Publications

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Iversen, S. & Nørremark, R. L. (2021). Introduktion til temanummer: Tema Kategoria: anklagens retorik. Rhetorica Scandinavica, 25(82), 13-16. https://doi.org/10.52610/UVOO6739

Iversen, S. & Nørremark, R. L. (2021). “Men så skedde inte i Sverige” – om anklagens anatomi. Rhetorica Scandinavica, 25(82), 50-66. https://doi.org/10.52610/LWPV1444

Hye-Knudsen, M. & Clasen, M. (2019). “So-Bad-It’s-Good”: The Room and the Paradoxical Appeal of Bad Films. 16:9. http://www.16-9.dk/2019/11/so-bad-its-good/

Hye-Knudsen, M., Kristensen-McLachlan, R. D. & Clasen, M. (2023). How Stephen King Writes and Why: Language, Immersion, Emotion. Orbis Litterarum, 78(5), 353-367. https://doi.org/10.1111/oli.12401

Hye-Knudsen, M., Kjeldgaard-Christiansen, J., Boutwell, B. & Clasen, M. (2024). First They Scream, Then They Laugh: The Cognitive Intersections of Humor and Fear. Evolutionary Psychology, 22(2). https://doi.org/10.1177/14747049241258355

Homewood, S., Karlsson, A. & Vallgårda, A. (2020). Removal as a Method: A Fourth Wave HCI Approach to Understanding the Experience of Self-Tracking. In DIS 2020 - Proceedings of the 2020 ACM Designing Interactive Systems Conference (pp. 1779–1791). Association for Computing Machinery. https://doi.org/10.1145/3357236.3395425

Holsting, V. S. & Brænder, M. (2020). A New Spirit of Militarism? Person–Organization Fit and Economies of Worth Among New Military Cadets. In K. K. Hachey, T. Libel & W. H. Dean (Eds.), Rethinking Military Professionalism for the Changing Armed Forces (pp. 165-188). Springer. https://doi.org/10.1007/978-3-030-45570-5_11

Højlund, M. K. & Have, I. (2016). Sound and Listening in Healthcare and Therapy. SoundEffects, 6(1), 1-3. http://www.soundeffects.dk/article/view/24909/21833

Højer, H. & Korsgaard, M. B. (2020). Prolog: Fra stille rislen til endeløs strøm. In J. I. Nielsen, M. B. Korsgaard, H. Højer & A. Halskov (Eds.), Streaming for viderekomne: fra Doggystyle til Black Mirror og The Jinx (pp. 8-12). VIA Film & Transmedia.

Henriksen, A. & Bechmann, A. (2020). Building Truths in AI: Making predictive algorithms doable in healthcare. Information, Communication & Society, 23(6), 802-816. https://doi.org/10.1080/1369118X.2020.1751866

Henriksen, A., Enni, S. & Bechmann, A. (2021). Situated Accountability: Ethical Principles, Certification Standards, and Explanation Methods in Applied AI. In AIES '21: Proceedings of the 2021 AAAI/ACM Conference on AI, Ethics, and Society (pp. 574-585). Association for Computing Machinery. https://doi.org/10.1145/3461702.3462564

Hejná, M., Borkfelt, S., Eaton, M., Christensen, K. R., Clasen, M., Fage-Butler, A., Jespersen, A. B., Jacobsen, U. C., Kjeldgaard-Christiansen, J., Schjoldager, A., Stephan, M. & Sørensen, M. H. (2019). Interdisciplinary: To Be or Not to Be? Working Across Disciplinary Boundaries in the Humanities (and Beyond). Leviathan: Interdisciplinary Journal in English, (5). https://doi.org/10.7146/lev.v0i5.115491

Hejná, M., Kjeldgaard-Christiansen, J. & Eaton, M. (2024). Why interdisciplinary approaches to voice studies? In Proceedings of the 2nd International Conference on the Foundations of Speech: Proceedings of the 2023 Aarhus International Conference on Voice Studies (pp. 1-5). Sciendo (DeGruyter). https://doi.org/10.2478/9788366675513-001

Heiselberg, L. & Have, I. (2023). Host Qualities: Conceptualising Listeners’ Expectations for Podcast Hosts. Journalism Studies, 24(5), 631-649. https://doi.org/10.1080/1461670X.2023.2178245

Have, I. (2001). Musik som kommunikativt virkemiddel i tv. Gymnasiemusik, 34-49.

Have, I. (2001). Meningsdannende musik: Perception af musik i dokumentarprogrammer. In Ikke angivet (pp. 10). www.musik.aau.dk/musikogmedier/2000Seminar.

Have, I. (2002). Musik som æstetisk og kommunikativt virkemiddel i tv. In Ikke angivet (pp. 1-19). www.smid.dk.

Have, I. (2004). Når de musikalske virkemidler spiller med. Dagbladet Politiken, 4. sektion, 5.

Have, I. (2002). Anmeldelse af Den lyttende tilskuer af Birger Langkjær. Danish Yearbook of Musicology, XXIX, 313-132.

Have, I. (2006). Danish Top Politicians Underscored. P.O.V., (22), 34-49.

Have, I. (2006). Musik og følelser i danske tv-dokumentarer. MedieKultur, (40), 27-38.

Have, I. (2006). Review of Det visuelle øre - filmmusikkens historie (The Visual Ear - The History og Film Music). Danish Yearbook of Musicology, 34, 96-98.

Have, I. (2007). Baggrundsmusik og baggrundsfølelser: underlægningsmusik i audiovisuelle medier. Psyke og Logos, årgang 28(1), 228-248.

Have, I. (2007). Lydens rolle: Gode råd fra en erfaren tonemester. 16:9, 5. årgang(23), 33-38.

Have, I. (2007). Underlægningsmusik i tv-dokumentarer om politikere: 19 slides i powerpoint-præsentation. Bilag til artikel i Psyke&logos. http://www.musikterapi.aau.dk

Have, I. (2008). Lyt til tv: Underlægningsmusik i danske tv-dokumentarer. Aarhus Universitetsforlag.

Have, I. (2004). Det musikalske underspil: En undersøgelse af underlægningsmusikkens betydning, belyst gennem den journalistiske tv-dokumentar.

Have, I. (2008). Aestheticizing Politics: Non-verbal Political Communication in Danish TV Documentaries. In J. Strömbäck, M. Ørsten & T. Aalberg (Eds.), Communicating Politics: Political Communication in the Nordic Countries (pp. 215-233). Nordicom.

Have, I. (2008). Background Music and Background Feelings: Background music in audio-visual media. Journal of Music and Meaning, (6).

Have, I. (2009). Anmeldelse af: Ib Bondebjergs Virkelighedens fortællinger: Den danske tv-dokumentarismeshistorie. Frederiksberg: Samfundslitteratur, 2008. In MedieKultur: Journal of Media- and Communication Research (Vol. 46, pp. 118).

Have, I. (2009). Stafetten: Hvordan udforsker en medieforsker audiovisuel lyd og musik? KONTEKST, 3(3), 12-16.

Have, I. (2010). Attitudes towards documentary soundstracks: Between emotional immersion and critical reflection. MedieKultur, 48, 48-60. http://ojs.statsbiblioteket.dk/index.php/mediekultur/article/download/2133/2396

Have, I. (2010). Auditiv og visuel højtaleræstetik.

Have, I. (2009). Underlægningsmusik i dokumentariske politikerportrætter. In Hvor går grænsen?: Brudflader i den moderne mediekultur (pp. 177-203). Tiderne Skifter.

Have, I. (2010). Communicative and narrative sound in Village. Short Film Studies, 1(1), 131-134. https://doi.org/10.1386/sfs.1.1.131_1

Have, I. (2008). Manipulerer underlægningsmusik? Spørgsmål om troværdighed og iscenesættelse i receptionene ad dokumentar-tv. (pp. 1-25).

Have, I. (2011, Feb 15). Testosteron-tv: “Livsfarlig fangst” til Nis Bank-Mikkelsens stemme. http://www.avlyt.dk/2011/02/testosteron-tv-livsfarlig-fangst-til-nis-bank-mikkelsens-stemme/

Have, I., Granly Jensen, E. & Pedersen, B. S. (2011). Introduction. SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience, 1(1).

Have, I. (2012). Anmeldelse af Nicolai Jørgensgaard Graakjær. Musik i tv-reklamer – teori og analyse. København. Samfundslitteratur. 2011. MedieKultur: Journal of media and communication research, 28(53). http://ojs.statsbiblioteket.dk/index.php/mediekultur/article/view/5866/6491

Have, I. (2012). The musicalized soundtracks of Armadillo: Emotional realism and real emotions. SoundEffect, Vol 2 (No 1), 155-170. https://doi.org/The Musicalized Soundtrack of Armadillo

Have, I. & Pedersen, B. S. (2013). Sonic mediatization of the book: affordances of the audiobook. MedieKultur: Journal of media and communication research, 29(54), 123-140. http://ojs.statsbiblioteket.dk/index.php/mediekultur/article/view/7284/6769

Have, I. & Langkjær, B. (Eds.) (2012). Editorial: Conceptualising Sound. SoundEffect, 2(2), 2-3. http://www.soundeffects.dk/article/view/7962/6640

Have, I. & Pedersen, B. S. (2014). Lit-to-go: Mobil lydbogslytning. In A. Lønstrup (Ed.), Blik for lyd: Om lyd i kontekst Klim.

Have, I. (2014). Sound Perception in/as Body Memory. Short Film Studies, 4(2), 149-152. https://doi.org/10.1386/sfs.4.2.149_1

Have, I. (2014). Musik som kommunikativ emotionel praksis i Armadillo. Dansk Musikforskning Online, Special Edition, 63-78. http://www.danishmusicologyonline.dk/index.html

Have, I. & Pedersen, B. S. (2015). Digital Audiobooks: New Media, Users, and Experiences. Taylor & Francis. Routledge Studies in New Media and Cyberculture Vol. 28

Have, I. (2016). The Ambiguous Voices of Possum. Short Film Studies, 6(1), 49-52. https://doi.org/10.1386/sfs.6.1.49_1

Have, I. (2015). From Music Presenters to Social Presence. Paper presented at NordMedia 2015, Copenhagen, Denmark.

Have, I. & Pedersen, B. S. (2018). At læse en lydbog. In T. Rye Andersen, J. Bruhn, N. Christensen, S. Kjerkegaard, S. T. Linkis, B. Stougaard Pedersen & H. K. Rustad (Eds.), Litteratur mellem medier (pp. 119-136). Aarhus Universitetsforlag.

Have, I. (2018). Go’ Morgen P3: Forandringer i et velkendt format. In Stil nu ind ...: Danmarks Radio og Musikken (pp. 133-137). Aarhus Universitetsforlag.

Displaying results 851 to 900 out of 1807

Revised 13.03.2023