Publications

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Frandsen, K. (2018). Selftracking among recreational athletes - mediatzation and blurring boundaries. Abstract fra Voices , Prague, Tjekkiet.

Johansen, S. L. (2006). Seere i bleer: – en undersøgelse af småbørns møde med de levende billeder. I Ikke angivet BIN-Norden.

Johansen, S. L. (2008). Seere i bleer: små børns møde med medier.

Johansen, S. L. (2008). Seere i bleer: -små børns møde med medier.

Bødker, S. & Petersen, A. B. (2007). Seeds of Cross-Media Production. Computer Supported Cooperative Work (CSCW): The Journal of Collaborative Computing and Work Practices, 16(6), 539-566.

Teke, N. (2004). SDF's Illusive Infallibility. The Post Newspaper, (0607), 10.

Bengesser, C. H. & Waade, A. M. (2021). Screen Tourism on the Smartphone: A Typology and Critical Evaluation of the First Decade of Smart Screen Tourism . I A. Leotta & B. Diego (red.), Audiovisual Tourism Promotion (s. 173-195). Palgrave.

Bengesser, C. & Waade, A. M. (2022). Screen tourism on the smartphone: A typology and critical evaluation of the first decade of smart screen tourism. I Audiovisual Tourism Promotion: A Critical Overview (s. 173-195). Springer Nature. https://doi.org/10.1007/978-981-16-6410-6_9

Waade, A. M. (2021). Screening the west coast: Developing New Nordic Noir tourism in Denmark and using the actual places as full-scale visual mood boards for the scriptwriting process. I N. van Es, S. Reijnders, L. Bolderman & A. Waydorf (red.), Locating Imagination in Popular Culture: Place, Tourism and Belonging (s. 99-117). Routledge.

Saunders, R. & Waade, A. M. (2018). Screening the regions: Framework for studying the geopolitical aspects of television drama series across Europe. Afhandling præsenteret på ECREA 2018, Lugano, Schweiz.

Grønlund, A. & Waade, A. M. R. (2024). Screening Greenland in Borgen - Power & Glory: The on- and off-screen contestedness of Arctic landscapes and locations. Critical Studies in Television, 19(3), 352-370. https://doi.org/10.1177/17496020241258709

Saunders, R. A., Souch, I. & Waade, A. M. R. (2023). Screening Arctic Landscapes in Nordic Television Drama: Anthropocenic Imageries, Ecological Crises, National Identities . I Disturbed Ecologies : Photography, Geopolitics, and the Northern Landscape in the Era of Environmental Crisis. (Bind 203, s. 257-281). Transcript Verlag.

Steemers, J., Sundet, V. S. & Jensen, P. M. (2026). Screen entertainment and the ‘youth challenge’: Home advantage, audience preferences and industry responses. Critical Studies in Television, 21(1), 3-15. Artikel 1. https://doi.org/10.1177/17496020251404730

Brænder, M., Gøtzsche-Astrup, O. & Holsting, V. S. (2019). Screened to lead: How Future Military Officers differ from their Civilian Counterparts. Afhandling præsenteret på ERGOMAS, European Research Group on Military and Society, Lissabon, Portugal.

Kjeldgaard-Christiansen, J. (2019). Science Unlimited? The Challenges of Scientism by Boudry, Maarten, Massimo Pigliucci. Evolutionary Studies in Imaginative Culture, 2(2), 111-114. https://doi.org/10.26613/esic.2.2.96

Clasen, M. (2005). Science fiction som brobygger. Aktuel Naturvidenskab, (3), 26-29.

Tække, J. (2025). Schooling in the Digitalized Society: AI, Algorithms, and the Educational System’s Technological Deficit. 1-26. Afhandling præsenteret på NordMedia 2025, Odense, Danmark.

Bruun, H. (2018). Scheduling in Cross Platform Television: A Comparative Agenda for Public Service television in the Internet Age. 48. Abstract fra Media Industry Studies: Current debates and future directions, London, Storbritannien.

Bruun, H. (2017). Scheduling and 'Continuity' in the Third Television Paradigm? A production Study. Afhandling præsenteret på Nordmedia 2017, Tampere, Finland.

Platts, T. & Clasen, M. (2017). Scary Business: Horror at the North American Box Office, 2006-2016. Frames Cinema Journal, 11. http://framescinemajournal.com/article/scary-business-horror-at-the-north-american-box-office-2006-2016/

Andersen, M., Rosas, F. E., Schjødt, U., Mediano, P. A. M., Price, H., Konvalinka, I. & Clasen, M. (2026). Scared Together: Heart Rate Synchrony and Social Closeness in a High-Intensity Horror Setting. Emotion, 26(1), 25-36. https://doi.org/10.1037/emo0001556

Bengesser, C. H. & Hansen, K. T. (2022). Scandinavian success as European policy dilemma: Creative Europe’s funding for TV drama co-productions, 2014-20. International Journal of Cultural Policy, 28(6), 697-714. https://doi.org/10.1080/10286632.2021.2022653

Bruhn, T., Villadsen, L. S., Schou Therkildsen, L. T., Ringgaard, R. L., Olsen, F. A., Skovbo Moser, K., Larsen, J. M., Härgestam, K., Hidle, C., Dehlie Glædesdahl, A., Keitum Fisker, T. & Hviid Broberg, F. (2023). Scandinavian emerging scholars and their Ph.D. projects – an overview. Res Rhetorica, 10(4), 140-175. https://resrhetorica.com/index.php/RR/article/view/810/424

Waade, A. M. (2016). Scandinavian Crime Series and Fan Tourism: Location study as an interdisciplinary approach . Afhandling præsenteret på International Tourism and Media Conference, Helsingborg, Sverige.

Brügger, N. (1993). Saussure, Saussure: Mellem sprogvidenskab og tekstanalyse. (Pré)publications, (139), 15-24.

Bruun, H. (2013). Satirisk piratvirksomhed: Om ironi i aktuel tv-satire. I M. Birkelund (red.), Ironistik: Ironi i et multidisciplinært perspektiv (s. 131-143). Publizon.

Bruun, H. (2007). Satire as Cross-Media Entertainment for Public Service Media. I G. Ferrell Lowe & J. Bardoel (red.), From Public Service Broadcasting to Public Service Media (s. 187-199). Nordicom.

Brügger, N. (1990). Sartre, Lyotard og den intellektuelle. (Pré)publications, (125), 27-34.

Brænder, M., Kølvraa, C. L. & Laustsen, C. B. (2014). Samfundsvidenskabelig tekstanalyse. Hans Reitzels Forlag. Samfundsvidenskabernes metoder

Tække, J. (2009). Samfundets vilkår: Habermas og Luhmann. (1 udg.) Unge Pædagoger.

Brænder, M. (2014). Same event, different stories: An IED Attack and its Aftermath Recounted by two Military Bloggers. Afhandling præsenteret på European Association for American Studies, Haag, Holland.

Brænder, M. (2023). Same event, different outcomes: How the War in Ukraine has affected political efficacy differently in different countries. Afhandling præsenteret på Zeitenwende: From the Cold War to the War in Ukraine , Potsdam, Tyskland.

Brænder, M. (2017). "Sage mir, wofür Du sterben wirst, so sage ich Dir, wer Du bist": Krieg als ein zivilreligiöses Ritual. I H. Bungert & J. Weiss (red.), "God Bless America" Zivilreligion in den USA im 20. Jahrhundert (s. 163-190). Campus Verlag.

Klausen, H. B. (2019). 'Safe and Sound': What technologically-mediated ASMR is capable of through sound. SoundEffects, 8(1), 87-103. https://www.soundeffects.dk/article/view/115035

Johansen, S. L. (2017). Sådan kan tablets få små børn til at løbe rundt og juble. Videnskab.dk [online]. http://videnskab.dk/teknologi-innovation/saadan-kan-tablets-faa-smaa-boern-til-at-loebe-rundt-og-juble

Brænder, M. (2014). Sacrificial Ideology in Civil and Military Religion. Afhandling præsenteret på Civil religion in the United States, Münster, Tyskland.

Have, I. (2024). Rutiner skaber rytme og ro. I B. Lange & M. Pade (red.), Hvor tanken sættes fri: San Cataldo på Amalfikysten (s. 33-39). Lindhardt & Ringhof.

Johansen, S. L. (2010). Rummets stemning til leg. Videnskab.dk. http://www.videnskab.dk/content/dk/blogs/leg_og_robotter

Arregui Olivera, C. (2025). Routinising the Expected? Defining and CharacterisingEvergreen Journalism Online. Journalism Studies. Advance online publication. https://doi.org/10.1080/1461670X.2025.2588231

Waade, A. M. & Sandvik, K. (red.) (2006). Rollespil - i æstetisk, pædagogisk og kulturelt perspektiv. (1. udgave udg.) Aarhus UniPresse.

Korsgaard, M. (2008). Robotter har også følelser. 16:9, 6.årgang(28), 8.

Have, I. (2019). Ro. Aarhus Universitetsforlag. Tænkepauser - viden til hverdagen Bind 74

Frandsen, K. (2023). Rivalling concepts, huge gaps and analytical complexities. I K. Kopecka-Piech & G. Bolin (red.), Contemporary Challenges in Mediatization Research (s. 44--60). Routledge.

Bruun, H. & Lassen, J. M. M. (2025). Risk and Quality in Commissioning. Abstract fra What's on VoD - Content priorities and promotion on video-on-demand interfaces, Købehavn, Danmark.

Brænder, M. (2016). Risikoens fascination - spændingsmotivationens centrale betydning for kampsoldater. I C. Jensen (red.), Politologisk årbog 2015-2016 (s. 8-11). Hans Reitzels Forlag.

Bruun, H. (2001). Ricki Lake i Danmark. Reception af et amerikansk og et dansk daytime talkshow. (Arbejdspapir nr. 6 udg.) Global Media Cultures.

Teke, N. (2010). Re-Visiting the Contending Frontiers of Development Journalism in Africa: Of Official Dogma and Journalists’ Rejection in Cameroon. Journal of Development Communication, 21(2), 63-76.

Arregui Olivera, C. (2025). Revisiting Peace Journalism in the Kenyan News Landscape. Routledge. Routledge Focus on Journalism Studies https://doi.org/10.4324/9781003528784

Raetzsch, C. (2021). Review: Simon Strick "Rechte Gefühle" (2021). Medien und Kommunikationswissenschaft, 69(4), 604-605. https://www.nomos-elibrary.de/10.5771/1615-634X-2021-4-598/literatur-besprechungen-volume-69-2021-issue-4?page=1

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