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Nedenfor kan du søge efter publikationer udgivet af eller redigeret af forskere på Institut for Kommunikation og Kultur.

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Uldbjerg, S., Jespersen, M. R. & Gammelgaard, L. R. (2021). Introduktion: Skrivning og sundhed. I Skrivning og sundhed (s. 7-33). Aarhus Universitetsforlag.

Uldbjerg, S. (2021). The rhythms of shame in digital sexual assault: Rhythmic resistance and the repeated assault. First Monday, 26(4). https://doi.org/10.5210/fm.v26i4.11660

Uldbjerg, S., Nielsen, A. (red.), Krogh, A. H. (red.), Michaelsen, M. (red.), Rasmussen, N., Oehlenschläger, M. & Baumbach, T., (2022). Digital Vold - Forståelsespapir https://digitaltansvar.dk/wp-content/uploads/2022/02/Digital-vold-forstaaelsespapir_Digitalt-Ansvar_2022.pdf

Uldbjerg, S. & Hendry, N. A. (2022). Affective Writing Experiments. I B. T. Knudsen, M. Krogh & C. Stage (red.), Methodologies of Affective Experimentation (s. 183-202). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-96272-2_9

Uldbjerg, S. (2022, jun. 27). »Medierne fremstiller det som mobning – det var en fucking overgrebsvideo«. https://videnskab.dk/forskerzonen/kultur-samfund/medierne-fremstiller-det-som-mobning-det-var-en-fucking-overgrebsvideo

Uldbjerg, S. (2023). Digital Sexual Assault: understanding the non-consensual distribution of sexual images. I P. Ali & M. M. Rogers (red.), Gender-Based Violence: A Comprehensive Guide (s. 527-539). Springer. https://doi.org/10.1007/978-3-031-05640-6_37

Uldbjerg, S. & Rokkjær Birch, J. (2023). Køn Kulturhistorie. KØN forlag.

Uldbjerg, S. (2022). Rewriting Victimhood: Stories of Digital Sexual Assault. [Ph.d.-afhandling, Aarhus Universitet].

Uldbjerg, S. (2022). Writing Therapy, Writing Data: Therapeutic Writing as a Methodological and Ethical Approach in Researching Digital Sexual Assault. I Madness and Literature: What Fiction Can Do for the Understanding of Mental Illness (s. 201-219). University of Exeter Press. https://doi.org/10.47788/SWBN2997

Uldbjerg, S. (2026). Hvem er offeret? I C. Sand-Iversen (red.), Ny hud (s. 98-101). Really Simple Syndication Press.

Uldbjerg, S. (2026). Who is the victim? I C. Sand-Iversen (red.), NEW SKIN (s. 121-125). Really Simple Syndication Press.

Uhrenholt, L., Nielsen, E., Vesterby, A., Gregersen, M. E. G. & Melsen, F. (2005). Detailed examination of the lower cervical spine facet joints in a road traffic crash fatality - a case study. I 2005 International IRCOBI Conference on the Biomechanics of Impact, Prague (Czech Republic), September 21-23, 2005 (s. 411-414). International Research Council on the Biomechanics of Impact.

Ugilt, R., Jøker Bjerre, H., Porsgaard, K., Hansen, B. B. & Thykjær, S. (2016). The Psychopathology of Everyday Rituals. I I. M. Fiksdal & J. C. Petersen (red.), STATE STATE STATE (s. 21-26).

Udsen, A.-S. & Halskov, K. (2022). Soundscape design for historical buildings as a sonic place-making process. I DRS2022: Bilbao https://doi.org/10.21606/drs.2022.178

Udsen, A. S. & Halskov, K. (2024). Sonic placemaking—facilitating listening behaviour through design. The Design Journal, 27(2), 328-346. https://doi.org/10.1080/14606925.2023.2292898

Ubbesen, M. B. (2015). Infrastrukturel Accountability: Et ANT-studie af udarbejdelsen, rapporteringen og kontrollen af Danmarks drivhusgasregnskab. Aarhus Universitet, Institut for Kommunikation og Kultur - Informationsvidenskab.

Tyżlik-Carver, M. (2018). Posthuman Curating and Its Biopolitical Executions. The Case of Curating Content. I H. Pritchard, E. Snodgrass & M. Tyzlik-Carver (red.), Executing Practices: DATA Browser 6 (s. 171-190). Open Humanities Press. http://www.data-browser.net/db06.html

Tyżlik-Carver, M. & Prior, A. (2018). Ghost Factory-Posthuman Executions. I H. Pritchard, E. Snodgrass & M. Tyzlik-Carver (red.), Executing Practices: DATA Browser 6 (s. 191-196). Open Humanities Press. http://www.data-browser.net/db06.html

Tyżlik-Carver, M. (2019). Screenshots: Desire and Automated Image. Interaktiv produktion, Galleri Image, Aarhus.

Tyżlik-Carver, M. (2017). You’re Never Alone With Your Mobile Phone: Experiences of Intimacy. I understanding territoriality: identity, place and possession (s. 106).

Tyżlik-Carver, M. (2017). curator, curating, the curatorial, not-just-art curating: a genealogy of posthuman curating/. Springerin, Post-Curatorial Turn(1). https://springerin.at/en/2017/1/kuratorin-kuratieren-das-kuratorische-nicht-nur-kunst-kuratieren/#about

Tyżlik-Carver, M., Pritchard, H. & Snodgrass, E. (2018). Executing Practices. I M. Tyzlik-Carver, H. Pritchard & E. Snodgrass (red.), Executing Practices (s. 9-21). Open Humanities Press.

Tyżlik-Carver, M. (2014). Towards aesthetic of commons. Beyond Participation and its Post. http://www.newcriticals.com/towards-aesthetics-of-commons-beyond-participation-and-its-post/print

Tyżlik-Carver, M. (2013). Perpetrator: the human in the machine. Caroll/Fletcher Gallery, London. https://www.carrollfletcher.com/usr/library/documents/main/userunfriendly.pdf

Tyżlik-Carver, M. (2013). Solar System as it Really Is or Curating in/as Commons. A Peer-Reviewed Journal About, 2(1). https://doi.org/10.7146/aprja.v2i1.121123

Tyżlik-Carver, M. (2011). Sustainability of Labour in Organized Networks. Acoustic Space, 10(Networks and Sustainability). https://www.springerin.at/en/2017/1/kuratorin-kuratieren-das-kuratorische-nicht-nur-kunst-kuratieren/

Tyżlik-Carver, M. (2019, okt.). Towards Aesthetics of Commons: Beyond Participation and its Post. (Arta Si Digitalitate / Art and Digitality udg.) Uniunea Artistilor Plastici din Romania. Revista ARTA Bind 38/39

Tyżlik-Carver, M. & Chicau, J. (2018). The <body> of work and the language of the <body> I Choreo-Graphic Hypothesis Publication Studio Rotterdam. https://monoskop.org/images/7/70/Choreo-graphic-hypothesis-web-joana-chicau.pdf

Tyżlik-Carver, M. (2021). In search of common forms and curatorial epistemologies: On the exhibition OPEN SCORES: How to program the Commons. I Aesthetics of the Commons (s. 125-172). Diaphanes. https://www.diaphanes.net/titel/in-search-of-common-forms-and-curatorial-epistemologies-6924

Tyżlik-Carver, M. (2019). Towards Aesthetics of Commons: Beyond Participation and its Post. Revista ARTA, (38-39), 26-31.

Tyżlik-Carver, M. (2021). Curating Data: Infrastructures of Control and Affect … and Possible Beyonds. Stages, 9. https://www.biennial.com/journal/issue-9/curating-data-infrastructures-of-control-and-affect-and-possible-beyonds

Tyżlik-Carver, M., Krasnik, R., Gjerding , S. I. & Tholander, M. (2021, mar. 15). Conversation about Time and Technology. https://vimeo.com/524805729

Tyżlik-Carver, M. (2022). Screenshot Situations: Imaginary Realities of Networked Images. I K. Sluis & A. Dewney (red.), The Networked Image in Post-Digital Culture (s. 171-186). Routledge.

Tyżlik-Carver, M. (2022). commoning: Interfacing the commons: curatorial system as a form of production on the edge. I B. V. Bismarck (red.), Archives on Show: Revoicing, Shapeshifting, Displacing A Curatorial Glossary (s. 43-47). Archive Books.

Tyżlik-Carver, M. (red.) & Visti, A. (2021). Fermenting Data.

Tyżlik-Carver, M. & Hunger, F. (2021, okt. 15). Curating Data. https://www.youtube.com/watch?v=Dq6OifWhlTc&list=PLVR6MM6mHmBRtvYlP_bF6qTP3YomEwGqE&index=4

Tyżlik-Carver, M. & Sollfrank, C. (2017, jun. 8). Posthuman Commons.

Tyżlik-Carver, M. (2008). Distributed art of invisible networks: Notes on network politics. Techsty, 2(5). https://techsty.art.pl/magazyn/magazyn5/artykuly/en/tyzlik_carver01.html

Tyżlik-Carver, M. (2026). Curating/Fermenting Data: Speculative practices for curatorial futures. I B. Crone, B. El Baroni & M. Poole (red.), The Edinburgh Companion to Curatorial Futures (s. 259-275). Edinburgh University Press.

Tyżlik-Carver, M., Rossenova, L. & Fuchsgruber, L. (2022). Curating/Fermenting Data: data workflows for semantic web applications Curating/Fermenting Data. I Participative Computing for Sustainable Futures : Adjunct Proceedings of the 12th Nordic Conference on Human-Computer Interaction (NordiCHI’22 Artikel 2 Association for Computing Machinery. https://doi.org/10.1145/3547522.3547701

Tyżlik-Carver, M. (2023). Ghost Factory: From Curating as Research to Exhibition as Curatorial Apparatus. I A. Hahn, N. R. Schroer, E. Hegge & T. Meyer (red.), Curatorial Learning Spaces: Kunst, Bildung und kuratorische Praxis (s. 109-126). Kopaed Verlagsgmbh .

Tyżlik-Carver, M. (2024). Curating Data /Interview Magda Tyzlik-Carver. I I. Arns, E. Birkenstock, D. Bönisch & F. Hunger (red.), Training the Archive Verlag der Buchhandlung Walther und Franz König, Cologne.

Tyżlik-Carver, M. (2023). Corrupting data and sensing error, or how to ‘see’ digital images. Philosophy of Photography, 14(2), 283-300. https://doi.org/10.1386/pop_00087_1

Tyżlik-Carver, M. (2016). Curating in/as Common/s. Posthuman Curating and Computational Culture. Aarhus Universitet.

Tyżlik-Carver, M. (2025). Curating Data: activating critical curatorial practices against data determinism. 480-1. Abstract fra 10th STS Italia Conference. Technoscience for Good, Milan, Italien.

Tyżlik-Carver, M., Rossenova, L. & Fuchsgruber, L. (2024). Fermenting Data, or what does it mean for data to get a life?. Abstract fra Data Life, Copenhagen, Danmark.

Tyżlik-Carver, M. (red.), Helen, P. & Snodgrass, E. (2018). Executing Practices. (2 udg.) Open Humanities Press. DATA Browser Bind 6

Tyżlik-Carver, M. & Krysa, J. (red.) (2025). Curating Superintelligences: Reader on AI and Future Curating. Open Humanities Press. DATA Browser Bind 10 https://www.data-browser.net/pdf/DB10_Curating_Superintelligences.pdf

Tyżlik-Carver, M. & Velasco, P. (red.) (2025). A Peer-Reviewed Journal About: Everything is a Matter of Distance. (1 udg.) DARC Digital Aesthetics Research Center. https://aprja.net//issue/view/12524/2891

Tyżlik-Carver, M. & Krysa, J. (2025). Introduction: Towards Collective Practices with Humans, Machines, and Others. I G. Cox & J. Krysa (red.), Curating Superintelligences: A Reader on AI and Future Curating (s. 11-28). Open Humanities Press. https://www.data-browser.net/pdf/DB10_Curating_Superintelligences.pdf

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