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Below you can search for publications authored or edited by researchers at the School of Communication and Culture.

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Pollach, I., Maier, C. D. & Ravazzani, S. (2019). The Discursive Management of Guilt in CSR Reports. Paper presented at The 69th Annual International Communication Association conference, Washington, D.C., United States.
Oggolder, C., Brügger, N., Metykova, M., Salaverría, R. & Siapera, E. (2019). The emergence of the internet and the end of journalism? In K. Arnold, P. Preston & S. Kinnebrock (Eds.), The handbook of European communication history (pp. 333-350). Wiley.
Jørgensen, H. (2019). The Four Troublemakers in Danish Orthography. In A. M. Nyvad, M. Hejná, A. Højen, A. B. Jespersen & M. H. Sørensen (Eds.), A Sound Approach to Language Matters (pp. 151-166). Department of English – School of Communication and Culture – Aarhus University. https://ebooks.au.dk/aul/catalog/book/322
Bates, O., Remy, C., Nash, C. & Kirman, B. (2019). The future of techno-disruption in gig economy workforces: Challenging the dialogue with fictional abstracts. In HTTF 2019 - Proceedings of the Halfway to the Future Symposium 2019 Article 3363476 Association for Computing Machinery. https://doi.org/10.1145/3363384.3363476
Tække, J., Ericson, S., Forsler, I. & Forsman, M. (2019). The future of the media literacy classroom as a material, imagined, and practiced space. Paper presented at NordMedia 2019, Malmö, Sweden.
Khair, T. (2019). The Heart of the Prodigal: Review of a novel. The Hindu Literary Review.
Boenisch, P. M. (2019). The hopeless courage of confronting contemporary realities: Milo Rau’s “Globally conceived theatre of humanity". In P. Eckersall & H. Grehan (Eds.), The Routledge Companion to Theatre and Politics (pp. 243-246). Routledge. https://doi.org/10.4324/9780203731055-61
Jørgensen, H. H. L. (2019). The image as contact medium: mediation, multimodality, and haptics in medieval imagery . In L. Liepe (Ed.), The locus of meaning in medieval art: iconography, iconology and interpreting the visual imagery of the middle ages (pp. 128-160). Medieval Institute Publications.
Arboe, T. (2019). The influence of Scots, especially of Robert Burns, on Danish poets and authors. In K. Ramshøj Christensen, H. Jørgensen & J. L. Wood (Eds.), The Sign of the V : Papers in Honour of Sten Vikner (pp. 41-62). AU Library Scholarly Publishing Services. https://doi.org/10.7146/aul.348.88
Leal Lobato, A. I. (2019). The (Inter)cultural Missing Link in Conference Interpreting. HERMES - Journal of Language and Communication in Business, 59(1), 91-108. https://doi.org/10.7146/hjlcb.v59i1.117044
Hermann, P. (2019). The Landnám: narratives of new beginnings, the weather, and myths. In H. Bernhardsson (Ed.), Landnám Íslands: Úr fyrirlestrarod Midaldastofu Háskóla Íslands (pp. 95-123). Midaldastofu Háskóla Íslands.
Cumbo, B. J., Eriksson, E. & Iversen, O. S. (2019). The "least-Adult" role in participatory design with children. In OZCHI'19: Proceedings of the 31st Australian Conference on Human-Computer-Interaction (pp. 73-84). Association for Computing Machinery. https://doi.org/10.1145/3369457.3369464
Cumbo, B., Eriksson, E. & Iversen, O. S. (2019). The ’Least-Adult’ Role in Participatory Design with Children. Paper presented at 31ST AUSTRALIAN CONFERENCE ON HUMAN-COMPUTER-INTERACTION , Perth, Australia.
Kjeldgaard-Christiansen, J. (2019). The Leviathan Podcast. Pictures, Video and sound recordings (digital) https://soundcloud.com/user-283260542
Nyvad, A. M. (2019). The logical problem of language acquisition revisited: insights from grammatical errors in typical and atypical development. In A sound approach to language matters: in honor of Ocke-Schwen Bohn (pp. 449-499). AU Library Scholarly Publishing Services.
Kuhlmann, A. (2019). The melody that got lost: a unique example of avant-garde theatre in Denmark. In A cultural history of the avant-garde in the nordic countries 1925-1950 (pp. 671-683). Brill. https://doi.org/10.1163/9789004388291_039
Maier, C. D. & Engberg, J. (2019). The multimodal bridge between academics and practitioners in the Harvard Business Review’s digital context: a multi-levelled qualitative analysis of knowledge construction. In M.-J. Luzón & C. Pérez-Llantada (Eds.), Science Communication on the Internet: Old genres meet new genres (pp. 131-151). John Benjamins Publishing Company. https://doi.org/10.1075/pbns.308.07mai
Khair, T. (2019). The Nortoning of Nagra. The Massachussetts Review, 60(2), 325-335. https://doi.org/10.1353/mar.2019.0050
Spagnoli, F., van der Graaf, S. & Brynskov, M. (2019). The paradigm shift of living labs in service co-creation for smart cities: SynchroniCity Validation. In Organizing for digital innovation: at the interface between social media, human behavior and inclusion (pp. 135-147). Springer. https://doi.org/10.1007/978-3-319-90500-6_11
Stage, C. (2019). The participatory patient: Exploring the platformed multivalence and public value of cancer storytelling on social media. In B. Eriksson, C. Stage & B. Valtysson (Eds.), Cultures of participation: arts, digital media and cultural institutions (pp. 147-164). Routledge. https://doi.org/10.4324/9780429266454-9
Trecca, F., Frinsel, F. F. & Christiansen, M. H. (2019). The Picture Guessing Game: Robust Active Statistical Learning of Syntactic Regularities. Poster session presented at Interdisciplinary Advances in Statistical Learning 2019, Donostia-San Sebastian, Spain. https://doi.org/10.17605/OSF.IO/J29F3
Christensen, B., Halskov, K. & Klokmose, C. N. (2019). The Properties of Sticky Notes for Collaborative Creativity: An Introduction. In B. T. Christensen, K. Halskov & C. N. Klokmose (Eds.), Sticky Creativity: Post-it Note™ Cognition, Computers, and Design (pp. 1-16). Academic Press. https://doi.org/10.1016/B978-0-12-816566-9.00001-X
Tylén, K., Trecca, F., Dideriksen, C. R., Ishkhanyan, B., Dąbrowska, E., Fusaroli, R., Højen, A., Bleses, D., Johansson, C. & Christiansen, M. H. (2019). The Puzzle of Danish. 1. Abstract from The Seventh Conference of the Scandinavian Association for Language and Cognition, SALC 7, Aarhus, Denmark.
Körber, L.-A. (2019). "There is no Elsewhere!": Stories of Race, Decolonization, and Global Connectivity in Göran Hugo Olsson's Documentaries. In A. Westerståhl Stenport & A. Lunde (Eds.), Nordic Film Cultures and Cinemas of Elsewhere (pp. 169-181). Edinburgh University Press.
Bundgaard, P. & Sonesson, G. (2019). The Rhetoric of Contemporary Metaphor Theory. Cognitive Semiotics, 12(1), 1-3. Article 20192007. https://doi.org/10.1515/cogsem-2019-2007
Eaton, M. (2019). The role of political myth and conceptual metaphor in the construction and communication of Britain's post-Brexit global identity. Paper presented at Nordic Association of English Studies (NAES) - Aarhus, Denmark.
Kirk, J., Christensen, J. R. & Rainsford, D. (2019). The Romantic Walk and Beyond. Akademisk Kvarter, 18, 3-17. https://doi.org/10.5278/ojs.academicquarter.v0i18.3148
Biskjaer, M. M. (2019). The Same, but Better: Vindicating Incremental Innovation in an Age of Novelty Obsession. Abstract from The European Collaborative Creativity Conference (EC3'19), Geneva, Switzerland.
Carlborg, N., Tyren, M., Heath, C. & Eriksson, E. (2019). The scope of autonomy when teaching computational thinking in primary school. International Journal of Child - Computer Interaction, 21, 130-139. https://doi.org/10.1016/j.ijcci.2019.06.005
Nsah, K. T. (2019). The Screaming Forest: An Ecocritical Assessment of Le Cri de la forêt. Ecozon@: European Journal of Literature, Culture and Environment, 10(2), 58-75. http://ecozona.eu/article/view/2962/3891
Togeby, O. (2019). The semantics of syntactic constructions. In K. R. Christensen, H. Jørgensen & J. L. Wood (Eds.), The sign of the V: papers in honour of Sten Vikner (pp. 643-655). AU Library Scholarly Publishing Services. https://doi.org/10.7146/aul.348
Christensen, K. R., Wood, J. & Jørgensen, H. (Eds.) (2019). The Sign of the V: Papers in Honour of Sten Vikner. Department of English – School of Communication and Culture – Aarhus University. https://doi.org/10.7146/aul.348
Skammelsen, M. C. (2019). The Spatiality of Urban Vulnerability. Paper presented at 21st International Congress of Aesthetics, Belgrade, Serbia.