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Institut for Kommunikation og Kultur

Publications

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Bruun, H. (2016). The Qualitative Interview in Media Production Studies. I C. Paterson, D. Lee, A. Saha & A. Zoellner (red.), Advancing Media Production Research : Shifting Sites, Methods, and Politics (s. 131-146). Palgrave Macmillan.

Eichner, S. (2017). The “Public Presence” of Danish Film and Television: the circulation of discourse between cultural journalism and audiences. Abstract fra ICA 2017, San Diego, USA. https://convention2.allacademic.com/one/ica/ica17/index.php?cmd=Online+Program+View+Paper&selected_paper_id=1233282&PHPSESSID=fa59tds52sgbcqsp67uceopch5

Eichner, S. (2016). The “Public Presence” of Danish Drama Series in Germany. Abstract fra IAMCR, Leicester, Storbritannien.

Clasen, M., Kjeldgaard-Christiansen, J. & Johnson, J. A. (2019). The Psychological Underpinnings of Horror Media: Survey Results and Theoretical Implications. Abstract fra SCSMI 2019, Hamburg, Tyskland.

Scrivner, C., Andersen, M., Schjødt, U. & Clasen, M. (2023). The Psychological Benefits of Scary Play in Three Types of Horror Fans. Journal of Media Psychology, 35(2), 87-98. https://doi.org/10.1027/1864-1105/a000354

Bruun, H. (2016). The Prism of Change: 'Continuity' in Public Service Television in the Digital Era. Nordicom Review, 37(2), 1-17. https://doi.org/10.1515/nor-2016-0016

Brænder, M. & Holsting, V. S. (2022). The Power of Experience? Innovative and Authoritative Leadership Values Among Danish Army Cadets. Armed Forces and Society, 48(1), 70-91. https://doi.org/10.1177/0095327X20951435

Tække, J. (2020). The post-humanism of Niklas Luhmann’s systems theory. 1-10. Afhandling præsenteret på Posthumanism 20/20 , Aarhus, Danmark.

Eichner, S. (2018). The Popularity of Danish TV Drama Series on German Television. Poster session præsenteret på Transnational Television Drama, Aarhus, Danmark.

Bruun, H. & Lassen, J. M. M. (2023). The platformisation of public service television: a quatitative study of the changing continuity announcements on DR and TV 2. Abstract fra NordMedia 2023, Bergen, Norge.

Jensen, P. M. (2016). The peripheral counter-flow of Danish TV drama and the reasons behind it: a non-anglophone turn in global television?. Afhandling præsenteret på ECREA 2016 Prague, Prague, Tjekkiet.

Pedersen, B. S. & Have, I. (2014). The Performing Voice of the Audiobook. I M. Angelucci & C. Caines (red.), VOICE/PRESENCE/ABSENCE: An interdisciplinary dialogue on voice and the humanities Artikel 11 UTS epress. https://doi.org/10.5130/978-1-86365-431-9

Korsgaard, M. B. (2017). The Origins of Ruben Östlund's Long-Take Style. 16:9. http://www.16-9.dk/2017/11/ruben-ostlund/

Brügger, N. (2003). Theories of Media and Communication: Histories and Relevance. (Skrifter om medie- og kommunikationsteori, 01 udg.) Forskningsprojektet Medie- og kommunikationsvidenskabernes teorier.

Brügger, N. (2008). Theoretical Reflections on the Website and Website History: The Website as an object of study. Afhandling præsenteret på The ICA pre-conference 'The Long History of New Media: Contemporary and Future Developments Contextualized', Montreal, Canada.

Brügger, N. (2002). Theoretical Reflections on Media and Media History. I Media History: Theories, Methods, Analysis (red. N. Brügger, S. Kolstrup) (s. 33-66). Aarhus Universitetsforlag.

Teke, N. (2003). The Opposition should Learn from History. The Post Newspaper, (0470), 4.

Tække, J. (2023). The Nexus of Education, Climate Crisis, and Digital Media Revolution: An Examination of Future Scenarios. 1-16. Afhandling præsenteret på NordMedia 2023, Bergen, Norge.

Brænder, M. & Holsting, V. S. (2017). The New Spirit of Militarism? Person/organisation-fit and the economies of worth among new military cadets. Afhandling præsenteret på The Inter-University Seminar on Armed Forces and Society, Reston, VA, USA.

Clasen, M. (2023). The New Science of Recreational Fear. Anglo Files, 2023(207), 36-41.

Jauert, P. (2014). The New Radio and Social Media: PSM forms of user participation and inclusion. Afhandling præsenteret på RIPE 2014, Tokyo, Japan.

Bruun, H. (2015). The new communicative ethos of the political debate talk show in Danish multi-platform public service television. International Journal of Digital Television, 6(1), 25-41. https://doi.org/10.1386/jdtv.6.1.25_1

Brügger, N. (2021). The need for research infrastructures for the study of web archives. I D. Gomes, E. Demidova, J. Winters & T. Risse (red.), The past web: Exploring web archives (s. 217-224). Springer. https://doi.org/10.1007/978-3-030-63291-5_17

Korsgaard, M. B. & Jirsa, T. (2019). The Music Video in Transformation: Notes on a Hybrid Audiovisual Configuration. Music, Sound and the Moving Image, 13(2), 111-122. https://doi.org/10.3828/msmi.2019.7

Have, I. (2017). The Musical Framing of THE BEACH. Short Film Studies, 7(1), 63-65. https://doi.org/10.1386/sfs.7.1.63_1

Brænder, M. (2022). The military profession in transition – an analytical framework. Afhandling præsenteret på Centrum för Studier av Militär och Samhälle (CSMS): Modern militär professionalism, Stockholm, Sverige.

Kjeldgaard-Christiansen, J. (2019). The Leviathan Podcast. Billeder, Video- og Lydoptagelser (digital) https://soundcloud.com/user-283260542

Brügger, N. (2001). The Last page of the Internet?. Afhandling præsenteret på Preserving the Present for the Future. Conference on strategies for the Interne. http://www.deflink.dk/upload/doc_filer/doc_alle/846_Trykt%20proceeding.pdf

Waade, A. M. & Jensen, P. M. (2013). The Killing and The Bridge as Nordic Noir: Setting, LIght and Language as Production Values in Danish TV series. Afhandling præsenteret på nordmedia 2013: Defending Democracy, Oslo, Norge.

Teke, N. (2005, nov. 28). The Kibaki Chameleon.

Damkjaer, M. S. (2017, apr. 13). The ‘joys’ of digital media in new parenting. London School of Economics. http://blogs.lse.ac.uk/parenting4digitalfuture/2017/04/13/the-joys-of-digital-media-in-new-parenting/

Teke, N. (2004, nov. 16). The Ivorian Crisis: Xenophobia as Patriotism.

Johansen, S. L. (2013). The iPad as a Tool for Play: Methodological Considerations. Afhandling præsenteret på nordmedia 2013: Defending Democracy, Oslo, Norge. http://www.academia.edu/4782319/The_iPad_as_a_Tool_for_Play_-_Methodological_Considerations._Paper_for_NordMedia_2013._Oslo_August_2013

Bechmann, A. (2017). The Invisible Shaping of Public Discourse in Online Spaces: Algorithms. Abstract fra AOIR 2017 Networked Publics, Tartu, Estland.

Presser, M., Zhang, Q., Bechmann, A. & Beliatis, M. (2019). The Internet of Things as Driver for Digital Business Model Innovation. I A. Aagaard (red.), Digital Business Models: Driving Transformation and Innovation (s. 27-55). Springer. https://doi.org/10.1007/978-3-319-96902-2_2

Jensen, P. M. (2008). The International Extent and Elasticity of Lifestyle Television. MedieKultur, 45.

Brügger, N. (2012). The Idea of Public Service in the Early History of DR Online. I N. Brügger & M. Burns (red.), Histories of Public Service Broadcasters on the Web (s. 91-104). Peter Lang.

Clasen, M. (2010). The Horror! The Horror! The Evolutionary Review, 1(1), 112-119.

Brügger, N. & Laursen, D. (red.) (2019). The historical web and Digital Humanities: The case of national web domains. Routledge. Digital Research in the Arts and Humanities

Clasen, M., Trotta, J. & Sadri, H. (2017). The GotPop Popular Culture Podcast: The horror! The horror!. Billeder, Video- og Lydoptagelser (digital), Soundcloud. https://soundcloud.com/gotpop/gotpop09

Kjeldgaard-Christiansen, J., Sadri, H. & Trotta, J. (2018). The GotPop Popular Culture Podcast: Smile, and Be a Villain. Billeder, Video- og Lydoptagelser (digital), University of Gothenburg.

Kjeldgaard-Christiansen, J. (2016). “The good ended happily and the bad unhappily”: An Evolutionary Approach to Narrative Agonistic Structure. Abstract fra The 28th Human Evolution and Behavior Society conference, Vancouver, Canada.

Johansen, S. L. (2015). The Glue of Everyday Life: – children’s playful media practices . Abstract fra NordMedia, København, Danmark.

Jensen, P. M. (2016). The Global Rise of the Danish TV Drama. Afhandling præsenteret på Transnational Audiences, Wollongong, Australien.

Jensen, P. M. & Jacobsen, U. C. (red.) (2020). The Global Audiences of Danish Television Drama. Nordicom. http://norden.diva-portal.org/smash/record.jsf?pid=diva2%3A1414057&dswid=-2095

Waade, A. M. & Povlsen, K. K. (2009). The Girl With the Dragon Tattoo: Adapting embodied gender from novel to movie in Stieg Larsson’s crime fiction. P.O.V.

Waade, A. M. & Hansen, K. T. (2017). The German Connection in Nordic noir. Afhandling præsenteret på Researching Media Companies Producing Audio-visual Content, Lillehammer, Norge.

Tække, J., Ericson, S., Forsler, I. & Forsman, M. (2019). The future of the media literacy classroom as a material, imagined, and practiced space. Afhandling præsenteret på NordMedia 2019, Malmö, Sverige.

Jauert, P., Ala-Fossi, M., Föllmer, G., Lax, S. & Murphy, K. (2017). The Future of Radio Revisited: Expert Perspectives and Future Scenarios for Radio Media in 2025. Journal of Radio and Audio Media, 24(1), 7-27. https://doi.org/10.1080/19376529.2017.1310574

Jauert, P., Ala-Fossi, M., Lax, S., O'Neill, B. & Shaw, H. (2007). The Future of Radio is Still Digital - But Which One?. Afhandling præsenteret på 52nd Convention of the Broadcast Education Association (BEA), Las Vegas, USA.

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Revideret 17.03.2023