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Martins, C. (2000). Reflexões sobre a insólita democracia brasileira. Dialogos Latinoamericanos, (1), 110 til 135.

Langsted, J. (2000). Regionale kulturaftaler. Dansk Kunstnerråd: Nyhedsbrev, (29), 2-3.

Hansen, M. F. (2000). Renaissance Personasality: On Modes of Portrayal in the Italian Quattrocento. In V. De Rijke, L. Østermark-Johansen & H. Thomas (Eds.), Nose Book: Representations of the Nose in Literature and the Arts (pp. 185-199). Middlesex University Press.

Langsted, J. (2000). repertoire. In Den Store Danske Encyklopædi (bd. 16 ed., pp. 123). Gyldendal.

Bakker, P. (2000). Review of: Relexification in Creole and non-Creole languages. With special attention to Haitian Creole, Modern Hebrew, Romani and Rumanian. Edited by Julia Horvath and Paul Wexler. Wiesbaden: Harrassowitz Verlag. Journal of Pidgin and Creole Languages, 15(2), 412-416.

Larsen, C. R. (2000). Rockmusik. In Den Store Danske Encyklopædi: Danmarks Nationalleksikon (Vol. 16, pp. 243-245). Gyldendal.

Søndergaard, P. B. & Lund, J. (Ed.) (2000). Rokoko. In Den Store Danske Encyklopædi, bd. 16 (pp. 257-258). Danmarks Nationalleksikon [Gyldendal].

Wamberg, J., Michelsen, A. (Ed.) & Stjernfelt, F. (Ed.) (2000). Rummet og malerens øje: Landskabsbilledets evolution i kosmologisk lys. In Rum & Fænomenologi: Filosofi – æstetik – arkitektur – historie (pp. 108-138). Københavns Universitet: Center for Urbanitet og Æstetik/Forlaget Spring.

Kuhlmann, A. (2000). Rusland (teater). In Den Store Danske Encyklopædi Gyldendal.

Kjerkegaard, S. (2000). Sælsomt kiksede danskere. Dagbladet Information.

Johansen, J. (2000). Sæsonen er slut: Korarrangement af C.V. Jørgensen/Billy Cross: Sæsonen er slut. Vocal Music Series, Corona Music, 1-8.

Salovaara-Moring, I. (2000). Scales of Space, Place and Money: Discursive Landscapes of Identity and Economic Crises. Nordicom Review, 3, 165-187.

Thomsen, R. C. (2000). Scottish Nationalism. In A. J. Motyl (Ed.), Encyclopedia of Nationalism. Vol. 2 Academic Press.

Thomsen, R. C. (2000). Scott, (Sir) Walter. In A. J. Motyl (Ed.), Encyclopedia of Nationalism, vol. 2 Academic Press.

Kjølner, T., Andreasen, J. (Ed.) & Kuhlmann, A. (Ed.) (2000). Searching for Differences. In Odin Teatret 2000 (pp. 181-187). Aarhus Universitetsforlag.

Poulsen, S. H., Jensen, S. E., Nielsen, J. C., Møller, J. E. & Egstrup, K. (2000). Serial changes and prognostic implications of a Doppler-derived index of combined left ventricular systolic and diastolic myocardial performance in acute myocardial infarction. The American Journal of Cardiology, 85(1), 19-25. https://doi.org/10.1016/s0002-9149(99)00599-8

Larsen, S. E. & Dirckink-Holmfeld, K. (Ed.) (2000). Set fra byen: Natur og natur er mindst to ting. In at fortælle arkitektur, tilegnet niels-ole lund (pp. 48-65). Arkitektens Forlag.

Andersen, E. (Ed.), Kjølner, T. (Ed.) & Simonsen, B. J. (2000). Shakespeare: Hamlet. "To thine own self be true" In Teaterlæsninger - analyser af tekster og forestillinger: aktuelle teaterproblemer 44 (pp. 38-57). Institut for Dramaturgi.

Marschner, B. (2000). Simplicity - Multiplicity. New Paths to the Analytical Interpretation of Symphonic Patterns. In The University of Aarhus 1999-2000 (pp. 18-19).

Haverling, G. (2000). Skålen från Garigliano: om några försök till tolkning av en nyfunnen inskrift på latin och om sambandet mellan språk, arkeologi och historia. In K. Norén, T. Olsson & B. Ryder Liljegren (Eds.), Ctrl+Alt+Delete: Omstart för humaniora: Populärvetenskapliga föreläsningar hållna under Humanistdagarna den 14-15 oktober 2000 (pp. 121-130). Humanistiska fakultetsnämnden, Göteborgs Universitet.

Bakker, P. (2000). Social and communicative approaches to mixed languages. Bilingualism: Language and Cognition, 3(2), 106-108.

Bergenholtz, H. (2000). So ein Ding müssen wir auch haben. Anmeldelse af: Wolfgang Müller: Das Gegenwort-Wörterbuch. Ein Kontrastwörterbuch mit Gebrauchshinweisen. Berlin: de Gruyter 1998. LexicoNordica, 7, 213-222.

Ringgaard, D. & Mai, A.-M. (Ed.) (2000). Solvej Balle. In Danske digtere i det 20. århundrede (pp. 422-431). Gad.

Dahl, P. (2000). Sophus Schandorph. In Den store danske Encyklopædi (Vol. 16, pp. 624-624). Gyldendal.

Andersen, J. E. & Mai, A.-M. (Ed.) (2000). Søren Ulrik Thomsen. In Danske digtere i det 20. århundrede III (pp. 292-304). Gad.

Jørgensen, H. H. L. & Lund, J. (Ed.) (2000). Spanien, Arkitektur, Fra middelalderen til 1800-t. In Den Store Danske Encyklopædi, vol. 17 Danmarks Nationalleksikon [Gyldendal].

Jørgensen, H. H. L. & Lund, J. (Ed.) (2000). Spanien, Billedkunst, Fra barok til midten af 1800-t. In Den Store Danske Encyklopædi, vol. 17 Danmarks Nationalleksikon [Gyldendal].

Jørgensen, H. H. L. & Lund, J. (Ed.) (2000). Spanien, Billedkunst, Middelalder og renæssance. In Den Store Danske Encyklopædi, vol. 17 Danmarks Nationalleksikon [Gyldendal].

Kunøe, M. & Møller, E. (2000). Specialer. Nordtext, 28(1).

Hedevang, L. (2000). Sprogpolitik og sprogundervisning - om forholdet mellem Frankrigs eksterne sprogpolitik og le français langue étrangère (FLE). Fransk nyt, 225, 49-56.

Kuhlmann, A. (2000). Stanislavsky's Artistic Autobiography as Theatre Histography. Nordic Theatre Studies, 12, 74-80.

Nielsen, S. K. (2000). Steve Martland: Kulturanalytiske betragtninger over en komponistkarriere. Dansk Musik Tidsskrift, årg. 75(2), 38-44.

Stounbjerg, P. & Lund, J. (Ed.) (2000). Strindberg, Johan August. In Den store danske encyklopædi, Bd. 18 (pp. 191-192). Gyldendal.

Stavnem, R. (2000). Stroferne i Grettis saga: Deres funktion og betydning.

Petersen, L. S. & Lund, J. (Ed.) (2000). Symbolisme. In Den Store Danske Encyklopædi, vol. 18 (pp. 430-431). Den Store Danske Encyklopædi, Gyldendal.

Nølke, H. (2000). Synthèse de la section Sémantique et pragmatique. In A. Englebert, M. Pierrard, L. Rosier & D. van Raemdonck (Eds.), Actes du XXII. Congrés international de Linguistique et Philologie Romanes: De la grammaire des formes aá la grammaire du sens. (pp. 3-6). de Gruyter.

Kuhlmann, A. (2000). Taganka teatret. In Den Store Danske Encyklopædi (Vol. 18). Gyldendal.

Mortensen, P. (2000). Taking Animals Seriously: William Wordsworth and the Claims of Ecological Romanticism. Orbis Litterarum: International Review of Literary Studies, 55(4), 296-310.

Thomsen, M. R. (2000). Tale som en definition på sig selv: Skrift, lyd og verden i Don DeLillos romaner. Passage, 15(35), 101-107.

Langsted, J. (2000). Teaterloven. In Den Store Danske Encyklopædi (Vol. 18, pp. 591). Gyldendal.

Andreasen, J., Andreasen, J. (Ed.) & Kuhlmann, A. (Ed.) (2000). Theatre and Social Space - including Odin Teatret. In Odin Teatret 2000 (pp. 154-170). Aarhus Universitetsforlag.

Lehmann, N., Szatkowski, J., Klesen, M., Caenepeel (Ed.) & m.fl. (Ed.) (2000). The black sheep. Interactive improvisation in a 3D virtual world. In Building tomorrow today. Community, design and technology (i3 proceedings)

Rainsford, D. (2000). The Comedy of Sadness in Dombey and Son. In R. Bonadei (Ed.), Dickens: The Craft of Fiction and the Challenges of Reading (pp. 185-92). Unicopli.

Mortensen, P. (2000). The Descent of Odin&quot: Wordsworth, Scott and Southey Among the Norsemen. Romanticism, 6(2), 211-233.

Bakker, P. (2000). The genesis of Angloromani. In Scholarship and the Gypsy Struggle. Commitment in Romani Studies. A Collection of Papers and Poems to Celebrate Donald Kenrick’s seventieth Year. (pp. 14-31). University of Hertfordshire Press.

Risum, J., Andreasen, J. (Ed.) & Kuhlmann, A. (Ed.) (2000). The Impulse and the Image: The Theatre Laboratory Tradition and Odin Teatret. In Odin Teatret 2000 (pp. 30-43). Aarhus Universitetsforlag.

Larsen, S. E. & Palmberg, M. (Ed.) (2000). The National Landscape: A Cultural European Invention. In National Identity and Democracy in Africa (pp. 59-79). Mayibuye Center.

Larsen, S. E. (2000). Theory in Literature. Neohelicon, 27(1), 31-40.

Markussen, R., Olesen, F. & Lykke, N. (2000). There are always more things going on than you thought! Methodologies as Thinking Technologies. interview med Donna Haraway. Kvinder, Køn & Forskning, 9(4), 52-60.

Langsted, J. (2000). The Regionalisation of Cultural Policy: Danish Experiences in a Global Perspective. The International Journal of Cultural Policy, 6(1), 129-145.

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