Publications

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Bruun, H. (2017). Scheduling and 'Continuity' in the Third Television Paradigm? A production Study. Afhandling præsenteret på Nordmedia 2017, Tampere, Finland.

Johansen, S. L. & Koefoed Hansen, L. (2017). S[k]amtaler: Om etnografisk metode og forskerpositioner. Nordisk Tidsskrift for Informationsvidenskab og Kulturformidling, Årg. 6(2), 89-98. https://tidsskrift.dk/ntik/article/download/99087/148197/

Have, I. & Pedersen, B. S. (2017). Smørbar æstetisk kommunikation: En Lurpak-kampagne i et multisensorisk perspektiv. I B. S. Pedersen & A. M. Waade (red.), Kreativ markedskommunikation : Æstetik og deltagelse (Bind 6, s. 29-46). Systime.

Tække, J. (2017). Social media and (dis)connectivity. 1-23. Afhandling præsenteret på The politics of (dis)connectivity, Beijing, Kina.

Bruun, H. (2017). Syrebad og flertydigheder: om sketchkomediens aktuelle karakteristika. I A. Halskov, H. Højer & T. Schwartz Larsen (red.), Helt til grin: moderne audiovisuel komik på tværs af medier (s. 104-117). VIA Film & Transmedia.

Johansen, S. L. (2017, apr. 9). Tablets enhance play by taking toddlers on a digital adventure. http://sciencenordic.com/tablets-enhance-play-taking-toddlers-digital-adventure

Bechmann, A. (2017). The Algorithmic Gaze: Predicting Uploader's Gender Based on Private Social Media Images. Afhandling præsenteret på AOIR 2017 Networked Publics, Tartu, Estland.

Kjeldgaard-Christiansen, J. (2017). The Bad Breaks of Walter White: An Evolutionary Approach to the Fictional Antihero. Evolutionary Studies in Imaginative Culture, 1(1), 103-120. https://doi.org/10.26613/esic/1.1.19

Nørgaard Kristensen, N., From, U. & Kammer, A. (2017). The Changing Logics of Danish Cultural Journalism. I N. Nørgaard Kristensen & K. Riegert (red.), Cultural Journalism in the Nordic Countries (s. 29-48). Nordicom. https://www.nordicom.gu.se/sv/system/tdf/publikationer-hela-pdf/cultural_journalism_in_the_nordic_countries.pdf?file=1&type=node&id=38457&force=0

Bechmann, A. (2017). The Facebook newsfeed as a news source. Abstract fra Nordmedia 2017, Tampere, Finland. http://www.uta.fi/cmt/en/Conferences/NordMedia2017/Downloads/TWG5_Abstracts.pdf

Waade, A. M. & Hansen, K. T. (2017). The German Connection in Nordic noir. Afhandling præsenteret på Researching Media Companies Producing Audio-visual Content, Lillehammer, Norge.

Clasen, M., Trotta, J. & Sadri, H. (2017). The GotPop Popular Culture Podcast: The horror! The horror!. Billeder, Video- og Lydoptagelser (digital), Soundcloud. https://soundcloud.com/gotpop/gotpop09

Bechmann, A. (2017). The Invisible Shaping of Public Discourse in Online Spaces: Algorithms. Abstract fra AOIR 2017 Networked Publics, Tartu, Estland.

Damkjaer, M. S. (2017, apr. 13). The ‘joys’ of digital media in new parenting. London School of Economics. http://blogs.lse.ac.uk/parenting4digitalfuture/2017/04/13/the-joys-of-digital-media-in-new-parenting/

Have, I. (2017). The Musical Framing of THE BEACH. Short Film Studies, 7(1), 63-65. https://doi.org/10.1386/sfs.7.1.63_1

Brænder, M. & Holsting, V. S. (2017). The New Spirit of Militarism? Person/organisation-fit and the economies of worth among new military cadets. Afhandling præsenteret på The Inter-University Seminar on Armed Forces and Society, Reston, VA, USA.

Korsgaard, M. B. (2017). The Origins of Ruben Östlund's Long-Take Style. 16:9. http://www.16-9.dk/2017/11/ruben-ostlund/

Sonne Damkjær, M. (2017). The role of digital media for new parents’ information practices: negotiating parenthood truths. Abstract fra NordMedia 2017: Mediated Realities - Global Challenges, Tampere, Finland.

Clasen, M. (2017). The Science of Horror: Why Dark Fiction Seduces. Horror Writers Association newsletter, (October 2017). http://horror.org/private/newsletter/the-science-of-horror-why-dark-fiction-seduces/

Jensen, P. M. & Jacobsen, U. C. (2017). The 'three-leaf clover': A methodological lens to understand transnational audiences. Critical Studies in Television, 12(4), 430-444. https://doi.org/10.1177/1749602017729312

Brügger, N. & Schroeder, R. (red.) (2017). The Web as History: Using Web Archives to Understand the Past and the Present. UCL Press. https://doi.org/10.1145/3027063.3053259

Bruun, H. & Frandsen, K. (2017). Tid og timing: et metodisk perspektiv på produktionsanalyse. MedieKultur, 62, 119-133. https://tidsskrift.dk/mediekultur/article/download/25217/23225

Frandsen, K. (2017). Tour de France: mediatization of sport and place. I L. A. Wenner & A. C. Billings (red.), Sport, Media and Mega-Events (s. 156-169). Routledge. https://doi.org/10.4324/9781315680521

Have, I. & Nielsen, J. (2017). User Manual for LARM.fm: A Digital Radio and TV Research Infrastructure for Researchers, Teachers and Students. DIGHUMLAB. https://dighumlab.org/wp-content/uploads/2017/07/ENG-User-Manual-LARM.fm-11.7.17.pdf

Brügger, N. (red.) (2017). Web 25: Histories from the first 25 years of the World Wide Web. Peter Lang. Digital Formations Nr. 112

Brügger, N. (2017). Webraries and Web Archives: The Web between public and private. I D. Baker & W. Evans (red.), The End of Wisdom?: The Future of Libraries in a Digital Age (s. 185-190). Chandos Publishing (Oxford) Ltd . https://doi.org/10.1016/B978-0-08-100142-4.00023-3

Kjeldgaard-Christiansen, J. (2017, okt. 3). What Makes Pennywise from It so Damn Creepy? MovieGeek. http://www.moviegeek.eu/what-about-clowns-and-about-clown-pennywise-in-it-is-so-damn-creepy.html

Bechmann, A. & Bowker, G. C. (2017). Whose Ontologies, at what Cost? AI and Invisibility in Social Media Arenas. Abstract fra Propaganda and Media Manipulation, New York, USA.

Bechmann, A. (2017). Whose vision? The Use of Convolutional Neural Networks on Facebook Images. Abstract fra Social AI, Irvine, CA, USA.

Clasen, M. (2017). Why Horror Seduces. Oxford University Press.

Kjeldgaard-Christiansen, J. (2017). Why Publish, and Why Publish in Leviathan: Interdisciplinary Journal in English? Leviathan: Interdisciplinary Journal in English, (1), 1-4. https://doi.org/10.7146/lev.v0i1.96776

Kring, N., Thaarup, C., Rasmussen, A., Svenningsen, S. D. & Waade, A. M. (2016). 1864 og DR under forandring: public service, branding og lancering . I K. T. Hansen (red.), 1864 : tv-serien, historien, kritikken (s. 115-134). Aalborg Universitetsforlag.

Waade, A. M. & Østergaard, I. A. (2016). 1864 på Fyn: FilmFyn, branding, filmturisme og location placement . I K. T. Hansen (red.), 1864: tv-serien, historien, kritikken (s. 209-234). Aalborg Universitetsforlag.

Clasen, M. & Kjeldgaard-Christiansen, J. (2016). A Consilient Approach to Horror Video Games: Challenges and Opportunities. Akademisk Kvarter, 13, 127-142. http://www.akademiskkvarter.hum.aau.dk/pdf/vol13/10_MathiasClasen_Jens_Kjeldgaard-Christiansen_AConsilientApproachToHorrorViedoGames.pdf

Andersen, C. U., Bechmann, A., Brügger, N., Brynskov, M., Holst, M. K., Markham, A., Møldrup-Dalum, P., Nielbo, K. L. & Thomsen, M. R., (2016). A Digital Strategy for Arts: Digital Arts’ White Paper on AU’s Digital Strategy 2016, 4 s., aug. 31, 2016.

Brænder, M. (2016). Adrenalin Junkies: Why Soldiers Return from War Wanting More. Armed Forces and Society, 42(1), 3-25. https://doi.org/10.1177/0095327X15569296

Bechmann, A. (2016). AoIR Early Career Scholars Workshop: preconference workshop. Abstract fra IR 16, Berlin, Tyskland.

Kjeldgaard-Christiansen, J. (2016, okt. 31). Are Horror Video Games the Ultimate Scare? http://www.psychreg.org/horror-video-games-ultimate-scare/

Johansen, S. L. (2016). Being a football kid: football as a mediatised play practice. I A. Schwell, M. Buchowski, M. Kowalska & N. Szogs (red.), New ethnographies of football in Europe: people, passions, politics (s. 161-175). Palgrave Macmillan.

Tække, J. & Paulsen, M. E. (2016). Bildung in the Digital Medium Environment. Afhandling præsenteret på The Third ISA Forum “The Futures We Want: Global Sociology and the Struggles for a Better World.” RC 51, Sociocybernetics. , Wien, Østrig.

Tække, J. (2016). Boosting skills: comment. I Social Media is Serious Business: A view from European Youth (s. 41). Tata Consultancy Services. http://www.criticaleye.com/insights-servfile.cfm?id=4643

Jacobsen, U. C. & Jensen, P. M. (2016). Born European, born regional, or born global? Language convergence in The Team. Northern Lights, 14(1), 123-140. https://doi.org/10.1386/nl.14.1.123_1

Johansen, S. L. & Hermansen, M. (2016). Børn skal lære at færdes på sociale medier. Videnskab.dk. http://videnskab.dk/teknologi-innovation/boern-skal-laere-at-faerdes-paa-sociale-medier

Jensen, P. M. & Raats, T. (2016). Bringing distinctive TV drama? The role and effectiveness of public service media as lever for tv drama production: a two-case comparison. Afhandling præsenteret på RIPE@2016 Public Service Media in a Networked Society?, Antwerpen, Belgien.

Have, I. & Nielsen, J. (2016). Brugermanual til LARM.fm: En digital infrastuktur for radio og tv til forskere, undervisere og studerende. (1 udg.) DIGHUMLAB. http://www.dighumlab.com

Jensen, P. M. (2016, jul. 11). C'é del drama in Danimarca. http://www.linkideeperlatv.it/drama-danimarca/

Nielsen, J., Brügger, N. & Laursen, D. (2016). Changes in the characteristics of the Danish web 2005-2015. Abstract fra SMID Biennial Meeting, Middelfart, Danmark.

Johansen, S. L. (2016). Chris Davies, John Coleman and Sonia Livingstone (2014): Digital Technologies in the Lives of Young People. Routledge and: Sonia Livingstone and Julian Sefton-Green (2016): The Class. Living and Learning in the Digital Age. New York University Press. MedieKultur, (61), 178-181. http://ojs.statsbiblioteket.dk/index.php/mediekultur/article/view/23907/21912

Degn, H.-P., Lynghøj, H. & Hansen, L. E. (2016). Creating legacy through evaluation: A processoriented approach to cultural policy and value creation. Afhandling præsenteret på International Conference on Cultural Policy Research, Seoul, Sydkorea.

Kristensen, N. N. & From, U. (2016). Cultural Journalism and Cultural Critique in the Media. Routledge.

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