a Passage': On the Spatial Construction of Time in Olafur Eliasson's Installations. I B. M. S. Thomsen & Ø. Kristin (red.), Globalizing Art: Negotiating Place, Identity and Nation in Contemporary Nordic Art (s. 87-104). Aarhus Universitetsforlag.

Bødker, H. (2011). The Changing Significance of Commentary. Afhandling præsenteret på future of journalism, Cardiff, Storbritannien.

Böss, M. (2011). The Collapse of the 'Celtic Tiger' Narrative. Nordic Irish Studies, 10(1), 119-36.

Fuertes-Olivera, P. A. & Bergenholtz, H. (2011). The Construction of Internet Dictionaries. I P. A. Fuertes-Olivera & H. Bergenholtz (red.), e-Lexicography: The Internet, Digital Initiatives and Lexicography (s. 1-16). Bloomsbury Academic. http://www.statsbiblioteket.dk/au/showrecord.jsp?record_id=sb_4458673

Gram, N. & Wah Leong, T. (2011). The Creative iPod Listener. Afhandling præsenteret på ISEA 2011, Istanbul, Tyrkiet. http://isea2011.sabanciuniv.edu/paper/creative-ipod-listener

Stephensen, J. L. (2011). The Creative Public – Democratic or Productive? I J. Lund, G. Cox & C. U. Andersen (red.), Nyhedsavisen: Public Interfaces (Bind 1, s. 18). Center for Digital Æstetik-forskning.. http://darc.imv.au.dk/publicinterfaces/PublicInterfaces.pdf

Thylstrup, N. B. (2011). The digital dimension of European cultural politics : Index, Intellectual Property and Internet Governance. Culture Unbound: Journal of Current Cultural Research, 3, 317. http://www.cultureunbound.ep.liu.se/v3/a21/cu11v3a21.pdf

Hassall Thomsen, L. H. (2011). The digital Newsroom – from Square to Circle. Afhandling præsenteret på ECREA Barcelona 2008: The 2nd European Communication Conference, Barcelona, Spanien.

Fuertes-Olivera, P. A. & Nielsen, S. (2011). The Dynamics of Terms in Accounting: What the construction of the accounting dictionaries reveals about metaphorical terms in culture-bound subject fields. Terminology, 17(1), 157-180. http://search.ebscohost.com.ez.statsbiblioteket.dk:2048/login.aspx?direct=true&db=ufh&AN=61694370&site=ehost-live

Risum, J. (2011). The Effect of Mei Lanfang. I Jingju biaoyan lilun tixi jiangou [Theory and Construction of Jingju Performance]: Di-si jie jingjuxue guoji xueshu yantaohui (s. 416).

Teke, N. (2011). The Enduring Allure of Proximity-Based Campaign Communication Strategies in Cameroon. International Journal of Media and Cultural Politics, 7(3), 293-314.

Fusaroli, R. & Paolucci, C. (2011). The External Mind: A semiotic model of cognitive integration. Versus. Quaderni di studi semiotici, (112-113), 3-30.

Fusaroli, R., Granelli, T. & Paolucci, C. (red.) (2011). The External Mind: Perspectives on Semiosis, Distribution and Situation in Cognition. Bompiani. http://books.google.dk/books?id=8qjISvPtDdIC&printsec=frontcover&hl=da&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false

Leroyer, P. (2011). The Forms and Functions of Specialised Dictionaries for Practical Purposes. I K. Akasu & S. Uchida (red.), Lexicography: Theoretical and Practical Perspectives: Papers submitted to the Seventh ASIALEX Biennial International Conference (s. 313-322). Asian Association for Lexicography.

Khair, T. (2011). The Gothic, Postcolonialism and Otherness. Narration and Difference: Readings from Otherness. Palgrave Macmillan.

Bundgaard, P. (2011). The grammar of aesthetic intuition: on Ernst Cassirer's concept of symbolic form in the visual arts. Synthese, 179, 43-57.

Consalvo, M. & Ess, C. (2011). The handbook of internet studies. Wiley-Blackwell.

Thomsen, B. M. S. (2011). The Haptic Interface: On Signal Transmissions and Events. I C. U. Andersen & S. B. Pold (red.), Interface Criticism. : Aesthetics Beyond Buttons (s. 43-61). Aarhus Universitetsforlag.

Riis, M. S. (2011). The Interface and the Machine. I C. U. Andersen, G. Cox & J. Lund (red.), Nyhedsavisen: Public Interfaces (1 udg., Bind 1, s. 14-15). Center for Digital Æstetik-forskning.. http://darc.imv.au.dk/publicinterfaces/?page_id=402

Hansen, L. K. (2011). The interface at the skin. I C. U. Andersen & S. B. Pold (red.), Interface Criticism: Aesthetics beyond the buttons Aarhus Universitetsforlag.

Nørgård, R. T. (2011). The Joy of Doing: The Corporeal Connection in Player-Avatar Identity. Afhandling præsenteret på Philosophy of Computer Games 2011, Athen, Grækenland. http://gameconference2011.files.wordpress.com/2010/10/thejoy1.pdf

Andersen, C. U. & Pold, S. B. (2011). The Kind of Problem a Software City Is. Afhandling præsenteret på ISEA 2011 Istanbul, Istanbul, Tyrkiet. http://isea2011.sabanciuniv.edu/paper/kind-problem-software-city

Reindel, U. (2011). The King Tapestries: Pomp & Propaganda at Kronborg Castle. BAR FOKA/Slots- og Ejendomsstyrelsen.

Pade, M. & Horster, C. P. (2011). The Languages of Humanism and Politics. Forum for Renæssancestudier. http://www.renaessanceforum.dk/rf_7_2011.htm

Christensen, K. R. & Wallentin, M. (2011). The locative alternation: Distinguishing linguistic processing cost from error signals in Broca's region. NeuroImage, 56(3), 1622-1631. https://doi.org/10.1016/j.neuroimage.2011.02.081

Finnemann, N. O., Jauert, P., Jensen, J. L., Povlsen, K. K. & Sørensen, A. S. (2011). The Media Menus of Danish Internet Users 2009. Webedition of detailed survey-analysis. I The Media Menus of Danish Internet Users 2009. Webedition of detailed survey-analysis.

Kjerkegaard, S. (2011). The Medium Is Also The Message: Narrating Media in Bret Easton Ellis’s Glamorama. Style (DeKalb), 45(4), 619-637.

Pold, S. B. (2011). The Modern Machine: About Mogens Jacobsen's OECDlab. PiST/// Istanbul.

Stivers, T., Mondada, L. & Steensig, J. (red.) (2011). The Morality of Knowledge in Conversation. Cambridge University Press.

Nielsen, H. K. (2011). The Net Interface and the Public Sphere. I C. U. Andersen & S. B. Pold (red.), Interface Criticism: Aesthetics beyond Buttons (s. 203-222). Aarhus Universitetsforlag.

Kwary, D. A. (2011). Theoretical Considerations in Creating an Internet English Dictionary of Finance for Indonesian Students. Aarhus School of Business, University of Aarhus, Department of Language and Business Communication.

Nielsen, H. S. (2011). Theory and interpretation, narration and communication, authors and narrators – James Frey’s A Million Little Pieces as a test case. I S. Patron (red.), Theory, Analysis, Interpretation of Narratives (s. 73-94). Peter Lang.

Andersen, C. U. & Pold, S. B. (2011). The Patterns of Software Cities. I Public Interfaces (1 udg., Bind 1, s. 1,2-3). Center for Digital Æstetik-forskning.. http://darc.imv.au.dk/publicinterfaces/wp-content/uploads/2011/01/AndersenPold.pdf

Soon, W. (2011). The Public Interface as an Art-Making enabler. Parsons Journal For Infomation Mapping, 3(4), 1-7. http://www.academia.edu/776755/The_Public_Interface_as_an_Art-Making_enabler

Bødker, H. (2011). The Refined and the Obvious — Vanity Fair from 1913-1935. Afhandling præsenteret på Mapping the Magazine 3, Swansea, Storbritannien.

Cox, G. (2011). There is No Alternative. Afhandling præsenteret på Alternative Now, Wroclaw, Polen. http://www.livestream.com/wro2011/video?clipId=pla_84bc588e-3904-4b03-9d3e-691dd69b061c

Wamberg, J. (2011). The Renaissance: The Origin of Modernity or Its First Resistance? I M. Andersen, B. Bøggild Johannsen & H. Johannsen (red.), Reframing the Danish Renaissance: Problems and Prospects in a European Perspective: Papers from an International Conference in Copenhagen 28 September - 1 October 2006 (Bind 16, s. 89-98). Nationalmuseet.

Andreoli, E. N. (2011). The revolution will not be tweeted. Alfabeta.

Clasen, M. (2011). The Semantic Apocalypse: Bakker's Neuropath and the Evolutionary Imagination. The Evolutionary Review, 2, 209-214.

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