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Dalsgaard, P., Halskov, K. & Harrison, S. (2012). Supporting Reflection in and on Design Processes. In Proceedings of Designing Interactive Systems 2012 Association for Computing Machinery.
Skiveren, T. & Gregersen, M. (2012). Surrealisme: - en relancering af et prosabegreb. Synsvinkler, 21(45), 105.
Skiveren, T. (2012). Surrealismen lever! – sådan da! Kulturkapellet : tidsskrift for kunst- og kulturformidling.
Martin, D. G. (2012). Sweet Home Europa: El Milagro de la Imagen, El Poder del Silencio. Red Escénica. Revista de Artes Escénicas.
Andersen, F. (2012). Tarzan. In A.-M. Mai (Ed.), Den store karakterbog: 151 portrætter af fiktive personer (pp. 396-398). Aarhus Universitetsforlag.
Champion, E. (2012). Teaching Mods with Class. In E. Champion (Ed.), Game mods: Design, Theory and Criticism (Creative Commons Attribution 2.0 ed., pp. 113-179). ETC Press.
Hansen, L. E. (2012). Teaterlukning har da intet med armslængde at gøre. Politiken, Kultur/debat(08-03-2012), 8.
Nielsen, S., Mourier, L. & Bergenholtz, H. (2012). Tekstproduktion. In B. Norddahl & H. Bergenholtz (Eds.), Ordbogen.com - Danmarks største onlineordbog: Regnskabsordbøgerne dansk/engelsk/dansk Ordbogen A/S.
Rhiger, T. M. S. (2012). Teologien, animationsfiguren og liturgien. Kritisk Forum for Praktisk Teologi, (130), 56-66.
Stjernfelt, F. (2012). Terminology. In D. Favareau, P. Cobley & K. Kull (Eds.), A More Developed Sign: Interpreting the Work of Jesper Hoffmeyer (pp. 297-299). Tartu University Press.
Bertelsen, L. K. (2012). The Alien Element that Is at Play Is Ourselves: Foreword to the 2nd Edition of Ethno-Aesthetics. In F. Hansen & T. O. Nielsen (Eds.), Tupilakosaurus: An Incomplete(able) Survey of Pia Arke's Artistic Work and Research (pp. 260-261). Kuratorisk Aktion.
Krejberg, K. G. (2012). The Anxiety of Emotional Identification: W.G. Sebald, Michael Haneke and the Aesthetics of Indirection in Contemporary War Stories. In K. G. Krejberg, S. Fauth & J. Süselbeck (Eds.), Repräsentationen des Krieges: Emotionalisierungsstrategien in der Literatur und den audiovisuellen Medien vom 18. bis zum 21. Jahrhundert (pp. 181-197). Wallstein Verlag.
Kau, E. (2012). The Cage; Framing Dad. Short Film Studies, 3(1), 93-96.
Dalsgaard, I. H., Herman, L. & McHale, B. (Eds.) (2012). The Cambridge Companion to Thomas Pynchon. Cambridge University Press.
Tække, J. & Paulsen, M. E. (2012). The challenge of social media: between prohibition and indifference in the classroom. Paper presented at the Thirteenth Annual Convention of the Media Ecology Association: , New York, United States.
Brynskov, M., Lunding, R. & Vestergaard, L. S. (2012). The Design of Tools for Sketching Sensor-Based Interaction. In Proceedings of ACM TEI 2012 Association for Computing Machinery.
Lucero, A., Vaajakallio, K. & Dalsgaard, P. (2012). The Dialogue-Labs Method: Structuring Process, Space and Materials to Spark Dialogue in Co-Design Events. CoDesign: International Journal of CoCreation in Design and the Arts, 8(1). https://doi.org/10.1080/15710882.2011.609888
Glud, L. N., Stenbøg, A. S. C. & Albrechtslund, A. (2012). The (Dis)appearance of Ai Weiwei: Translations and (In)visibilities. Paper presented at LiSS Conference 3: The State of Surveillance, Barcelona, Spain.
Stjernfelt, F. (2012). The Evolution of Semiotic Self-Control: Sign Evolution as the Ongoing Refinement of the Basic Argument Structure of Biological Metabolism. In T. Schilhab, T. Deacon & F. Stjernfelt (Eds.), The Symbolic Species Evolved (pp. 39-63). Springer Science+Business Media. https://doi.org/10.1007/978-94-007-2336-8
Paldam, C. S. (2012). The Future Is Right Here. In Jesper Dalgaard: From now on it can only get better: For we can do whatever we want to do and will (pp. 77-81). Kunsthal Nord.
Kuhlmann, A. (2012). The Human Specific Space – on Inner Exile among Theatre Actors. Paper presented at Migration, Memory, Place, Copenhagen, Denmark.
Brügger, N. (2012). The Idea of Public Service in the Early History of DR Online. In N. Brügger & M. Burns (Eds.), Histories of Public Service Broadcasters on the Web (pp. 91-104). Peter Lang.
Khair, T. (2012). The Literatures of Metropolitan Capital. Wasafiri: Caribbean, African, Asian and Associated Literatures in English, 27(3), 46-49.
Khair, T. (2012). The Man-Eating Tiger and the Vampire in South Asia. In T. Khair & J. Höglund (Eds.), Transnational and Postcolonial Vampires: Dark Blood (1 ed., pp. 105-121). Palgrave Macmillan.
Pold, S. B. (2012). The Media Perspective of Painting. In J. V. Sevel (Ed.), Ude af fokus (pp. 18-21). Holstebro Kunstmuseums Forlag.
Champion, E. (2012). The Nonessentialist Essentialist Guide to Games. In B. Herzogenrath (Ed.), TRAVELS IN INTERMEDIA[LITY]: REBLURRING THE BOUNDARIES (pp. 192-210). Dartmouth College Press . http://www.upne.com/TOC/TOC_1611682595.html
Tarp, S. (2012). Theoretical challenges in the transition from lexicographical p-works to e-tools. In S. Granger & M. Paquot (Eds.), Electronic Lexicography (pp. 107-118). Oxford University Press. http://www.statsbiblioteket.dk/au/showrecord.jsp?record_id=sb_5536811
McQuaid, S. D. (2012). The Political Landscape. In R. C. Thomsen & S. D. McQuaid (Eds.), Britain Today Hans Reitzels Forlag.
Hansen, N. B. & Dalsgaard, P. (2012). The Productive Role of Material Design Artefacts in Participatory Design Events. In NordiCHI '12: Proceedings of the 7th Nordic Conference on Human-Computer Interaction: Making Sense Through Design (pp. 665-674 ). Association for Computing Machinery. https://doi.org/10.1145/2399016.2399117
Dalsgaard, P., Halskov, K. & Hansen, N. B. (2012). The Project Reflection Tool. Abstract from Designing Interactive Systems 2012, Newcastle, United Kingdom.
Stephan, M. (2012). The Rhetoric of Infidelity: A Comparison of Scenes of Adultery in Dante, Boccaccio and Christine de Pisan. Paper presented at Nordic Network for Renaissance Studies Conference, Copenhagen, Denmark.