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Vandsø, A. & Bjørnsten , T. (2015). CTM 2015: Ionosfæriske signaler og løst kuraterede lydaftryk. Seismograf/DMT, (1.3.2015). http://seismograf.org/TransmedialeCTM

Vandsø, A. (2015). Dystopiske totalinstallationer : – Janet Cardiff & George Bures Miller Something Strange This Way. Nutida Musik, 2(2014/2015).

Vandsø, A. (2016). Technology, sound and subject: A cross-disciplinary investigation. Danish Musicology Online, Særnr. (2016), 38-50. Article 4. http://danishmusicologyonline.dk/arkiv/arkiv_dmo/dmo_saernummer_2016/Dansk_Musikforskning_Online_Saernummer_2016_Word_and_Music_Studies.pdf

Vandsø, A. (2016). Listening to the Dark Side of Nature. In R. Schneider (Ed.), Dark Nature: Anti-Pastoral Essays in American Literature and Culture (pp. 199-214). Lexington Books.

Vandsø, A. (2016). Listening to Listening Machines: On Contemporary Sonic Media Critique. Leonardo Music Journal, (26), 48-52. https://doi.org/10.1162/LMJ_a_00971

Vandsø, A. (2018). Four Key Concepts for Studying Context-Based Compositions. Organised Sound, 23(1), 3-11. https://doi.org/10.1017/S135577181700022X

Vandsø, A. (2016). Det Danmark vi spiser: Visioner om et andet Danmark i Frikadellesagen fra Randers og Nyt Nordisk Køkken. Passage, Årg. 31(76), 73-91. https://tidsskrift.dk/passage/article/download/25235/22162

Vandsø, A. (2018). Lyd. Aarhus Universitetsforlag. Tænkepauser - viden til hverdagen Vol. 57

Vandsø, A. (2017). Kunsten at tale om miljø / The Art of Talking Environment. In E. G. Høyersten, A. M. Thomsen, J. V. Sevel & A. Vandsø (Eds.), The Garden : End of Times, Beginning of Times (pp. 76-85). Walther König Verlag.

Vandsø, A. & Thorsen, L. M. (2017). En samtale med Bruno Latour / A Conversation with Bruno Latour. In E. G. Høyersten, A. M. Thomsen, J. V. Sevel & A. Vandsø (Eds.), The Garden: End of Times, Beginning of Times (pp. 60-67). Walther König Verlag.

Vandsø, A. (2018). How can we (not) eat pork? Meat constituting cultural identity in the meat ball case from Randers and New Nordic Cuisine. Paper presented at MEAT , Aarhus , Denmark.

Vandsø, A., Sanne Krogh Groth, Ulrik Schmidt & Morten Søndergaard (2017). Sound Art Matters - preface. Seismograf/DMT, 1. http://seismograf.org/fokus/sound-art-matters

Vandsø, A. (2017). War Sum Up. Peripeti, (Special Issue 2017 : Hotel Proforma - Hotel of Beauty), 51-52.

Vandsø, A. (2019). At røre og blive berørt at tiden: affekt og antropocæn tidsforstyrrelse i Ice Watch. Passepartout, (39), 173-192. https://tidsskrift.dk/passepartout/article/download/118802/166664/

Vandsø, A., Thomsen, A. M., Stampe, J. & Høyersten, E. (Eds.) (2019). Tomorrow is the question. ARoS Publishing.

Vandsø, A. (2019). Kunst for en klimaforandret verden. In A. Vandsø, J. Stampe, A. M. Thomsen & E. Høyersten (Eds.), Tomorrow is the question (pp. 122-133). ARoS Publishing.

Vandsø, A. (2019). Pipilotti Risti Open My Glade, Louisiana 2019. Positionen : Beiträge zur neuen Musik, 121.

Vandsø, A. (2020). The sonic aftermath: anthropocene and transdisciplinarity after the apocalypse. In S. K. Groth & H. Schulze (Eds.), Bloomsbury handbook of sound art (pp. 21-40). Article 1 Bloomsbury T&T Clark.

Vandsø, A. (2020). Naturens Rødder. In J. Juhl (Ed.), Square Roots of nature Jacob Juhl.

Vandsø, A. (2020). Nature's Roots. In J. Juhl (Ed.), Square Roots of Nature Jacob Juhl.

Vandsø, A. (2020). En ny Pandemisk sanselighed: Lyden af 2020. Seismograf/DMT. https://seismograf.org/artikel/en-ny-pandemisk-sanselighed

Vandsø, A. (2021). Mellem sans og samling: Konceptet plads i samtidsmusikken. In Musikalske aftryk: dansk tonekunst gennem 150 år (pp. 91-109). Edition-S.

Vandsø, A. (2021). To Record the Sound of One’s Speaking Voice: Enunciation in Alvin Lucier’s I am sitting in a room. In I am sitting in a room: Archival Recordings 1969-2019 Sound on Paper Editions.

Vandsø, A. (2017). The resonating past - Stephen Vitiello’s World Trade Center Recordings as a lieu de mémoire. SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience, 7(2), 45–63. https://doi.org/10.7146/se.v7i2.102925

Vandsø, A. (2017, Jul 3). Kan kunsten redde en brændende verden?

Vandsø, A. (2017, Jun 30). Det Antropocæne: Når kunstens, kulturen og klodens historier mødes.

Vandsø, A. (2023). Silence! The background of attention as a battleground. Nordic Journal of Aesthetics, 32(65). https://doi.org/10.7146/nja.v32i65-66.140098

Vandsø, A. (2024). Rereading 4’33’’ as Sonic Citizenship: On the conceptual framework for urban sounds. https://nors.ku.dk/english/research-files/sound-language-and-the-making-of-urban-space/20_vandsoe_rereading_4-33.pdf

Vandsø, A. (2024). To be energetically connected : Christian Skjødt Hasselstrøm Radar L/410A, L413A (2021) . Manuscript in preparation.

Vandsø, A. (2022). Apokalyptisk kunst: kunstens nye roller i en antropocæn epoke. In K. B. Willert (Ed.), Planetære frakturer: humanistiske og socialvidenskabelige perspektiver på antropocæn Multivers.

Vandsø, A. (2024). Rereading 4’33’’ as Sonic Citizenship. On the conceptual framework for urban sounds. In J. I. Parby (Ed.), Conference Proceedings: Sound, Language and the Making of Urban Space Københavns Universitet. http://On the conceptual framework for urban sounds

Vandsø, A. & Shepherd, N. (2025). Expanded Aesthetics: Care, Attention, and the Everyday Plant. Nordic Journal of Aesthetics, 34(69), 139-151. https://doi.org/10.7146/nja.v34i69.160660

Vandsø, A., Oelsner, G. & Leth-Espensen, P. (2025). Hjemmets Flora: Og det grønne Ordrupgaard. Magasin for Bygningskunst og Kultur, 2025(9), Article 8. https://bygningskunstogkultur.dk/nr-9-2025/hjemmets-flora-og-det-gronne-ordrupgaard

Vandsø, A. (2010). Musik og Udsigelse.

Vandsø, A., Leth-Espensen, P., Barfod, A. S., Oelsner, G. & Shepherd, N. (2025). Skjulte Plantehistorier: Nær og fjernanalyse af dansk kunst med stueplanter fra 1820 til 1920 som kilde til ny viden og formidling. Perspective. https://www.perspectivejournal.dk/skjulte-plantehistorier-naer-og-fjernlaesninger-af-dansk-kunst-med-stueplanter-fra-1820-til-1920-som-kilde-til-ny-viden-og-formidling/

Vandsø, A., Leth-Espensen, P., Barfod, A. S., Oelsner, G. & Shepherd, N. (2025). Verden i vindueskarmen. In Plantefeber: Verden i vindueskarmen (pp. 14-25). Aarhus Universitetsforlag.

Vandsø, A. (2025). Samtidskunstens plantehistorier. In P. Leth-Espensen, G. oelsner & A. Vandsø (Eds.), Plantefeber : Verden i vindueskarmen (pp. 164-177). Aarhus Universitetsforlag.

Vandsø, A. (2025). Sonic Citizenship, Aesthetics, and Ecological Awareness. In M. søndergaard & I. Uvaas (Eds.), Between / Worlds: Resonant Ecologies (pp. 200-217). Momentum Biennial and Gallery F15. https://vbn.aau.dk/ws/portalfiles/portal/784840843/2025_Momentum13-Reader_2.pdf

Vandsø, A. (2026). The Botanical Grotesque: Interspecies Care, Power, and Vegetal mythologies in Contemporary Art. In E. Erlanson, J. Wamberg & N. Skiveren (Eds.), Grotesque Anthropocene : Disfigured Environments Across Media Palgrave Macmillan. https://link.springer.com/series/17132

Vandsø, A. (2026). Gröna Fingrar: Plant-human Hybridity in Ingela Ihrman’s Art. In C. Malmstrøm (Ed.), Queen of the Night: Queen of the Night” Mousse Magazone.

van der Voort, H. & Bakker, P. (2017). Polysynthesis and language contact. In M. Fortescue, M. Mithun & N. Evans (Eds.), The Oxford Handbook of Polysynthesis (pp. 408-427). Oxford University Press.

Vandepitte, S., Mousten, B., Maylath, B., Isohella, S., Musacchio, M. T. & Palumbo, G. (2014). Translation Competence: Research Data in Multilateral and Interprofessional Collaborative Learning. In Y. Cui & W. Zhao (Eds.), Handbook of Research on Teaching Methods in Language Translation and Interpretation (pp. 137-159). IGI global. https://doi.org/10.4018/978-1-4666-6615-3.ch009

Vandepitte, S., Maylath, B., Mousten, B., Minacori, P. & Isohella, S. (2016). Multilateral Collaboration between Technical Communicators and Translators: A Case Study on New Technologies and Processes. Journal of Specialised Translation, 26(July), 3-19. http://www.jostrans.org/issue26/art_vandepitte.pdf

Vandepitte, S., Maylath, B., Mousten, B., Isohella, S. & Minacori, P. (2016). Multilateral collaboration between technical communicators and translators: a case study of new technologies and processes. Journal of Specialised Translation, 26(July), 3-19.

Vandepitte, S., Maylath, B., Mousten, B., Minacori, P. & Scarpa, F. (2010). Interactivities between professional translators and professional communicators: What translators would like communicators to know. In 2010 IEEE International Professional Communication Conference, IPCC 2010 (pp. 58-59). Article 5529814 https://doi.org/10.1109/IPCC.2010.5529814

Vandepitte, S., Mousten, B., Maylath, B., Isohella, S., Musacchio, M. T. & Palumbo, G. (2018). Translation competence: Research data in multilateral and interprofessional collaborative learning. In Social Media in Education: Breakthroughs in Research and Practice (pp. 296-319). IGI global. https://doi.org/10.4018/978-1-5225-5652-7.ch016

Valentina, B. & Kratschmer, A. (2012). Epistemic Adjectives: Multiple degrees of certainty, but two degrees of effort: Poster at the 4th International Conference of Experimental Pragmatics (XPRAG), Universitat Pompeu Fabra, Barcelona, Spain, 2nd - 4th of June 2011.

Vackova, P. & Kucirkova, N. I. (2026). How Could Smells and Scents Elevate Picturebook Reading? In Children’s Literature to Read Our World: Text Selection and Strategies for Critical Refection (pp. 180-193). Routledge. https://doi.org/10.4324/9781003562450-15

Ulhøi, J. P. & Holm, A. (2010). Commercialization of new ICT-related opportunities in the news industry: Avoiding a business-as-usual mind-set. Paper presented at Internet Technologies & Society 2010, Perth, Australia.

Uldbjerg, S., Hendry, N. & Gerrard, Y. (2020). Methods that move us: Creativity and ethics in researching digital youth cultures. Abstract from AoIR 2020. http://10.5210/spir.v2020i0.11426

Displaying results 851 to 900 out of 25438

Revised 16.04.2026

Arts Communication