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Below you can search for publications authored or edited by researchers at the School of Communication and Culture.

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Stage, C. (2011). Tegningekrisen - som mediebegivenhed og danskhedskamp. Aarhus Universitetsforlag. Sociologiske Studier No. 1
Hansen, L. E. (2011). Tegning som udtryksform - at tegne og at se. In L. E. Hansen (Ed.), Teateroplevelser: Hvad oplever børn, når de ser teater? (Vol. rapport 2, pp. 33-34). Scenekunstnetværket i Region Midtjylland.
Søndergaard, P. B. (2011). Tekstil-plastik. Passepartout, (32), 30-54.
Klujeff, M. L. & Roer, H. (2011). Temaintroduktion: Smæderetorik. Rhetorica Scandinavica, (57), 9-18.
Klujeff, M. L. & Roer, H. (2011). Tema: Smæderetorik. Rhetorica Scandinavica, (57), 3-112.
Knudsen, B. T. (2011). Thanatourism: Witnessing Difficult Pasts. Tourist Studies, 11(1), 55-72.
Biskjaer, M. M., Onarheim, B. & Wiltschnig, S. (2011). The Ambiguous Role of Constraints in Creativity: A Cross-Domain Exploration. In Proceedings of the Design, Development & Research conference, Cape Town, South Africa, September 26-27, 2011 http://www.design-development-research.co.za/uploadfolder/DDR%202011%20Full%20proceeding.pdf
Andersen, H. L. & Fernandez, S. S. (2011). The articulation of language modules at Danish foreign language bachelor studies. In R. Cancino, L. Dam & K. Jæger (Eds.), Policies, Principles, Practices. New Directions in Foreign Language Education in the Era of Educational Globalization (pp. 114-138). Cambridge Scholars Press.
Hansen, L. K. (2011). The art is in the scale. Or: Using the GPS as a critical tool. Paper presented at Nordic Geographers Meeting 2011, Roskilde, Denmark. http://ruconf.ruc.dk/index.php/ngm/ngm2011
Raskin, R. (2011). The Art of Storytelling in the Short Fiction Film: Guidelines for Student Filmmakers. (3. ed.) Institut for informations- og medievidenskab.
Thomsen, B. M. S. & Jørgensen, U. A. (2011). The Body As 'The Place of a Passage': On the Spatial Construction of Time in Olafur Eliasson's Installations. In B. M. S. Thomsen & Ø. Kristin (Eds.), Globalizing Art: Negotiating Place, Identity and Nation in Contemporary Nordic Art (pp. 87-104). Aarhus Universitetsforlag.
Bødker, H. (2011). The Changing Significance of Commentary. Paper presented at future of journalism, Cardiff, United Kingdom.
Böss, M. (2011). The Collapse of the 'Celtic Tiger' Narrative. Nordic Irish Studies, 10(1), 119-36.
Fuertes-Olivera, P. A. & Bergenholtz, H. (2011). The Construction of Internet Dictionaries. In P. A. Fuertes-Olivera & H. Bergenholtz (Eds.), e-Lexicography: The Internet, Digital Initiatives and Lexicography (pp. 1-16). Bloomsbury Academic. http://www.statsbiblioteket.dk/au/showrecord.jsp?record_id=sb_4458673
Gram, N. & Wah Leong, T. (2011). The Creative iPod Listener. Paper presented at ISEA 2011, Istanbul, Turkey. http://isea2011.sabanciuniv.edu/paper/creative-ipod-listener
Stephensen, J. L. (2011). The Creative Public – Democratic or Productive? In J. Lund, G. Cox & C. U. Andersen (Eds.), Nyhedsavisen: Public Interfaces (Vol. 1, pp. 18). Center for Digital Æstetik-forskning.. http://darc.imv.au.dk/publicinterfaces/PublicInterfaces.pdf
Hassall Thomsen, L. H. (2011). The digital Newsroom – from Square to Circle. Paper presented at ECREA Barcelona 2008: The 2nd European Communication Conference, Barcelona, Spain.
Risum, J. (2011). The Effect of Mei Lanfang. In Jingju biaoyan lilun tixi jiangou [Theory and Construction of Jingju Performance]: Di-si jie jingjuxue guoji xueshu yantaohui (pp. 416).
Teke, N. (2011). The Enduring Allure of Proximity-Based Campaign Communication Strategies in Cameroon. International Journal of Media and Cultural Politics, 7(3), 293-314.
Fusaroli, R. & Paolucci, C. (2011). The External Mind: A semiotic model of cognitive integration. Versus. Quaderni di studi semiotici, (112-113), 3-30.
Leroyer, P. (2011). The Forms and Functions of Specialised Dictionaries for Practical Purposes. In K. Akasu & S. Uchida (Eds.), Lexicography: Theoretical and Practical Perspectives: Papers submitted to the Seventh ASIALEX Biennial International Conference (pp. 313-322). Asian Association for Lexicography.
Consalvo, M. & Ess, C. (2011). The handbook of internet studies. Wiley-Blackwell.
Thomsen, B. M. S. (2011). The Haptic Interface: On Signal Transmissions and Events. In C. U. Andersen & S. B. Pold (Eds.), Interface Criticism. : Aesthetics Beyond Buttons (pp. 43-61). Aarhus Universitetsforlag.
Riis, M. S. (2011). The Interface and the Machine. In C. U. Andersen, G. Cox & J. Lund (Eds.), Nyhedsavisen: Public Interfaces (1 ed., Vol. 1, pp. 14-15). Center for Digital Æstetik-forskning.. http://darc.imv.au.dk/publicinterfaces/?page_id=402
Hansen, L. K. (2011). The interface at the skin. In C. U. Andersen & S. B. Pold (Eds.), Interface Criticism: Aesthetics beyond the buttons Aarhus Universitetsforlag.
Reindel, U. (2011). The King Tapestries: Pomp & Propaganda at Kronborg Castle. BAR FOKA/Slots- og Ejendomsstyrelsen.
Finnemann, N. O., Jauert, P., Jensen, J. L., Povlsen, K. K. & Sørensen, A. S. (2011). The Media Menus of Danish Internet Users 2009. Webedition of detailed survey-analysis. In The Media Menus of Danish Internet Users 2009. Webedition of detailed survey-analysis.
Stivers, T., Mondada, L. & Steensig, J. (Eds.) (2011). The Morality of Knowledge in Conversation. Cambridge University Press.
Nielsen, H. K. (2011). The Net Interface and the Public Sphere. In C. U. Andersen & S. B. Pold (Eds.), Interface Criticism: Aesthetics beyond Buttons (pp. 203-222). Aarhus Universitetsforlag.
Kwary, D. A. (2011). Theoretical Considerations in Creating an Internet English Dictionary of Finance for Indonesian Students. Aarhus School of Business, University of Aarhus, Department of Language and Business Communication.
Nielsen, H. S. (2011). Theory and interpretation, narration and communication, authors and narrators – James Frey’s A Million Little Pieces as a test case. In S. Patron (Ed.), Theory, Analysis, Interpretation of Narratives (pp. 73-94). Peter Lang.
Andersen, C. U. & Pold, S. B. (2011). The Patterns of Software Cities. In Public Interfaces (1 ed., Vol. 1, pp. 1,2-3). Center for Digital Æstetik-forskning.. http://darc.imv.au.dk/publicinterfaces/wp-content/uploads/2011/01/AndersenPold.pdf
Bødker, H. (2011). The Refined and the Obvious — Vanity Fair from 1913-1935. Paper presented at Mapping the Magazine 3, Swansea, United Kingdom.