Publications

Local literature search

Below you can search for publications authored or edited by researchers at the School of Communication and Culture.

You can also use Aarhus University’s literature search service

Sort by: Date | Author | Title

Vandsø, A. & Hansen, L. K. (2011). Sanselig, spekulativ og spektakulær krigsforestilling: Anmeldelse af War Sum Up, Hotel Proformas manga opera om krigens væsen. Peripeti. http://www.peripeti.dk/2011/11/29/war-sum-up-hotel-pro-formas-manga-opera-om-krigens-v%C3%A6sen/

Vandsø, A. (2012, Sept 1). Lydkunst: sanselig og konceptuel. http://lakfestival.dk/genlyd.html

Vandsø, A. (2013, Mar 10). PERMANENTE STILLE_ZONER Eller: En stille prædiken fra en lydforsker..... http://www.avlyt.dk

Vandsø, A. (2013, Apr 9). TØRST: En lydinstallation af Jacob Kirkegaard. REfleksioner - Foreningen for samtidskunst. http://www.refleksioner.org/wp-content/uploads/2013/09/Udstillingstekst.pdf

Vandsø, A. (2014). Rheo: Japanese Sound Art Interrogating Digital Mediality. Acta Universitatis Sapientiae, Film & Media Studies, Vol 9(2014), 141-155.

Vandsø, A. (2015). Music, Sound Art and Context in a Post-Cagean Era. Seismograf/DMT, (18.2.2015). http://seismograf.org/peer

Vandsø, A. (2015). Hierarkier mellem ord, billede og lyd. In K. Winkelhorn & E. E. Christoffersen (Eds.), Skønhedens hotel: Hotel Pro Forma: Et laboratorium for scenekunst (pp. 173-181). Aarhus Universitetsforlag.

Vandsø, A. (2016). Musik som værk og handling. Aarhus Universitetsforlag.

Vandsø, A. (2015). Fremtidens lydværker på Venedig Biennalen og Ars Electronica. Seismograf/DMT, (19. okt. 2015). http://seismograf.org/artikel/fremtidslyde-lydvaerker-paa-venedig-biennalen-og-ars-electronica

Vandsø, A. & Bjørnsten , T. (2015). CTM 2015: Ionosfæriske signaler og løst kuraterede lydaftryk. Seismograf/DMT, (1.3.2015). http://seismograf.org/TransmedialeCTM

Vandsø, A. (2015). Dystopiske totalinstallationer : – Janet Cardiff & George Bures Miller Something Strange This Way. Nutida Musik, 2(2014/2015).

Vandsø, A. (2016). Technology, sound and subject: A cross-disciplinary investigation. Danish Musicology Online, Særnr. (2016), 38-50. Article 4. http://danishmusicologyonline.dk/arkiv/arkiv_dmo/dmo_saernummer_2016/Dansk_Musikforskning_Online_Saernummer_2016_Word_and_Music_Studies.pdf

Vandsø, A. (2016). Listening to the Dark Side of Nature. In R. Schneider (Ed.), Dark Nature: Anti-Pastoral Essays in American Literature and Culture (pp. 199-214). Lexington Books.

Vandsø, A. (2016). Listening to Listening Machines: On Contemporary Sonic Media Critique. Leonardo Music Journal, (26), 48-52. https://doi.org/10.1162/LMJ_a_00971

Vandsø, A. (2018). Four Key Concepts for Studying Context-Based Compositions. Organised Sound, 23(1), 3-11. https://doi.org/10.1017/S135577181700022X

Vandsø, A. (2016). Det Danmark vi spiser: Visioner om et andet Danmark i Frikadellesagen fra Randers og Nyt Nordisk Køkken. Passage, Årg. 31(76), 73-91. https://tidsskrift.dk/passage/article/download/25235/22162

Vandsø, A. (2018). Lyd. Aarhus Universitetsforlag. Tænkepauser

Vandsø, A. (2017). Kunsten at tale om miljø / The Art of Talking Environment. In E. G. Høyersten, A. M. Thomsen, J. V. Sevel & A. Vandsø (Eds.), The Garden : End of Times, Beginning of Times (pp. 76-85). Walther König Verlag.

Vandsø, A. & Thorsen, L. M. (2017). En samtale med Bruno Latour / A Conversation with Bruno Latour. In E. G. Høyersten, A. M. Thomsen, J. V. Sevel & A. Vandsø (Eds.), The Garden: End of Times, Beginning of Times (pp. 60-67). Walther König Verlag.

Vandsø, A. (2018). How can we (not) eat pork? Meat constituting cultural identity in the meat ball case from Randers and New Nordic Cuisine. Paper presented at MEAT , Aarhus , Denmark.

Vandsø, A., Sanne Krogh Groth, Ulrik Schmidt & Morten Søndergaard (2017). Sound Art Matters - preface. Seismograf/DMT, 1. http://seismograf.org/fokus/sound-art-matters

Vandsø, A. (2017). War Sum Up. Peripeti, (Special Issue 2017 : Hotel Proforma - Hotel of Beauty), 51-52.

Vandsø, A. (2019). At røre og blive berørt at tiden: affekt og antropocæn tidsforstyrrelse i Ice Watch. Passepartout, (39), 173-192. https://tidsskrift.dk/passepartout/article/download/118802/166664/

Vandsø, A., Thomsen, A. M., Stampe, J. & Høyersten, E. (Eds.) (2019). Tomorrow is the question. ARoS Publishing.

Vandsø, A. (2019). Kunst for en klimaforandret verden. In A. Vandsø, J. Stampe, A. M. Thomsen & E. Høyersten (Eds.), Tomorrow is the question (pp. 122-133). ARoS Publishing.

Vandsø, A. (2019). Pipilotti Risti Open My Glade, Louisiana 2019. Positionen : Beiträge zur neuen Musik, 121.

Vandsø, A. (2020). The sonic aftermath: anthropocene and transdisciplinarity after the apocalypse. In S. K. Groth & H. Schulze (Eds.), Bloomsbury handbook of sound art (pp. 21-40). Article 1 Bloomsbury T&T Clark.

Vandsø, A. (2020). Naturens Rødder. In J. Juhl (Ed.), Square Roots of nature Jacob Juhl.

Vandsø, A. (2020). Nature's Roots. In J. Juhl (Ed.), Square Roots of Nature Jacob Juhl.

Vandsø, A. (2020). En ny Pandemisk sanselighed: Lyden af 2020. Seismograf/DMT. https://seismograf.org/artikel/en-ny-pandemisk-sanselighed

Vandsø, A. (2021). Mellem sans og samling: Konceptet plads i samtidsmusikken. In Musikalske aftryk: dansk tonekunst gennem 150 år (pp. 91-109). Edition S.

Vandsø, A., Thoben, J. (Ed.) & Rietbrock, B. (Ed.) (2021). To Record the Sound of One’s Speaking Voice: Enunciation in Alvin Lucier’s I am sitting in a room. In I am sitting in a room: Archival Recordings 1969-2019 Sound on Paper Editions.

Vandsø, A. (2017). The resonating past - Stephen Vitiello’s World Trade Center Recordings as a lieu de mémoire. SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience, 7(2), 45–63. https://doi.org/10.7146/se.v7i2.102925

Vandsø, A. (2017, Jul 3). Kan kunsten redde en brændende verden?

Vandsø, A. (2017, Jun 30). Det Antropocæne: Når kunstens, kulturen og klodens historier mødes.

Vandsø, A. (2021). “To Record the Sound of One’s Speaking Voice: Enunciation in Alvin Lucier’s I am sitting in a room.”. In J. Thoben & B. Rietbrock (Eds.), Thoben, Jan; Rietbrock, Bernhard (eds).I am sitting in a room: Archival Recordings 1969-2019. Sound on Paper Editions.

Vandsø, A. (Accepted/In press). Silence: The background of attention as a battleground. Nordic Journal of Aesthetics, 23(65).

Vandsø, A. (Accepted/In press). From soundscape to sonic citizenship: John Cage’s 4’33’’ and the messy, fragile relations to sounds. .

Vandsø, A. (2024). To be energetically connected : Christian Skjødt Hasselstrøm Radar L/410A, L413A (2021) . Manuscript in preparation.

Vandsø, A. (2022). Apokalyptisk kunst: kunstens nye roller i en antropocæn epoke. In K. B. Willert (Ed.), Planetære frakturer: humanistiske og socialvidenskabelige perspektiver på antropocæn Multivers.

Vandsø, A. (2024). Rereading 4’33’’ as Sonic Citizenship. On the conceptual framework for urban sounds. In J. I. Parby (Ed.), Conference Proceedings: Sound, Language and the Making of Urban Space Københavns Universitet. http://On the conceptual framework for urban sounds

van der Voort, H. & Bakker, P. (2017). Polysynthesis and language contact. In M. Fortescue, M. Mithun & N. Evans (Eds.), The Oxford Handbook of Polysynthesis (pp. 408-427). Oxford University Press.

Vandepitte, S., Mousten, B., Maylath, B., Isohella, S., Musacchio, M. T. & Palumbo, G. (2014). Translation Competence: Research Data in Multilateral and Interprofessional Collaborative Learning. In Y. Cui & W. Zhao (Eds.), Handbook of Research on Teaching Methods in Language Translation and Interpretation (pp. 137-159). IGI global. https://doi.org/10.4018/978-1-4666-6615-3.ch009

Vandepitte, S., Maylath, B., Mousten, B., Minacori, P. & Isohella, S. (2016). Multilateral Collaboration between Technical Communicators and Translators: A Case Study on New Technologies and Processes. Journal of Specialised Translation, 26(July), 3-19. http://www.jostrans.org/issue26/art_vandepitte.pdf

Vandepitte, S., Maylath, B., Mousten, B., Isohella, S. & Minacori, P. (2016). Multilateral collaboration between technical communicators and translators: a case study of new technologies and processes. Journal of Specialised Translation, 26(July), 3-19.

Vandepitte, S., Maylath, B., Mousten, B., Minacori, P. & Scarpa, F. (2010). Interactivities between professional translators and professional communicators: What translators would like communicators to know. In 2010 IEEE International Professional Communication Conference, IPCC 2010 (pp. 58-59). Article 5529814 https://doi.org/10.1109/IPCC.2010.5529814

Vandepitte, S., Mousten, B., Maylath, B., Isohella, S., Musacchio, M. T. & Palumbo, G. (2018). Translation competence: Research data in multilateral and interprofessional collaborative learning. In Social Media in Education: Breakthroughs in Research and Practice (pp. 296-319). IGI global. https://doi.org/10.4018/978-1-5225-5652-7.ch016

Valentina, B. & Kratschmer, A. (2012). Epistemic Adjectives: Multiple degrees of certainty, but two degrees of effort: Poster at the 4th International Conference of Experimental Pragmatics (XPRAG), Universitat Pompeu Fabra, Barcelona, Spain, 2nd - 4th of June 2011.

Ulhøi, J. P. & Holm, A. (2010). Commercialization of new ICT-related opportunities in the news industry: Avoiding a business-as-usual mind-set. Paper presented at Internet Technologies & Society 2010, Perth, Australia.

Uldbjerg, S., Hendry, N. & Gerrard, Y. (2020). Methods that move us: Creativity and ethics in researching digital youth cultures. Abstract from AoIR 2020. http://10.5210/spir.v2020i0.11426

Displaying results 801 to 850 out of 24259

Revised 22.08.2023

Arts Communication