Institut for Kommunikation og Kultur

Aarhus Universitets segl

Publications

Sortér efter: Dato | Forfatter | Titel

Bruun, H. (2008). The Blue Hippo in Lifestyle Television. On Pastiche in Television Satire. P.O.V., 26(2), 15-25.
Nielsen, J. I., Øfsti, M., Bengesser, C. H., Kostovska, I., Rohn, U. & Falcon Araujo, A. V. (2024, maj 14). The Bigger Picture. https://www.crescine.eu/small-film-industries?wmTabs=bigger-picture
Kjeldgaard-Christiansen, J. (2017). The Bad Breaks of Walter White: An Evolutionary Approach to the Fictional Antihero. Evolutionary Studies in Imaginative Culture, 1(1), 103-120. https://doi.org/10.26613/esic/1.1.19
Have, I. & Pedersen, B. S. (2020). The audiobook circuit in digital publishing: Voicing the silent revolution. New Media & Society, 22(3), 409-428. https://doi.org/10.1177/1461444819863407
Freudendal, J. & Jensen, P. M. (2024). The Audience Turn in Screen Production: Changing Audience Behaviour and New Audience-centric Production Methods in Fictional Screen Content for Adolescents. Abstract fra Media Industries 2024, London, Storbritannien.
Brügger, N. (2007). The Archived Website as Historical Document: Principles, Rules and Recommendations. Afhandling præsenteret på The 18th Nordic Conference for Media and Communication Research, Media History, Session: Technology, Media, History: Old and New Media, Helsinki, Finland.
Brügger, N. (2008). The Archived Website and Website Philology: A New Type of Historical Document? Nordicom Review, 29(2), 155-175.
Brügger, N. (2018). The archived web: Doing history in the digital age. MIT Press. https://doi.org/10.3917/tdm.030.0247
Jensen, P. M. & Mitric, P. (2023). The appeal of public service fiction in an internationalised media context: Findings from a survey of 8–17-year-old Danes. I Audiovisual content for children and adolescents in Scandinavia: Production, distribution, and reception in a multiplatform era (s. 139-162). Nordicom. https://doi.org/10.48335/9789188855817-8
Teke, N. (2004). The Anglican Church Crisis: Of Dogma and Idiosyncracy. The Post Newspaper, (0614), 4.
Clasen, M. (2010). The Anatomy of the Zombie: A Bio-Psychological Look at the Undead Other. Otherness: Essays and Studies, 1(1).
Klausen, H. B. (2019). The ambivalence of technology in ASMR experiences – do YouTube videos help or hinder to establish intimacy?. Afhandling præsenteret på NordMedia 2019, Malmö, Sverige.
Have, I. (2016). The Ambiguous Voices of Possum. Short Film Studies, 6(1), 49-52. https://doi.org/10.1386/sfs.6.1.49_1
Klausen, H. B. (2021). The ambiguity of technology in ASMR experiences: Four types of intimacies and struggles in the user comments on YouTube. Nordicom Review, 42(S4), 124-136. https://doi.org/10.2478/nor-2021-0045
Bechmann, A. (2017). The Algorithmic Gaze: Predicting Uploader's Gender Based on Private Social Media Images. Afhandling præsenteret på AOIR 2017 Networked Publics, Tartu, Estland.
Bruun, H. (2001). The Aesthetics of the Television Talk Show. I G. Agger & J. F. Jensen (red.), The Aesthetics of Television Aalborg Universitetsforlag.
Bruun, H. (1999). The Aesthetics of the Television Talk Show. Nordicom Review, (2), 243-258.
Bruun, H. (2015). The aesthetics of the on-air schedule in multi-platform public service television. Abstract fra Capitalism, Culture and Media, Leeds, Storbritannien.
Have, I. (2011, feb. 15). Testosteron-tv: “Livsfarlig fangst” til Nis Bank-Mikkelsens stemme. http://www.avlyt.dk/2011/02/testosteron-tv-livsfarlig-fangst-til-nis-bank-mikkelsens-stemme/
Brænder, M. (2008). Terror-ismer. Slagmark: tidsskrift for idéhistorie , (51), 135-138.
Clasen, M. (2016). Terrifying Monsters, Malevolent Ghosts, and Evolved Danger Management Architecture: A Consilient Approach to Horror Fiction. I J. C., D. McAdams & E. O. Wilson (red.), Darwin's Bridge: Uniting the Humanities and Sciences (s. 183-193). Oxford University Press.
Waade, A. M. (red.) (2005). Temanummer: Mediepolitik. Nordisk Kulturpolitisk Tidskrift, (1-2005).
Waade, A. M. (red.) (2004). Temanummer Mediepolitik: Nordisk Kulturpolitisk Tidskrift. Nordisk Kulturpolitisk Tidskrift, temanummer: Mediepolitik.
Waade, A. M. R. & Grønlund, A. (2023). Televisual landscape technologies: Borgen: Power & Glory in Greenland. 45-45. Abstract fra Redefining Televisuality: Programmes, Practices, Methods, Potsdam-Babelsberg, Tyskland.
Frandsen, K. (2023). Television's contribution to the experience of the Tour de France. I B. Fincouer, K. Frandsen & C. Thompson (red.), Racing Time: Interdisciplinary Perspectives on The Tour de France (1. udg.). EPFL Press.
Bruun, H. (2004). Television Entertainment and PBS: The Development of Three Entertainment Genres on Danish Television 1951-2003. Afhandling præsenteret på RIPE: 2004: Mission, Market and Management. Public Service Broadcasting and the Cultural Commons. 2.6. DR og AU. http://www.yle.fi/keto/ripe/
Bruun, H. & Krogh Bille, B. (2022). Television Documentaries as Spearheads in Public Service Television: Comparing Scheduling Practices on the Linear Channels and Video-On-Demand Services of Danish TV 2 and DR. Nordicom Review, 43(1), 79-93. https://doi.org/10.2478/nor-2022-0005
Tække, J., Ørskov, A., Zizak, A. & Thomsen, M. N. (2019). Teknologiforståelse – det nye fag på skemaet. Billeder, Video- og Lydoptagelser (digital), Folkeskolen.dk. https://www.folkeskolen.dk/1099097/podcast-teknologiforstaaelse--det-nye-fag-paa-skemaet?fbclid=IwAR3gMpWxF3SLl8A1v4YjW3_clEW9O1alVZb0MRiEl_aRwS0D-baKs5_jOsc
Brügger, N. (2002). Teknik, kultur og hastighed: Introduktion til den franske kultur- og teknikanalytiker Paul Virilio. Teknik @ Kultur, (10). http://www.teknik-og-kultur.dk/for8-179.htm
Mathiasen, H., Degn, H.-P. & Thomsen, M. B. (2015). Technology As An Agent Of Change: Variation In Teaching, Assignment And Evaluation Forms . Abstract fra EERA: ECER 2015, Budapest, Ungarn.
Hove, M. F., Adler-Nissen, R., Bechmann, A., de Vreese, C., Hjorth, F. & Golovchenko, Y. (2025). Tech-giganter og demokrati: Kunstig Intelligens, misinformation og digitale platforme. Digitaliseringsministeriet. https://www.digmin.dk/Media/638761593034848608/Rapport%20om%20tech-giganter%20og%20demokrati,%20kunstig%20intelligens,%20misinformation%20og%20digitale%20platforme.pdf
Kjeldgaard-Christiansen, J., Boyd, Z. C. & Hejná, M. (2024). Teaching children to discriminate? A quantitative study of linguistic representation in Disney’s “Revival Era” animated films. MedieKultur: Journal of media and communication research, 40(76), 181-202. https://doi.org/10.7146/mk.v40i76.135083
Krogager, S. G. S., Knöchel Christensen, V., Degn, H.-P., Hansen, L. E., Thorup Kildegaard, R. & Sjørup Mathiesen, A.-L. (2024). Tasting local history: Dissemination of the cultural history of food through cooking and dining. Nordisk Museologi/The Journal Nordic Museology , 36(1), 152-169. https://doi.org/10.5617/nm.11600
Bruun, H. (1998). Talkshowet som tv-genre. Kvan - et tidsskrift for læreruddannelsen og folkeskolen, 18(50), 71-82.
Bruun, H. (2004). Talkshowet som talende TV. Binde 1,2 og 3. MedieKultur, (37).
Bruun, H. (1999). Talkshowet. Portræt af en tv-genre. Borgens forlag.
Hansen, K. T. & Waade, A. M. (2019). Taking place, screening place: studying locations in Danish television drama production. I C. Batty (RMIT), M. Berry (RMIT), S. Kerrigan (Newcastle) , K. Dooley (Curtin) & B. Frankham (UTS) (red.), The Palgrave Handbook of Screen Production (s. 103-116). Palgrave Macmillan.
Have, I. & Schjødt, R. L. (2025). Tænkepauser: RO. Billeder, Video- og Lydoptagelser (digital), Aarhus Universitetsforlag. https://www.dr.dk/drtv/se/taenkepauser_-ro_543518
Teke, N. (2005, dec. 20). Tackling Xenophobia, Racism from the Pitch.
Bechmann, A. (2020). Tackling Disinformation and Infodemics Demands Media Policy Changes. Digital Journalism, 8(6), 855-863. https://doi.org/10.1080/21670811.2020.1773887
Johansen, S. L. (2017, apr. 9). Tablets enhance play by taking toddlers on a digital adventure. http://sciencenordic.com/tablets-enhance-play-taking-toddlers-digital-adventure
Tække, J. (2020). Systems theoretical observations of the moral media panic debate. 1-20. Afhandling præsenteret på Moral Communication. Observed with Social Systems Theory, Dubrovnik, Kroatien.
Tække, J. (2022). Systems-theoretical observations of moral media panic debates. Kybernetes, 51(5), 1724-1737. https://doi.org/10.1108/K-11-2020-0724
Kim, J., Fusaroli, R., Park, H. W. & Bechmann, A. (2021). Systemic Gendering in Facebook Group Participation. Social Media + Society, 7(4). https://doi.org/10.1177/20563051211064906
Bruun, H. (2017). Syrebad og flertydigheder: om sketchkomediens aktuelle karakteristika. I A. Halskov, H. Højer & T. Schwartz Larsen (red.), Helt til grin: moderne audiovisuel komik på tværs af medier (s. 104-117). VIA Film & Transmedia.
Virilio, P., Brügger, N., (Trans.) & Vigsø, O., (Trans.) (1989). Synsmaskinen. Forlaget Politisk Revy.
Tække, J. (2011). Sverre Moe: Tid – En social konstruksjon? Oslo: Abstrakt Forlag A/S 2010 (222 sider). Dansk Sociologi, 22(4), 95-98.
Raetzsch, C., Hamm, A. & Shibuya, Y. (2024). Sustainable and Resilient Societies? Comparing Notions of the 'Smart City' in Germany and Japan. I C. Hommerich & M. Kimura (red.), Sustainable Societies in a Fragile World: Perspectives from Germany and Japan (s. 123-149). Sophia University Press.
Bengesser, C. H. (2026, maj). Support for films from smaller Member States: Differences, success criteria and challenges. https://www.europarl.europa.eu/RegData/etudes/BRIE/2026/789289/IUST_BRI(2026)789289_EN.pdf
Coelho, C. M., Zsido, A. N., Suttiwan, P. & Clasen, M. (2021). Super-natural fears. Neuroscience & Biobehavioral Reviews, 128, 406-414. https://doi.org/10.1016/j.neubiorev.2021.06.036

Viser resultater 351 til 400 ud af 1872

Forrige

4

5

6

7

8

9

10

11

12

13

Næste

Revideret 25.04.2025
-
Web Katrinebjerg - Kasernen, CC