Aarhus Universitets segl

Publications

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Brügger, N. (2021). The need for research infrastructures for the study of web archives. I D. Gomes, E. Demidova, J. Winters & T. Risse (red.), The past web: Exploring web archives (s. 217-224). Springer. https://doi.org/10.1007/978-3-030-63291-5_17
Brænder, M. (2021). The Military Profession under Pressure. I A. R. Obling & L. V. Tillberg (red.), Transformations of the Military Profession and Professionalism in Scandinavia (s. 187-207). Scandinavian Journal of Military Studies Press.
Brænder, M. (2022). The military profession in transition – an analytical framework. Afhandling præsenteret på Centrum för Studier av Militär och Samhälle (CSMS): Modern militär professionalism, Stockholm, Sverige.
Brügger, N. (2001). The Last page of the Internet?. Afhandling præsenteret på Preserving the Present for the Future. Conference on strategies for the Interne. http://www.deflink.dk/upload/doc_filer/doc_alle/846_Trykt%20proceeding.pdf
Teke, N. (2005, nov. 28). The Kibaki Chameleon.
Bechmann, A. (2017). The Invisible Shaping of Public Discourse in Online Spaces: Algorithms. Abstract fra AOIR 2017 Networked Publics, Tartu, Estland.
Presser, M., Zhang, Q., Bechmann, A. & Beliatis, M. (2018). The Internet of Things as Driver for Digital Business Model Innovation. I A. Aagaard (red.), Digital Business Models: Driving Transformation and Innovation (s. 27-55). Springer. https://doi.org/10.1007/978-3-319-96902-2_2
Brügger, N. (2012). The Idea of Public Service in the Early History of DR Online. I N. Brügger & M. Burns (red.), Histories of Public Service Broadcasters on the Web (s. 91-104). Peter Lang.
Clasen, M. (2010). The Horror! The Horror! The Evolutionary Review, 1(1), 112-119.
Korsgaard, M. B. (2025). The History of Music Video in 169 Seconds. Billeder, Video- og Lydoptagelser (digital), 16:9 Filmtidsskrift. https://www.16-9.dk/2025/06/the-history-of-music-video/
Clasen, M., Trotta, J. & Sadri, H. (2017). The GotPop Popular Culture Podcast: The horror! The horror!. Billeder, Video- og Lydoptagelser (digital), Soundcloud. https://soundcloud.com/gotpop/gotpop09
Kjeldgaard-Christiansen, J., Sadri, H. & Trotta, J. (2018). The GotPop Popular Culture Podcast: Smile, and Be a Villain. Billeder, Video- og Lydoptagelser (digital), University of Gothenburg.
Kjeldgaard-Christiansen, J. (2016). “The good ended happily and the bad unhappily”: An Evolutionary Approach to Narrative Agonistic Structure. Abstract fra The 28th Human Evolution and Behavior Society conference, Vancouver, Canada.
Jensen, P. M. (2016). The Global Rise of the Danish TV Drama. Afhandling præsenteret på Transnational Audiences, Wollongong, Australien.
Waade, A. M. & Hansen, K. T. (2017). The German Connection in Nordic noir. Afhandling præsenteret på Researching Media Companies Producing Audio-visual Content, Lillehammer, Norge.
Tække, J., Ericson, S., Forsler, I. & Forsman, M. (2019). The future of the media literacy classroom as a material, imagined, and practiced space. Afhandling præsenteret på NordMedia 2019, Malmö, Sverige.
Clasen, M. (2018). The Evolution of Horror: A Neo-Lovecraftian Poetics. I S. Moreland (red.), New Directions in Supernatural Horror Literature: The Critical Influence of H. P. Lovecraft (s. 43-60). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-95477-6
Tække, J. (2023). The Environment as the Anthropocene: the Sociotechnical Autopoiesis Machine. 1 - 25. Afhandling præsenteret på Environments. Observed with social systems theory, Dubrovnik, Kroatien.
Bruun, H. (2014). The Entertaining Qualities of Non-Convergence: User involvement and the Political Debate Talk Show in PSM. Afhandling præsenteret på ECREA “Communication for Empowerment: Citizens, Markets, Innovation”, Lisboa, Portugal. http://ecrea2014.ulusofona.pt/images/abstracts.pdf
Teke, N. (2011). The Enduring Allure of Proximity-Based Campaign Communication Strategies in Cameroon. International Journal of Media and Cultural Politics, 7(3), 293-314.
Korsgaard, M. B. (2022). The End... or Is It?. Billeder, Video- og Lydoptagelser (digital), [in]Transition. http://mediacommons.org/intransition/end-or-it
Oggolder, C., Brügger, N., Metykova, M., Salaverría, R. & Siapera, E. (2019). The emergence of the internet and the end of journalism? I K. Arnold, P. Preston & S. Kinnebrock (red.), The handbook of European communication history (s. 333-350). Wiley.
Esser, A., Jensen, P. M., Keinonen, H. & Lemor, A. M. (2016). The duality of banal transnationalism and banal nationalism: television audiences and the musical talent competition genre. I K. Aveyard, A. Moran & P. M. Jensen (red.), New Patterns in Global Television Formats (s. 295-309). Intellect.
Engberg, M., Have, I. & Pedersen, B. S. (red.) (2023). The Digital Reading Condition. Routledge.
Hassall Thomsen, L. H. (2011). The digital Newsroom – from Square to Circle. Afhandling præsenteret på ECREA Barcelona 2008: The 2nd European Communication Conference, Barcelona, Spanien.
Hansen, L. E. & Degn, H.-P. (2015). The development of a formative, partnership-based evaluation. Afhandling præsenteret på Nordic Conference on Cultural Policy Research, Bø, Norge.
Nørgaard Kristensen, N., From, U. & Kammer, A. (2017). The Changing Logics of Danish Cultural Journalism. I N. Nørgaard Kristensen & K. Riegert (red.), Cultural Journalism in the Nordic Countries (s. 29-48). Nordicom. https://www.nordicom.gu.se/sv/system/tdf/publikationer-hela-pdf/cultural_journalism_in_the_nordic_countries.pdf?file=1&type=node&id=38457&force=0
Tække, J. & Paulsen, M. E. (2012). The challenge of social media: between prohibition and indifference in the classroom. Afhandling præsenteret på the Thirteenth Annual Convention of the Media Ecology Association: , New York, USA.