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Hansen, M. F. & Oelsner, G. (Ed.) (2002). Anslagets styrke - begrænsningens kunst: Gottschalk mellem realisme og abstraktion. In I maleriets udkant: Albert Gottschalk (1866-1906) Storstrøms Kunstmuseum.

Birkelund, M. (2002). Anvendelse af modalverber som udtryk for forpligtelse i kontrakter. In H. L. Andersen, K. Jensen & H. Nølke (Eds.), Ny Forskning i Grammatik: Sandbjergsymposiet 2001. (Vol. 9, pp. 29-46). Syddansk Universitetsforlag.

Langsted, J. (2002). Armslængde i Norden: Indfald og udfald 4. Nordisk Kulturpolitisk Tidskrift, (1), 3-8.

Kyndrup, M. (2002). Art and the Enunciative Paradigm: Today's Objectual De-differentiation and Its Impact on Aesthetics. Nordisk Estetisk Tidskrift/The Nordic Journal of Aesthetics, (25-26).

Blok, R. (2002). A sense of closure: The state of narration in digital literature. In H. Balling & A. K. Madsen (Eds.), From Homer to Hypertext (1 ed., pp. 167-180). Syddansk Universitetsforlag.

Blok, R., Balling, H. & Madsen, A. K. (2002). A sense of closure: The state of narration in digital literature. In From Homer to Hypertext: Studies in Narrative, Literature and Media (pp. 167-180). Syddansk Universitetsforlag.

Thomsen, M. R., Balling, H. (Ed.) & Klinkby Madsen, A. (Ed.) (2002). Attention: Tender Tension: On Composite Poetics of Narratives. In From Homer to Hypertext (1 ed.). Syddansk Universitetsforlag.

Reitan, R. (2002). autoerotik / infantil seksualitet / nachträglichkeit / tilknytning (Anlehnung) / urfantasi / urforførelse / urscene. In O. A. Olsen (Ed.), Psykodynamisk leksikon (pp. 110 / 351-355 /496-497 / 794-795 / 840-842 / 842 / 847). Gyldendal.

Nølke, H. (2002). (avec Michael Olsen): Le passé simple subjectif 2. In Polyphonie - linguistique et littéraire 5 (version provisoire de B93) (pp. 101-118). De Skandinaviske Polyfonister.

Nølke, H. (2002). (avec Michael Olsen): Puisque: indice de polyphonie. Faits de Langues, 19, 135-146.

Iversen, S. (2002). Back to life - back to Halality. In S. Iversen, H. Jørgensen & H. S. Nielsen (Eds.), Om som om. Realisme i teori og nyere kunst. (pp. 100-116). Akademisk Forlag.

Lehmann, N. (2002). Becoming Hotel Fuck. Foreman in the Light of Deleuzian Philosophy. 3t: tidsskrift for teori og teater, (9-10), 72-94.

Carter, D. (2002). Benjamin Filene, Romancing the Folk: Public Memory and American Roots Music (2002). American Studies in Scandinavia, 34(1), 119-122.

Khair, T. (2002). Between Silence and Screams. The Literary Review, 45(4).

Finnemann, N. O., Mark, N. (Ed.), Hanssen, E. M. (Ed.) & Nielsen, N. C. (Ed.) (2002). Biblioteket mellem værk og netværk. In Mellem bøger, bit og brugere - Statsbiblioteket 1977-2002 Statsbiblioteket.

Frederiksen, H. J., Bertelsen, L. K. (Ed.), Sommer, A.-L. (Ed.) & Jørgensen, H. H. L. (Ed.) (2002). Billedstrid. In Mytologi og mod-mytologi: 7 oplæg fra en konference på Kunsthistorie, Aarhus Universitet (pp. 17-39). Aarhus Universitet.

Mogensen, T. E. (2002). Biografiens fiktion. Litteraturmagasinet Standart, 16(2), 28-29.

Raskin, R. (2002). Bogarts Nod in the Marseillaise Scene: A Physical Gesture in Casablanca. P.O.V., (14), 136-142. http://www.imv.aau.dk/publikationer/pov/Issue_14/section_1/artc15A.html

Steensig, J. (2002). Book review: Codes and Consequences: Choosing Linguistic Varieties. Journal of Pragmatics, (35), 139-148.

Poddar, P. (2002). Borders of Global Citizenship. Paper presented at How the East meets the West, May 2002, Istanbul.

Langsted, J. (2002). Borgerlig teaterpolitik hos den sydvästra grannen. Teatertidningen, (3), 17-19.

Almeida, I. (2002). Borges & Peirce, on Abduction and maps. Semiotica (Mouton de Gruyter, Berlin - New York), I-XIX, 1-261.

Michelsen, M., Lindberg, U., Weisethaunet, H. & Gudmundsson, G. (2002). Brit Crit: Turning Points in British Rock Criticism 1960-1990. In Pop Music and the Press Temple University Press.

Andersen, E. (2002). BUNT: Bulletin for nordiske teaterforskere. Foreningen for Nordiske Teaterforskere. http://www.hum.au.dk/dramatur/bunt

Sandvik, K. (2002). BUNT's website: Bulletin for nordiske teaterforskere. Foreningen for Nordiske Teaterforskere. http://www.hum.au.dk/dramatur/bunt

Nielsen, S. (2002). Business Leksikon. HERMES - Journal of Language and Communication in Business, 29, 247-260.

Hansen, T. H., Møller, C. C. & Nielsen, S. K. (Eds.) (2002). Cæcilia V: 1998-2001. Aarhus Universitet.

Thomsen, B. M. & Nørgaard, M. (Ed.) (2002). Calvin Klein. In Modeleksikon: Fra couture til kaos (pp. 207-207). Politikens Forlag.

Thomsen, R. C. & Lauridsen, E. (Eds.) (2002). Canada Bound: Essays in Honour of Jørn Carlsen on the Occasion of his Retirement. NACS and Canadian Studies Centre, Aarhus.

Thomsen, R. C. (2002). Canada, history. In Den Store Danske Encyclopædi, Supplementsbind Gyldendal.

Thomsen, R. C. (2002). Canada, politiske partier. In Den Store Danske Encyclopædi, Supplementsbind Gyldendal.

Thomsen, B. M. (2002). Casablanca in Morocco - Morocco in Casablanca. P. O. V. - A Danish Journal of Film Studies, (14), 32-41. http://http//imv.au.dk/publikationer/pov/POV.html

Bøss, M. (2002). Changing Nations: D'Arcy Magee and the Forging of Canadian Nationhood. Paper presented at Canadian Studies Conference, Vilnius.

Hougaard, T. T. (2002). Chat r 4 fedt ;-). Vandfanget, (7. årgang, nr. 2), -.

Hougaard, T. T. (2002). Chatsproget: Nyskabende og bevidstgørende eksperimenter. http://. http://design.emu.dk/artik/artikf.htm

Hougaard, T. T. (2002). Chatsproget - nyskabende og bevidstgørende eksperimenter. http://design.emu.dk/artik/artikf.htm

Thomsen, R. C. (2002). Chrétien, Jean. In Den Store Danske Encyclopædi, Supplementsbind Gyldendal.

Nielsen, K. H. (2002). Cicero und Wittgenstein: Zur Verortung des rhetorischen Sprechens. Rhetorik: Ein internationales Jahrbuch, 21(21), 102-118.

Thomsen, O. (Ed.) (2002). Classica et Mediaevalia vol. 53: Revue danoise de philologie et d'histoire.

Thomsen, B. M. & Nørgaard, M. (Ed.) (2002). Claude Montana. In Modeleksikon: Fra couture til kaos (pp. 257-257). Politikens Forlag.

Nielsen, R. (2002). Collaborative Spaces: Inhabiting Virtual 3D worlds. In L. Qvortrup (Ed.), Virtual Space: The Spatiality of Virtual Inhabited 3D Worlds (pp. 171 - 189). Springer.

Christensen, L. H. & Arnesen, D. M. (Eds.) (2002). Come in - Go Out. In Come in - Go Out Informations Forlag.

Bøggild, J. (2002). Coming to Terms with the Tricky Twins: On the Scandinavian Reception of "Repetition" and "Fear and Trembling". Kierkegaard Studies Yearbook, 290-309.

Lehmann, N., Sandvik, K. (Ed.), Ostrowski, K. (Ed.) & Gornitzka, S. (Ed.) (2002). Computeren som udfordring. Om mulige anvendelser af multimedier i performanceteatret. In Den multimediale scene: Tekster om mødet mellem scenekunst og digitale multimedier (pp. 3-15). Institut for Dramaturgi.

Christensen, L. H., Ågren, P.-U. (Ed.) & Nymann, S. (Ed.) (2002). Confirming the object. In Museum 2000, Confirmation or challenge Riksutställningar, Museiforeningen, ICOM (International council of museums).

Koldau, L. M. (2002). ‚Contraveleno spirituale, salutifero, presentaneo, efficace & sicuro‘: Die Kontrafaktur in der Literatur und der Musik des Cinque- und Seicento. In A. Colzani, A. Luppi & M. Padoan (Eds.), Atti del VIII Convegno internazionale sulla musica italiana nei secoli XVII-XVIII, Como, 16-18 luglio 1999 (pp. 42-106).

Lehmann, N. (2002). Coping with Reality. Different Means for Different Purposes. In Playing Betwixt and Between: The Idea Dialogues 2001 (pp. 47-58). Idea Publications.

Bødker, H. (2002). Copyrights and Copywrongs: the Rise of Intellectual Property and How it Threatens Creativity. American Studies in Scandinavia.

Khair, T. (2002). Correct(ing) Images from the Inside: Reading the Limits of Erna Brodber's MYAL. The Journal of Commonwealth Literature, 37(1).

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