Publications

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Jauert, P., Ala-Fossi, M., Lax, S., O'Neill, B. & Shaw, H. (2008). The Future of Radio is Still Digital - But Which One? Journal of Radio & Audio Media, 15(1), 4-25.

Bruun, H. (2019). The Frugality of Television: Dilemmas of Scheduling and Curating for a Young Audience in Public Service Television. Afhandling præsenteret på NordMedia 2019, Malmö, Sverige.

Bechmann, A. (2017). The Facebook newsfeed as a news source. Abstract fra Nordmedia 2017, Tampere, Finland. http://www.uta.fi/cmt/en/Conferences/NordMedia2017/Downloads/TWG5_Abstracts.pdf

Eichner, S. & Mikos, L. (2016). The Export of Nordic Stories: The International Success of Scandinavian TV Drama Series. Nordicom Information, 38(2), 17-21. http://www.nordicom.gu.se/sites/default/files/kapitel-pdf/nordicom-information_38_2016_2_17-21.pdf

Clasen, M. (2018). The Evolution of Horror: A Neo-Lovecraftian Poetics. I S. Moreland (red.), New Directions in Supernatural Horror Literature: The Critical Influence of H. P. Lovecraft (s. 43-60). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-95477-6

Tække, J. (2023). The Environment as the Anthropocene: the Sociotechnical Autopoiesis Machine. 1 - 25. Afhandling præsenteret på Environments. Observed with social systems theory, Dubrovnik, Kroatien.

Bruun, H. (2014). The Entertaining Qualities of Non-Convergence: User involvement and the Political Debate Talk Show in PSM. Afhandling præsenteret på ECREA “Communication for Empowerment: Citizens, Markets, Innovation”, Lisboa, Portugal. http://ecrea2014.ulusofona.pt/images/abstracts.pdf

Bruun, H. (2014). The Entertaining Qualities of Non-convergence: A Case Study of User involvement in Political Journalism in Multi-channel PSM. Afhandling præsenteret på RIPE 2014, Tokyo, Japan.

Teke, N. (2011). The Enduring Allure of Proximity-Based Campaign Communication Strategies in Cameroon. International Journal of Media and Cultural Politics, 7(3), 293-314.

Korsgaard, M. B. (2022). The End... or Is It?. Billeder, Video- og Lydoptagelser (digital), [in]Transition. http://mediacommons.org/intransition/end-or-it

Oggolder, C., Brügger, N., Metykova, M., Salaverría, R. & Siapera, E. (2019). The emergence of the internet and the end of journalism? I K. Arnold, P. Preston & S. Kinnebrock (red.), The handbook of European communication history (s. 333-350). Wiley.

Esser, A., Jensen, P. M., Keinonen, H. & Lemor, A. M. (2016). The duality of banal transnationalism and banal nationalism: television audiences and the musical talent competition genre. I K. Aveyard, A. Moran & P. M. Jensen (red.), New Patterns in Global Television Formats (s. 295-309). Intellect.

Engberg, M., Have, I. & Pedersen, B. S. (red.) (2023). The Digital Reading Condition. Routledge.

Hassall Thomsen, L. H. (2011). The digital Newsroom – from Square to Circle. Afhandling præsenteret på ECREA Barcelona 2008: The 2nd European Communication Conference, Barcelona, Spanien.

Hassall Thomsen, L. H. (2009). The digital Newsroom.

Degn, H.-P. & Hansen, L. E. (2015). The development of a formative, partnership-based evaluation. Abstract fra Nordic Conference on Cultural Policy Research, Bø, Norge. https://nccpr2015.files.wordpress.com/2014/07/nccpr-abstract-booklet-2015.pdf

Hansen, L. E. & Degn, H.-P. (2015). The development of a formative, partnership-based evaluation. Afhandling præsenteret på Nordic Conference on Cultural Policy Research, Bø, Norge.

Bruun, H. (2018). The Delay Economy of ‘Continuity’ and the Emerging Impatience Culture of the Digital Era. Afhandling præsenteret på ECREA 2018, Lugano, Schweiz.

Bruun, H. (2019). The delay economy of “continuity” and the emerging impatience culture of the digital era. Nordic Journal of Media Studies, 1(1), 85-101. https://doi.org/10.2478/njms-2019-0006

Jauert, P. & Prehn, O. (2001). The Danish Media Landscape. Structure, Economy and Consumption. Media Trends 2001.

Jauert, P. & Søndergaard, H. (2007). The Danish Media Landscape. I G. Terzis (red.), European Media Governance: National and Regional Dimensions (s. 83-97). Intellect Books.

Eichner, S. (2014). The Crime Genre, Audience Preferences and the German Television Landscape.

Eichner, S. (2018). The circulation of discourse between cultural journalism and audiences: The case of Danish television series in Germany. 44. Abstract fra IAMCR 2018, Eugene, Oregon, USA.

Bruun, H. (2023). The changing role of a video-on-demand service in the strategies of public service media: A production study of Danish TV 2 Play and its impact on the production culture of the schedulers, 2016–2022. Nordicom Review, 44(2), 235-252. https://doi.org/10.2478/nor-2023-0013

Nørgaard Kristensen, N., From, U. & Kammer, A. (2017). The Changing Logics of Danish Cultural Journalism. I N. Nørgaard Kristensen & K. Riegert (red.), Cultural Journalism in the Nordic Countries (s. 29-48). Nordicom. https://www.nordicom.gu.se/sv/system/tdf/publikationer-hela-pdf/cultural_journalism_in_the_nordic_countries.pdf?file=1&type=node&id=38457&force=0

Tække, J. & Paulsen, M. E. (2012). The challenge of social media: between prohibition and indifference in the classroom. Afhandling præsenteret på the Thirteenth Annual Convention of the Media Ecology Association: , New York, USA.

Teke, N. (2005, jul. 9). The Challenge of 'Rolling out AIDS' from South Africa.

Bruun, H. (2008). The Blue Hippo in Lifestyle Television. On Pastiche in Television Satire. P.O.V., 26(2), 15-25.

Kjeldgaard-Christiansen, J. (2017). The Bad Breaks of Walter White: An Evolutionary Approach to the Fictional Antihero. Evolutionary Studies in Imaginative Culture, 1(1), 103-120. https://doi.org/10.26613/esic/1.1.19

Have, I. & Pedersen, B. S. (2020). The audiobook circuit in digital publishing: Voicing the silent revolution. New Media & Society, 22(3), 409-428. https://doi.org/10.1177/1461444819863407

Brügger, N. (2007). The Archived Website as Historical Document: Principles, Rules and Recommendations. Afhandling præsenteret på The 18th Nordic Conference for Media and Communication Research, Media History, Session: Technology, Media, History: Old and New Media, Helsinki, Finland.

Brügger, N. (2008). The Archived Website and Website Philology: A New Type of Historical Document? Nordicom Review, 29(2), 155-175.

Brügger, N. (2018). The archived web: Doing history in the digital age. MIT Press.

Jensen, P. M. & Mitric, P. (2023). The appeal of public service fiction in an internationalised media context: Findings from a survey of 8–17-year-old Danes. I Audiovisual content for children and adolescents in Scandinavia: Production, distribution, and reception in a multiplatform era (s. 139-162). Nordicom. https://doi.org/10.48335/9789188855817-8

Teke, N. (2004). The Anglican Church Crisis: Of Dogma and Idiosyncracy. The Post Newspaper, (0614), 4.

Clasen, M. (2010). The Anatomy of the Zombie: A Bio-Psychological Look at the Undead Other. Otherness: Essays and Studies, 1(1).

Klausen, H. B. (2019). The ambivalence of technology in ASMR experiences – do YouTube videos help or hinder to establish intimacy?. Afhandling præsenteret på NordMedia 2019, Malmö, Sverige.

Have, I. (2016). The Ambiguous Voices of Possum. Short Film Studies, 6(1), 49-52. https://doi.org/10.1386/sfs.6.1.49_1

Klausen, H. B. (2021). The ambiguity of technology in ASMR experiences: Four types of intimacies and struggles in the user comments on YouTube. Nordicom Review, 42(S4), 124-136. https://doi.org/10.2478/nor-2021-0045

Bechmann, A. (2017). The Algorithmic Gaze: Predicting Uploader's Gender Based on Private Social Media Images. Afhandling præsenteret på AOIR 2017 Networked Publics, Tartu, Estland.

Bruun, H. (2001). The Aesthetics of the Television Talk Show. I G. Agger & J. F. Jensen (red.), The Aesthetics of Television Aalborg Universitetsforlag.

Bruun, H. (1999). The Aesthetics of the Television Talk Show. Nordicom Review, (2), 243-258.

Bruun, H. (2015). The aesthetics of the on-air schedule in multi-platform public service television. Abstract fra Capitalism, Culture and Media, Leeds, Storbritannien.

Have, I. (2011, feb. 15). Testosteron-tv: “Livsfarlig fangst” til Nis Bank-Mikkelsens stemme. http://www.avlyt.dk/2011/02/testosteron-tv-livsfarlig-fangst-til-nis-bank-mikkelsens-stemme/

Brænder, M. (2008). Terror-ismer. Slagmark: tidsskrift for idéhistorie , (51), 135-138.

Clasen, M. (2016). Terrifying Monsters, Malevolent Ghosts, and Evolved Danger Management Architecture: A Consilient Approach to Horror Fiction. I J. C., D. McAdams & E. O. Wilson (red.), Darwin's Bridge: Uniting the Humanities and Sciences (s. 183-193). Oxford University Press.

Waade, A. M. (red.) (2005). Temanummer: Mediepolitik. Nordisk Kulturpolitisk Tidskrift, (1-2005).

Waade, A. M. (red.) (2004). Temanummer Mediepolitik: Nordisk Kulturpolitisk Tidskrift. Nordisk Kulturpolitisk Tidskrift, temanummer: Mediepolitik.

Waade, A. M. R. & Grønlund, A. (2023). Televisual landscape technologies: Borgen: Power & Glory in Greenland. 45-45. Abstract fra Redefining Televisuality: Programmes, Practices, Methods, Potsdam-Babelsberg, Tyskland.

Eichner, S. (2015). Television Series as containers of imagined communities. Abstract fra NECS 2015 (European Network for Cinema and Media Studies , Łódz, Polen.

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Revideret 17.03.2023