Institut for Kommunikation og Kultur

Aarhus Universitets segl

Publications

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Jensen, P. M. & Jacobsen, U. C. (2017). The 'three-leaf clover': A methodological lens to understand transnational audiences. Critical Studies in Television, 12(4), 430-444. https://doi.org/10.1177/1749602017729312
Brügger, N., Ben-David, A., Milligan, I. & Schafer, V. (2024). The third internet histories Early Career Researcher Award. Internet Histories, 8(4), 275-276. https://doi.org/10.1080/24701475.2024.2421583
Kristensen, N. N. & From, U. (2021). The Survival of the Critic: Audiences’ Use of Cultural Information and Cultural Reviews in Legacy Media. I Rethinking Cultural Criticism : New Voices in the Digital Age (s. 209-233). Palgrave Macmillan.
Have, I. (2019). The Strength of Stillness. Short Film Studies, 9(2), 169-172. https://doi.org/10.1386/sfs.9.2.169_1
Hassall Thomsen, L. H. & Willig, I. (2011). The Spirit of Public Service. Afhandling præsenteret på Media and Global Divides. IAMCR World Congress 2008, Stockholm. http://iamcr.org/
Johansen, S. L. & Jørgensgaard-Graakjær, N. (2007). The sound of children's television: or why it makes sense to watch television facing away from the screen. P.O.V., (23), 41-65.
Johansen, S. L. & Jørgensgaard-Graakjær, N. (2007). The sound of children's television: or why it makes sense to watch television facing away from the screen. P.O.V., (23), 41-65.
Clasen, M. (2014). The Social Apocalypse: On Post-Apocalyptic Science Fiction in a Biocultural Perspective. Afhandling præsenteret på International Society for the Empirical Study of Literature and Media (IGEL), Torino, Italien.
Frandsen, K. (2014). The Significance of Nordicom and NordMedia – as Seen from a Danish ‘Third Generation’ Perspective. Nordicom Review, Special Issue(35). http://www.nordicom.gu.se/sites/default/files/kapitel-pdf/frandsen.pdf
Brænder, M. (2024). The Significance Of Materialism And Postmaterialism Values For Future Military Leaders. The Defence Horizon Journal. https://tdhj.org/blog/post/author/morten-braender/
Bødker, H. & Brügger, N. (2018). The shifting temporalities of online news: The Guardian’s website from 1996 to 2015. Journalism, 19(1), 56-74. https://doi.org/10.1177/1464884916689153
Bechmann, A. (2010). The Shifting Role of PSB Online Activities in Cross-Media Networks 1997-2010. Abstract fra ICA 2010 (International Communication Association), Singapore, Singapore.
Clasen, M. (2011). The Semantic Apocalypse: Bakker's Neuropath and the Evolutionary Imagination. The Evolutionary Review, 2, 209-214.
Clasen, M. (2017). The Science of Horror: Why Dark Fiction Seduces. Horror Writers Association newsletter, (October 2017). http://horror.org/private/newsletter/the-science-of-horror-why-dark-fiction-seduces/
Clasen, M. (2014, jun. 13). The Science of Horror: Why People Love Scary Films. http://www.moviegeek.eu/the-science-of-horror-why-people-love-scary-films.html
Brügger, N. & Milligan, I. (red.) (2018). The SAGE Handbook of Web History. SAGE Publications.
Aasman, S., Ben-David, A. & Brügger, N. (red.) (2025). The Routledge Companion to Transnational Web Archive Studies. Routledge. The Routledge Companions to the Digital Humanities
Frandsen, K. (2018). Therorizing the sport and media relationship. Abstract fra MeCCSA - Media, Communication and Cultural Studies Association, London, Storbritannien.
Damkjaer, M. S. & Nielsen, J. (2025). The Role of Sharenting in Danish Politicians’ Personalization Strategies on Social Media. Afhandling præsenteret på Nordmedia pre-conference 2025, Odense, Danmark.
Raats, T. & Jensen, P. M. (2021). The role of public service media in sustaining TV drama in small markets. Television & New Media, 21(5), 835-855. Artikel 1527476420913398. https://doi.org/10.1177/1527476420913398
Sonne Damkjær, M. (2016). The Role of Digital Media in the Transition to Parenthood. Abstract fra ECREA, Prague, Tjekkiet.
Sonne Damkjær, M. (2017). The role of digital media for new parents’ information practices: negotiating parenthood truths. Abstract fra NordMedia 2017: Mediated Realities - Global Challenges, Tampere, Finland.
Arregui Olivera, C. & Cheruiyot, D. (2023). The risks of peace: Exploring the relationship between peaceocracy and journalism in Kenya. The International Communication Gazette (Online), 85(8), 663-677. https://doi.org/10.1177/17480485231214365
Degn, H.-P., Straubhaar, J. D. & Hjarvard, S. (2009). The Rise of the Anglophone in an Increasingly Multilayered, Transnational Danish Television System and Audience?. Afhandling præsenteret på Keywords in Communication. 59th Annual Conference of ICA., Chicago, USA.
From, U. (2010). The Reading of Cultural and Lifestyle Journalism. Northern Lights, 8, 157–175. https://doi.org/10.1386/nl.8.157_1
Brænder, M. (2022). The Rainbow Curtain in the European Armed forces: how military personnel attitudes amplify those of their civilian counterparts. Afhandling præsenteret på The sixth Kinneret Conference on Civil-Military Studies, Israel.
Bruun, H. (2016). The Qualitative Interview in Media Production Studies. I C. Paterson, D. Lee, A. Saha & A. Zoellner (red.), Advancing Media Production Research : Shifting Sites, Methods, and Politics (s. 131-146). Palgrave Macmillan.
Clasen, M., Kjeldgaard-Christiansen, J. & Johnson, J. A. (2019). The Psychological Underpinnings of Horror Media: Survey Results and Theoretical Implications. Abstract fra SCSMI 2019, Hamburg, Tyskland.
Scrivner, C., Andersen, M., Schjødt, U. & Clasen, M. (2023). The Psychological Benefits of Scary Play in Three Types of Horror Fans. Journal of Media Psychology, 35(2), 87-98. https://doi.org/10.1027/1864-1105/a000354
Bruun, H. (2016). The Prism of Change: 'Continuity' in Public Service Television in the Digital Era. Nordicom Review, 37(2), 33-49. https://doi.org/10.1515/nor-2016-0016
Brænder, M. & Holsting, V. S. (2022). The Power of Experience? Innovative and Authoritative Leadership Values Among Danish Army Cadets. Armed Forces and Society, 48(1), 70-91. https://doi.org/10.1177/0095327X20951435
Tække, J. (2020). The post-humanism of Niklas Luhmann’s systems theory. 1-10. Afhandling præsenteret på Posthumanism 20/20 , Aarhus, Danmark.
Bruun, H. & Lassen, J. M. M. (2023). The platformisation of public service television: a quatitative study of the changing continuity announcements on DR and TV 2. Abstract fra NordMedia 2023, Bergen, Norge.
Jensen, P. M. (2016). The peripheral counter-flow of Danish TV drama and the reasons behind it: a non-anglophone turn in global television?. Afhandling præsenteret på ECREA 2016 Prague, Prague, Tjekkiet.
Pedersen, B. S. & Have, I. (2014). The Performing Voice of the Audiobook. I M. Angelucci & C. Caines (red.), VOICE/PRESENCE/ABSENCE: An interdisciplinary dialogue on voice and the humanities Artikel 11 UTS epress. https://doi.org/10.5130/978-1-86365-431-9
Ngomba, T. (2026). “The Past Still Present”: China-Africa Media Relations and the Transformations in Global Communications. I C. Stacey, J. Cruz & P. M. Lumala (red.), The Handbook of Communication in Africa: Theory, Research, and Praxis (s. 206-219). Routledge. https://doi.org/10.4324/9781003166894-17
Ngomba, T. (2025). Theorizing Political Campaign Communication in Africa: Reflections on the Relevance and Legacy of Jay Blumler. I Global Transformations in Media and Communication Research (s. 169-186). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-83364-9_8
Korsgaard, M. B. (2017). The Origins of Ruben Östlund's Long-Take Style. 16:9. http://www.16-9.dk/2017/11/ruben-ostlund/
Brügger, N. (2003). Theories of Media and Communication: Histories and Relevance. (Skrifter om medie- og kommunikationsteori, 01 udg.) Forskningsprojektet Medie- og kommunikationsvidenskabernes teorier.
Brügger, N. (2008). Theoretical Reflections on the Website and Website History: The Website as an object of study. Afhandling præsenteret på The ICA pre-conference 'The Long History of New Media: Contemporary and Future Developments Contextualized', Montreal, Canada.
Brügger, N. (2002). Theoretical Reflections on Media and Media History. I Media History: Theories, Methods, Analysis (red. N. Brügger, S. Kolstrup) (s. 33-66). Aarhus Universitetsforlag.
Teke, N. (2003). The Opposition should Learn from History. The Post Newspaper, (0470), 4.
Tække, J. (2023). The Nexus of Education, Climate Crisis, and Digital Media Revolution: An Examination of Future Scenarios. 1-16. Afhandling præsenteret på NordMedia 2023, Bergen, Norge.
Brænder, M. & Holsting, V. S. (2017). The New Spirit of Militarism? Person/organisation-fit and the economies of worth among new military cadets. Afhandling præsenteret på The Inter-University Seminar on Armed Forces and Society, Reston, VA, USA.
Clasen, M. (2023). The New Science of Recreational Fear. Anglo Files, 2023(207), 36-41.
Bruun, H. (2015). The new communicative ethos of the political debate talk show in Danish multi-platform public service television. International Journal of Digital Television, 6(1), 25-41. https://doi.org/10.1386/jdtv.6.1.25_1
Brügger, N. (2021). The need for research infrastructures for the study of web archives. I D. Gomes, E. Demidova, J. Winters & T. Risse (red.), The past web: Exploring web archives (s. 217-224). Springer. https://doi.org/10.1007/978-3-030-63291-5_17
Korsgaard, M. B. & Jirsa, T. (2019). The Music Video in Transformation: Notes on a Hybrid Audiovisual Configuration. Music, Sound and the Moving Image, 13(2), 111-122. https://doi.org/10.3828/msmi.2019.7
Have, I. (2012). The musicalized soundtracks of Armadillo: Emotional realism and real emotions. SoundEffect, Vol 2 (No 1), 155-170. https://doi.org/The Musicalized Soundtrack of Armadillo
Have, I. (2017). The Musical Framing of THE BEACH. Short Film Studies, 7(1), 63-65. https://doi.org/10.1386/sfs.7.1.63_1

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