Institut for Kommunikation og Kultur

Aarhus Universitets segl

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Nedenfor kan du søge efter publikationer udgivet af eller redigeret af forskere på Institut for Kommunikation og Kultur.

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Tyżlik-Carver, M. (2018). Posthuman Curating and Its Biopolitical Executions. The Case of Curating Content. I H. Pritchard, E. Snodgrass & M. Tyzlik-Carver (red.), Executing Practices: DATA Browser 6 (s. 171-190). Open Humanities Press. http://www.data-browser.net/db06.html
Tyżlik-Carver, M. & Prior, A. (2018). Ghost Factory-Posthuman Executions. I H. Pritchard, E. Snodgrass & M. Tyzlik-Carver (red.), Executing Practices: DATA Browser 6 (s. 191-196). Open Humanities Press. http://www.data-browser.net/db06.html
Tyżlik-Carver, M. (2019). Screenshots: Desire and Automated Image. Interaktiv produktion, Galleri Image, Aarhus.
Tyżlik-Carver, M. (2017). You’re Never Alone With Your Mobile Phone: Experiences of Intimacy. I understanding territoriality: identity, place and possession (s. 106).
Tyżlik-Carver, M. (2017). curator, curating, the curatorial, not-just-art curating: a genealogy of posthuman curating/. Springerin, Post-Curatorial Turn(1). https://springerin.at/en/2017/1/kuratorin-kuratieren-das-kuratorische-nicht-nur-kunst-kuratieren/#about
Tyżlik-Carver, M., Pritchard, H. & Snodgrass, E. (2018). Executing Practices. I M. Tyzlik-Carver, H. Pritchard & E. Snodgrass (red.), Executing Practices (s. 9-21). Open Humanities Press.
Tyżlik-Carver, M. (2014). Towards aesthetic of commons. Beyond Participation and its Post. http://www.newcriticals.com/towards-aesthetics-of-commons-beyond-participation-and-its-post/print
Tyżlik-Carver, M. (2013). Perpetrator: the human in the machine. Caroll/Fletcher Gallery, London. https://www.carrollfletcher.com/usr/library/documents/main/userunfriendly.pdf
Tyżlik-Carver, M. (2013). Solar System as it Really Is or Curating in/as Commons. A Peer-Reviewed Journal About, 2(1). https://doi.org/10.7146/aprja.v2i1.121123
Tyżlik-Carver, M. (2011). Sustainability of Labour in Organized Networks. Acoustic Space, 10(Networks and Sustainability). https://www.springerin.at/en/2017/1/kuratorin-kuratieren-das-kuratorische-nicht-nur-kunst-kuratieren/
Tyżlik-Carver, M. (2019, okt.). Towards Aesthetics of Commons: Beyond Participation and its Post. (Arta Si Digitalitate / Art and Digitality udg.) Uniunea Artistilor Plastici din Romania. Revista ARTA Bind 38/39
Tyżlik-Carver, M. & Chicau, J. (2018). The <body> of work and the language of the <body> I Choreo-Graphic Hypothesis Publication Studio Rotterdam. https://monoskop.org/images/7/70/Choreo-graphic-hypothesis-web-joana-chicau.pdf
Tyżlik-Carver, M. (2021). In search of common forms and curatorial epistemologies: On the exhibition OPEN SCORES: How to program the Commons. I Aesthetics of the Commons (s. 125-172). Diaphanes. https://www.diaphanes.net/titel/in-search-of-common-forms-and-curatorial-epistemologies-6924
Tyżlik-Carver, M. (2019). Towards Aesthetics of Commons: Beyond Participation and its Post. Revista ARTA, (38-39), 26-31.
Tyżlik-Carver, M. (2021). Curating Data: Infrastructures of Control and Affect … and Possible Beyonds. Stages, 9. https://www.biennial.com/journal/issue-9/curating-data-infrastructures-of-control-and-affect-and-possible-beyonds
Tyżlik-Carver, M., Krasnik, R., Gjerding , S. I. & Tholander, M. (2021, mar. 15). Conversation about Time and Technology. https://vimeo.com/524805729
Tyżlik-Carver, M. (2022). Screenshot Situations: Imaginary Realities of Networked Images. I K. Sluis & A. Dewney (red.), The Networked Image in Post-Digital Culture (s. 171-186). Routledge.
Tyżlik-Carver, M. (2022). commoning: Interfacing the commons: curatorial system as a form of production on the edge. I B. V. Bismarck (red.), Archives on Show: Revoicing, Shapeshifting, Displacing A Curatorial Glossary (s. 43-47). Archive Books.
Tyżlik-Carver, M. (red.) & Visti, A. (2021). Fermenting Data.
Tyżlik-Carver, M. & Hunger, F. (2021, okt. 15). Curating Data. https://www.youtube.com/watch?v=Dq6OifWhlTc&list=PLVR6MM6mHmBRtvYlP_bF6qTP3YomEwGqE&index=4
Tyżlik-Carver, M. & Sollfrank, C. (2017, jun. 8). Posthuman Commons.
Tyżlik-Carver, M. (2008). Distributed art of invisible networks: Notes on network politics. Techsty, 2(5). https://techsty.art.pl/magazyn/magazyn5/artykuly/en/tyzlik_carver01.html
Tyżlik-Carver, M. (2026). Curating/Fermenting Data: Speculative practices for curatorial futures. I B. Crone, B. El Baroni & M. Poole (red.), The Edinburgh Companion to Curatorial Futures (s. 259-275). Edinburgh University Press.
Tyżlik-Carver, M., Rossenova, L. & Fuchsgruber, L. (2022). Curating/Fermenting Data: data workflows for semantic web applications Curating/Fermenting Data. I Participative Computing for Sustainable Futures : Adjunct Proceedings of the 12th Nordic Conference on Human-Computer Interaction (NordiCHI’22 Artikel 2 Association for Computing Machinery. https://doi.org/10.1145/3547522.3547701
Tyżlik-Carver, M. (2023). Ghost Factory: From Curating as Research to Exhibition as Curatorial Apparatus. I A. Hahn, N. R. Schroer, E. Hegge & T. Meyer (red.), Curatorial Learning Spaces: Kunst, Bildung und kuratorische Praxis (s. 109-126). Kopaed Verlagsgmbh .
Tyżlik-Carver, M. (2024). Curating Data /Interview Magda Tyzlik-Carver. I I. Arns, E. Birkenstock, D. Bönisch & F. Hunger (red.), Training the Archive Verlag der Buchhandlung Walther und Franz König, Cologne.
Tyżlik-Carver, M. (2023). Corrupting data and sensing error, or how to ‘see’ digital images. Philosophy of Photography, 14(2), 283-300. https://doi.org/10.1386/pop_00087_1
Tyżlik-Carver, M. (2016). Curating in/as Common/s. Posthuman Curating and Computational Culture. Aarhus Universitet.
Tyżlik-Carver, M. (2025). Curating Data: activating critical curatorial practices against data determinism. 480-1. Abstract fra 10th STS Italia Conference. Technoscience for Good, Milan, Italien.
Tyżlik-Carver, M., Rossenova, L. & Fuchsgruber, L. (2024). Fermenting Data, or what does it mean for data to get a life?. Abstract fra Data Life, Copenhagen, Danmark.
Tyżlik-Carver, M. (red.), Helen, P. & Snodgrass, E. (2018). Executing Practices. (2 udg.) Open Humanities Press. DATA Browser Bind 6
Tyżlik-Carver, M. & Krysa, J. (red.) (2025). Curating Superintelligences: Reader on AI and Future Curating. Open Humanities Press. DATA Browser Bind 10 https://www.data-browser.net/pdf/DB10_Curating_Superintelligences.pdf
Tyżlik-Carver, M. & Velasco, P. (red.) (2025). A Peer-Reviewed Journal About: Everything is a Matter of Distance. (1 udg.) DARC Digital Aesthetics Research Center. https://aprja.net//issue/view/12524/2891
Tyżlik-Carver, M. & Krysa, J. (2025). Introduction: Towards Collective Practices with Humans, Machines, and Others. I G. Cox & J. Krysa (red.), Curating Superintelligences: A Reader on AI and Future Curating (s. 11-28). Open Humanities Press. https://www.data-browser.net/pdf/DB10_Curating_Superintelligences.pdf
Tyżlik-Carver, M. & Velasco, P. (2025). Everything is a Matter of Distance. A Peer-Reviewed Journal About, 14(1), 4-9. https://doi.org/10.7146/aprja.v14i1.160268
Tyżlik-Carver, M. & Agostinho, D. (Accepteret/In press). Curating. I K. Maurer, R. Munck Petersen, D. Routhier, K. Wellendorf & K. Veel (red.), The Aesthetics of Machine Vision: Critical Terms and Ideas MIT Press.
Tysdahl, B. (red.), Jansson, M. (red.), Lothe, J. (red.), Klitgård Povlsen, S. (red.) & Bøss, M. (2002). Differences Slight but Profound: Yeats, Eliot and the Histories of Literary Modernism. I English and Nordic Modernisms Norvik Press.
Tyrén, M., Carlborg, N., Heath, C. & Eriksson, E. (2018). Considerations and Technical Pitfalls for Teaching Computational Thinking with BBC micro:bit. 81-86. Afhandling præsenteret på Fablearn Europe 2018, Trondheim, Norge. https://doi.org/10.1145/3213818.3213829
Tylén, K., Stege Bjørndahl, J. & Weed, E. (2009). Taking the Language Stance in a Material World: a comprehension study. Pragmatics & Cognition, 17(3), 573-595.
Tylén, K., Weed, E., Wallentin, M., Roepstorff, A. & Frith, C. D. (2010). Language as a tool for interacting minds. Mind & Language, 25(1).
Tylén, K., Allen, M., Hunter, B. K. & Roepstorff, A. (2010). Together in Gaze and Gesture: social interaction versus social observation in the brain. Poster-session præsenteret på Human Brain Mapping, Barcelona, Spanien.
Tylén, K., Fusaroli, R., Bundgaard, P. & Østergaard, S. (2013). Making Sense Together: a dynamical account of linguistic meaning making. Semiotica, 2013(194), 39-62. https://doi.org/10.1515/sem-2013-0021
Tylén, K. & Fusaroli, R. (2011). Coming to Terms: dyads’ performance in a joint decision task depends on their degree of linguistic alignment. Poster-session præsenteret på Mindlab AU Symposium, Aarhus, Danmark.
Tylén, K. (2011). Language and Joint Problem Solving. I Kognitivnye Issledovanija Jazyka: Problemy Jazykovogo soznanija (Bind VIII).
Tylén, K., Stege Bjørndahl, J. & Weed, E. (2011). Actualizing Semiotic Affordances in a Material World. I S. J. Cowley (red.), Distributed Language (s. 81-100). John Benjamins Publishing Company.
Tylén, K. (2012). Per Durst-Andersens fornemmelse for sprog: anmeldelse af Per Durst Andersen (2011). Bag om Sproget: det kulturmentale univers i sprog og kommunikation. Kritik, 204.
Tylén, K. & Fusaroli, R. (2012). Heart rate synchronization in a collective and creative construction task. Poster-session præsenteret på CogSci 2012 , Sapporo, Japan.
Tylén, K., Allen, M. G., Hunter, B. K. & Roepstorff, A. (2012). Interaction versus Observation: distinctive modes of social cognition in human brain and behavior? A combined fMRI and eye-tracking study. Frontiers in Human Neuroscience, 6. https://doi.org/10.3389/fnhum.2012.00331
Tylén, K., Allen, M. G., Hunter, B. K. & Roepstorff, A. (2012). Interaction vs. observation: distinctive modes of social cognition in human brain and behavior? A combined fMRI and eye-tracking study. Frontiers in Human Neuroscience, 6, 331. https://doi.org/10.3389/fnhum.2012.00331
Tylén, K. & Fusaroli, R. (2013). Affordances and synchronization in collective creative construction tasks. Poster-session præsenteret på Co-operation, Aarhus, Danmark.

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