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Arboe, T. (2011). Hvad satte man på leen ved kornhøst - kroge, spjarrer, en vifte eller andet? Ord & Sag, 31, 4-21.

Kyndrup, M. (2011). Hvad skal vi med kunsten? Forfatteren, 70(1), 14.

Lund, J. (2011). Hvem var den person, som underskrev sine breve "Sam"? Århus Teater.

Fibiger, T. B. (2011). Hver dag er Ashura. Weekendavisen.

Pedersen, B. S. (2011). Hvor blev beatet af? Diskurser om rap og hiphop i populærmusikforskning. Dansk Musikforskning Online, 5-21.

Böss, M. (2011). Hvor moderniteten er tavs, må kirken tale med autoritet. Dansk Kirketidende.

Raskin, R. (2011). Identification: A Four-Phase Model. 16:9, 9.årgang(41).

Nielsen, H. K. (2011). Identity and Politics in Late Modernity. Nordisk Kulturpolitisk Tidskrift, (2:2010), 251-264.

Frederiksen, H. J. (2011). Ikonoklasmen. In Ø. Hjort (Ed.), Arven fra Byzans (pp. 199-206). Tidsskriftet Sfinx.

Stjernfelt, F. (2011). Images in Reasoning, Experiment, Generalization and Abstraction. In J. Elkins & M. Naef (Eds.), What is an Image? (pp. 209-213). Pennsylvania State University Press. http://www.psupress.org/books/titles/978-0-271-05064-5.html

Arboe, T. (Accepted/In press). imellem, imod (inkl. mellem, mod); 17 spalter, 2 helsideskort, 2 spaltekort. In Jysk Ordbog: www.jyskordbog.dk Peter Skautrup Centret for Jysk Dialektforskning.

Oelsner, G. & Hvidberg-Hansen, G. (2011). Imellem nattens stjerner. In G. Oelsner & G. Hvidberg-Hansen (Eds.), Himmelgåder. Dansk kunst og astronomi 1780-2010 (pp. 111-179). Fuglsang Kunstmuseum og Fyns Kunstmuseum/Odense Bys Museer.

Hauge, H. (2011). Imitation og originalitet i det 18. århundredes criticism. In K. Gundersen & M. Lending (Eds.), Kopi&original: Inversjoner i opprinnelsestenkningens historie (1 ed., pp. 37-67). Scandinavian Academic Press.

Steensig, J., Holmen, A. & Arnfast, J. S. (2011). Indledning. In Tosprogethed i Danmark 1985-2010 (Vol. 61, pp. 5-9). Afdelingen for Dansk som Andetsprog, Institut for Nordiske Studier og Sprogvidenskab, Humanistisk Fakultet, Københavns Universitet Amager.

Mathiasen, H. (2011). Indledning, DEL 2, Hovedrapport: forskningsrapport.

Iversen, S. (2011). "In flaming flames": Crises of Experientiality in Non-Fictional Narratives. In J. Alber & R. Heinze (Eds.), Unnatural Narratives, Unnatural Narratology De Gruyter.

Troelsen, A. (2011). Ingvar Cronhammar –: Mellem klassicisme og manierisme. In Morten Stræde og Ingvar Cronhammar: Ideal – Ein Gespräch (pp. 36-56). Niels Stærk Galleri, Vendsyssel Kunstmuseum. Fyns Kunstmuseum.

Thomasen, L. S. (2011, Jan 12). In Midstream: Literary Structures in Nineteenth-Century Scientific Writings. http://ivs.au.dk/fileadmin/www.ivs.au.dk/reposs/reposs-012.pdf

Wiltschnig, S., Onarheim, B., Christensen, B. T., Dalsgaard, P., Korsgaard, H., Ball, L., Chan, J., Houssian, A. & Hebert, A.-M. (2011). Integrating Laboratory Paradigms and Ethnographic Field Studies For Advancing Analyses of Creative Processes. Abstract from DESIRE - DESIRE - Creativity and Innovation in Design, Eindhoven, Netherlands.

Nielsen, H. K. (2011). Intelligens. In S. N. Larsen & I. K. Pedersen (Eds.), Sociologisk Leksikon (1. ed., pp. 277). Hans Reitzels Forlag.

Nielsen, H. K. (2011). Intelligenskvotient. In S. N. Larsen & I. K. Pedersen (Eds.), Sociologisk Leksikon (1. ed., pp. 277-278). Hans Reitzels Forlag.

Nielsen, T. R. (2011). Interaction & Installation: Workshop report.

Fritsch, J. (2011). Interactive Environments as Fields of Transduction. The Fibreculture Journal.

Nielsen, T. R. (2011). Interaktive dramaturgier i et systemteoretisk perspektiv.

Pold, S. & Andersen, C. U. (Eds.) (2011). Interface Criticism: Aesthetics Beyond Buttons. Aarhus Universitetsforlag.

Pold, S. & Andersen, C. U. (2011). Interface Criticism: Aesthetics Beyond Buttons. In S. B. Pold & C. U. Andersen (Eds.), Interface Criticism: Aesthetics Beyond the Buttons (pp. 7-18). Aarhus Universitetsforlag.

Pold, S. (2011). Interface Perception: The Cybernetic Mentality and Its Critics: Ubermorgen.com. In S. B. Pold & C. U. Andersen (Eds.), Interface Criticism: Aesthetics Beyond the Buttons (pp. 91-113). Aarhus Universitetsforlag.

Breinbjerg, M., Ebsen, T., Riis, M. S. & Lunding, R. (2011). Interfacing CO2: the villain of climate change. Paper presented at OzCHI 2011, Canberra, Australia. http://www.educ.dab.uts.edu.au/interactivation/RuralHCI/

Fuchs, C., Boersma, K., Albrechtslund, A. & Sandoval, M. (Eds.) (2011). Internet and Surveillance. Routledge. http://www.routledge.com/books/details/9780415891608/

Brügger, N. (2011, Aug 6). internethistorie.dk. http://www.internethistorie.dk

Pade, M. (2011). Intertextuality as a stylistic device in Niccolò Perotti's dedicatory letters. Nordic Journal of Renaissance Studies , 7, 121-146.

Reestorff, C. M., Stage, C., Thomsen, B. M. S. & Ørjasæter, K. (2011). Introduction. In B. M. S. Thomsen & Ø. Kristin (Eds.), Globalizing Art: Negotiating Place, Identity and Nation in Contemporary Nordic Art (pp. 9-32). Aarhus Universitetsforlag.

Iversen, S., Nielsen, H. S., Kraglund, R. A., Alber, J., Jacobsen, L. B. & Reestorff, C. M. (2011). Introduction. In J. Alber, S. Iversen, L. B. Jacobsen, R. A. Kraglund, H. S. Nielsen & C. M. Reestorff (Eds.), Why Study Literature? (pp. 1-15). Aarhus Universitetsforlag.

Iversen, S., Reitan, R., Nielsen, H. S. & Krogh Hansen, P. (2011). Introduction. In P. K. Hansen, S. Iversen, H. S. Nielsen & R. Reitan (Eds.), Strange Voices (pp. 1-15). De Gruyter.

Sencindiver, S. Y. (2011). Introduction. In Otherness: A Multilateral Perspective (pp. 17-42). Peter Lang.

Ladegaard, J. & Baggesgaard, M. A. (2011). Introduction: The Vicissitudes of Universality. In J. Ladegaard & M. A. Baggesgaard (Eds.), Confronting Universalities : Aesthetics and Politics under the Sign of Globalisation (pp. 9-41). Aarhus Universitetsforlag.

Fuchs, C., Boersma, K., Albrechtslund, A. & Sandoval, M. (2011). Introduction: Internet and Surveillance. In C. Fuchs, K. Boersma, A. Albrechtslund & M. Sandoval (Eds.), Internet & Surveillance Routledge.

Stjernfelt, F. & Queiroz, J. (2011). Introduction: Diagrammatical reasoning and Peircean logic representations. Semiotica, 186(1/4), 1-4.

Have, I., Granly Jensen, E. & Pedersen, B. S. (2011). Introduction. SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience, 1(1).

Cox, G. (2011). Introduction. In David Link - Machine Heart: Documenta 13: 100 Notizen - 100 Gedanken (pp. 2-7). Hatje Cantz Verlag. http://d13.documenta.de/#publications/?tx_publications_pi1[cat]=3&tx_publications_pi1[details]=6&cHash=a7d7f220c1aa63502c482fadcff9c0ba

Jacobsen, L. B. (2011). Introduction. In L. B. Jacobsen, H. S. Nielsen, J. Alber, R. A. Kraglund, S. Iversen & C. M. Reestorff (Eds.), Why Study Literature (pp. 7-22). Aarhus Universitetsforlag.

Dalsgaard, I. H., Herman, L. & McHale, B. (2011). Introduction. In The Cambridge Companion to Thomas Pynchon (pp. 1-8). Cambridge University Press. https://doi.org/10.1017/CCOL9780521769747.001

Waade, A. M. & Agger, G. (2011). Introduction: Crime & Media - Fiction and Journalism. Northern Lights.

Cox, G. (2011). Introduction to Precarious Times. Paper presented at Precarious Times, Plymouth, United Kingdom. http://www.kurator.org/research/reclaiming-criticality/

Ess, C. & Thorseth, M. (2011). Introduktion: Introduktion. In C. Ess & M. Thorseth (Eds.), Trust and Virtual Worlds: Contemporary Perspectives (pp. vii-xxix). Peter Lang. http://www.amazon.com/Trust-Virtual-Worlds-Contemporary-Perspectives/dp/1433109220/ref=sr_1_2?ie=UTF8&s=books&qid=1302254576&sr=1-2

Gram, N. (2011, Mar 30). iPublic Interfaces: iPublic Interfaces. http://darc.imv.au.dk/publicinterfaces/PublicInterfaces.pdf

Andreoli, E. N. (2011). Iran vs Iran (book+dvd), Mimesis Edizioni.

Hallsteinsdóttir, E. (2011). Isländisch-deutsche Lexikographie im 20. Jh. In M. Jesenšek (Ed.), Izzivi sodobnega slovenskega slovaropisja (pp. 403-421). University of Maribor.

Andersen, C. U. & Pold, S. B. (2011). Is There A Conceptual Gap Between Art and Business?. Paper presented at ISEA 2011 Istanbul, Istanbul, Turkey. http://isea2011.sabanciuniv.edu/paper/there-conceptual-gap-between-art-and-business

Gade, S. (2011). “Is this for real? Representation and Reality in Contemporary Theatre. In M. Frandsen & C. Ullerup Schmidt (Eds.), Who’s there? Subjects on Stage in Reality : Representation and Reality in Contemporary Theatre (pp. 26-37). Statens Teaterskole, Continuing Eduaction.

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Arts Communication