Publications

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McCutcheon, M. & Jensen, P. M. (2017). Ratings Behaving Madly: Danish TV Drama's Fortuitous Success in Australia. Afhandling præsenteret på ANZCA - Australian and New Zealand Communication Association Annual Conference - Sydney University, Sydney, Australien.

Jensen, P. M. & McCutcheon, M. (2017). Ratings behaving madly: Danish TV drama’s fortuitous success in Australia. Afhandling præsenteret på Nordmedia 2017, Tampere, Finland. http://www.uta.fi/cmt/en/Conferences/NordMedia2017/Divisions/Division10/Division10_Abstracts.pdf

Brügger, N. (1996). Randbemærkninger til to værker af Sartre: Fra l'Étre et le néant til l'Existentialisme est un humanisme. (Pré)publications, (154), 11-19.

Clasen, M. (2010). Rædsler fra urtiden: en darwinistisk tilgang til horrorfilm. CUT, (1), 14-20.

Clasen, M. (2011). Rædsler fra Ribe og omegn: skrækhistorien som global fortælling. Akademisk Kvarter, 2, 191-201.

Munk-Hansen, P. L. & Clasen, M. (2023). Rædsler fra dybet: Om havuhyrer, Dødens gab og den rekreative frygt. I C. B. Thøstesen, K. Rathjen & J. K. Eriksen (red.), Havets mysterier: Myter, virkelighed og videnskab (s. 279-287). Fiskeri- og Søfartsmuseets Forlag.

Saunders, R. & Bruun, H. (2021). "Radio Free Sweden": Satire, National Identities, and the UN-PC (Geo) Politics of Jonathan Spang. Global Society, 35(1), 84-101. https://doi.org/10.1080/13600826.2020.1828297

Bruun, H. (1991). Radioæstetik og analysemetode. MedieKultur, (15), 67-83.

Finceur, B., Frandsen, K. & Thompson, C. (red.) (2023). Racing Time: Interdisciplinary Perspectives on the Tour de France. (1. udg.) EPFL Press.

Frandsen, K. (2006). "Sport" I S. Hjarvard (red.), Dansk tv's historie (1 udg., s. 25). Samfundslitteratur.

Waade, A. M. & Sandvik, K. (2007). "I play roles, therefore I am": Placing LARP in a broader cultural perspective. I M. Gade (red.), Knudepunkt 2007 (1.udgave udg., s. 250-256).

Waade, A. M., Jensen, P. M., Nielsen, J. I., Eichner, S., Gemzøe, L. S. & Esser, A. (2014). Questioning the national outlook of television studies (Plenary panel): What makes Danish television drama travel, FKK 2014-2018. Afhandling præsenteret på Årsmøde SMID, Nyborg, Danmark. http://www.smid.dk

Nielsen, J. (2021). Quantitative approaches to the Danish web archive. I D. Gomes, E. Demidova, J. Winters & T. Risse (red.), The past web: exploring web archives (s. 165-179). Springer. https://doi.org/10.1007/978-3-030-63291-5_13

Bengesser, C. H. (2025). Qualitätsserien aus Deutschland: Produktionspraktiken, Erzählweisen und Transformationen des Fernsehens. tv-diskurs. https://mediendiskurs.online/beitrag/qualitaetsserien-aus-deutschland-beitrag-1123/

Bruun, H. & Lassen, J. M. M. (2024). Pushing Public Service Television Online: A quantitative study of the cross-promotional continuity announcements on DR and TV 2 Denmark. Norsk Medietidsskrift, 31(1), 1-16. Artikel 1. https://doi.org/10.18261/nmt.31.1.3

Bruun, H. & Møller Tommerup Andersen, M. (red.) (2025). Publishing Strategies in Online Television. SMID - Sammenslutningen af medieforskere i Danmark. MedieKultur Bind 40 Nr. 78 https://www.mediekultur.dk/issue/view/12307

Bruun, H. & Møller Tommerup Andersen, M. (2025). Publishing strategies in online television: Introduction to the themed issue. MedieKultur: Journal of media and communication research, 40(78), 1-10. https://doi.org/10.7146/mk.v40i78.156657

Bruun, H., Johnson, C., Lassen, J. M. M., Nucci, A., Switskowski, F. & Raats, T. (2025). Publishing Public Service Media on Demand: a comparative study of Public Service Media companies’ editorial practices on their VoD-services in the age of platformisation . Journal of Digital Media and Policy. Advance online publication. https://doi.org/10.1386/jdmp_00167_1

Bruun, H. & Lassen, J. M. M. (2024). Publishing PSM on Demand: a comparative study of PSM companies' editorial practices. Abstract fra Media Industries 2024, London, Storbritannien.

Bengesser, C. H. (2023). Public Value after the News: A Life-world-based Approach to the Legitimation of Content Universality as Contribution to Society. I M. Puppis & C. Ali (red.), RIPE@2021: Public Service Media’s Contribution to Society (s. 47-68). Nordicom. https://doi.org/10.48335/9789188855756

Bengesser, C. H. (2021). Public value after the news: A life-world-based approach to the role of popular fiction and entertainment for the legitimacy of PSM’s content universality. Afhandling præsenteret på RIPE@2021.

Bruun, H. & Lassen, J. M. M. (2025, mar. 10). Public service medier i platformenes tidsalder: Balance mellem traditioner, teknologi og publikumsbehov. https://doi.org/10.48785/100/321

Johnson, C., Bruun, H., Glowacki, M., Iordache, C., Lassen, J. M. M., Martin, D., Nucci, A., Raats, T., Scaglioni, M. & Switskowski, F. (2025). Public Service media in the Age of Platforms: Challenges and Recommendations for the Future. University of Leeds. https://doi.org/10.48785/100/362

Teke, N. (2007). Public Service Broadcasting and Multiculturalism. Media Development, 2007/2.

Bruun, H. (2005). Public Service and Entertainment. A Case Study of Danish Television 1951-2003. In G.Ferrell Lowe & P. Jauert (eds.) Cultural Dilemmas in Public Service Broadcasting. (1. udg.) Nordicom.

Brænder, M. (2015). Public Servant and Warrior: Why Soldiers' Job Satisfaction and Performance don't Correlate. Afhandling præsenteret på American Sociological Association, Chicago, Il, USA.

Nørgaard Kristensen, N. & From, U. (2015). Publicity, news content, and cultural debate: the changing coverage of blockbuster movies in cultural journalism. Communication, Culture & Critique, 8(3), 484-501. https://doi.org/10.1111/cccr.12094

Johansen, S. L. (2020, sep.). Public Debates and Parenting Paradoxes: Studying Digital Technologies in Early Years Education. NordMedia Networks. https://nordmedianetwork.org/latest/news/public-debates-and-parenting-paradoxes-digital-technologies-in-early-years-education/

Scrivner, C., Andersen, M., Schjødt, U. & Clasen, M. (2022). Psychological benefits of scary play in three types of horror fans. Datasæt https://osf.io/24x5k/

Nielsen, J. (2012). PSM educating the public: A history of DR as an educator in Denmark in a cross media perspective. Afhandling præsenteret på Ripe@2012, Sydney, Australien. http://ripeat.org/2012/psm-educating-the-public-a-history-of-dr-as-an-educator-in-denmark/

Fage-Butler, A., Ledderer, L. K. & Brügger, N. (2022). Proposing methods to explore the evolution of the term ‘mHealth’ on the Danish Web archive. First Monday, 27(1). https://doi.org/10.5210/fm.v27i1.11675

Højer, H. & Korsgaard, M. B. (2020). Prolog: Fra stille rislen til endeløs strøm. I J. I. Nielsen, M. B. Korsgaard, H. Højer & A. Halskov (red.), Streaming for viderekomne: fra Doggystyle til Black Mirror og The Jinx (s. 8-12). VIA Film & Transmedia.

Korsgaard, M. B. (2021). Projections of Image on Sound: Reassessing the Relation Between Music Video and Cinema. I C. Cenciarelli (red.), The Oxford Handbook of Cinematic Listening (s. 619-638). Oxford University Press. https://doi.org/10.1093/oxfordhb/9780190853617.001.0001

Bruun, H. (1993). Programming in Europe. Danish Part week 20, 1993. Media Business School.

Frandsen, K. (2007). Produktionsanalyse: teoretiske og metodiske problemstillinger. I K. Frandsen & H. Bruun (red.), Tv-produktion - nye vilkår (1. udg., s. 23-54). Samfundslitteratur.

Frandsen, K. (2010). Produktion af tv-fiktion. I S. Kolstrup, G. Agger, P. Jauert & K. Schrøder (red.), Medie- og kommunikationsleksikon (s. 416-417). Samfundslitteratur.

Nielsen, J. I. & Bengesser, C. H. (2024, maj 14). Production volume. https://www.crescine.eu/small-film-industries/production#1

Waade, A. M. & Wille, J. I. (2016). Production Design and Location in the Danish Television Drama Series "Arvingerne" (The Legacy). Kosmorama, (263). http://www.kosmorama.org/Nyt/~/link.aspx?_id=5F499C1696C247849194F49B7672F791&_z=z

Bruun, H. (2008). Production as Reception? A Theoretical Approach to a Production Analysis af Television Satire. Afhandling præsenteret på IAMCR, Stockholm, Sverige.

Bruun, H. (2018). Producing the On-air Schedule in Public Service Television in the Digital Era. Critical Studies in Television, 13(2), 137-152. https://doi.org/10.1177/1749602018763700

Bruun, H. (2008). Producing Television Satire - A Professional Ideology in Transition. I Communication Policies and Culture in Europe: http://www.ecrea2008barcelona.org/guide/download/1659.pdf

Bruun, H. (2016). Producing Continuity in Digital Television: A Theoretical Approach. Afhandling præsenteret på ECREA, Prague, Tjekkiet.

From, U. & Nørgaard Kristensen, N. (red.) (2005). Proces og struktur i ph.d.-forløbet: - om at leve og overleve. (1. oplag udg.) Samfundslitteratur.

Kjeldgaard-Christiansen, J., Eaton, M., Clasen, M., Hejná, M., Niebuhr, O. & Boyd, Z. C. (red.) (2024). Proceedings of the 2023 Aarhus International Conference on Voice Studies. Sciendo (DeGruyter). https://sciendo.com/book/9788366675513?top-tab=table-of-contents

Brügger, N. (2014). Probing a nation’s web sphere: A new approach to web history and a new kind of historical source. Afhandling præsenteret på Communication and the “Good Life”, the International Communication Association (ICA), the 64th Annual Conference of the International Communication Association, Seattle, USA.

Brügger, N. (2017). Probing a nation’s web domain: a new approach to web history and a new kind of historical source. I G. Goggin & M. McLelland (red.), The Routledge Companion to Global Internet Histories (s. 61-73). Routledge. https://doi.org/10.4324/9781315748962

Bechmann, A. & Vahlstrup, P. B. (2015). Private Facebook data patterns in a broad national sample. Abstract fra Eastern Sociological Society, New York, USA.

Bechmann, A. & Tranberg, C. B. (2012). Privacy policies nobody reads: informed consent in social networking sites. Abstract fra Challenges to Danish Privacy Research, Skagen, Danmark.

Johansen, S. L. (2009). Prinsessepiger og popkultur: Medieleg som transmedial intertekstualitet. BUKS - Tidsskrift for Børne- og Ungdomskultur, (53), 69-74.

Bruun, H. & Lassen, J. M. M. (2024). Prime Space Publishing in PSM: a comparative study across seven media markets. Afhandling præsenteret på RIPE 2024, Lisbon, Portugal.

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