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Hansen, L. E., Loft Bergstrand, A., Hansen, A. J., Hansen, C. M., Harchi, N. R., Klausen, S., Harmish Lockwood, E., Yoon Madsen, I. & Broni Nielsen, M. (2022). Vil covid-19 udfordre den danske teaterstruktur? Tentative svar baseret på det århusianske teaterlandskab. Nordisk Kulturpolitisk Tidskrift, 25(2), 1-15. https://doi.org/10.18261/nkt.25.2.2
Skinnebach, L. K. (2022). Virgen de los Reyes. Sorg og Samfund, (2).
Ravazzani, S. & Maier, C. D. (2022). Visual crisis communication: A social semiotic approach to visual dialogues on social media. In L. Austin & Y. Jin (Eds.), Social Media and Crisis Communication (2 ed., pp. 168-179). Routledge. https://doi.org/10.4324/9781003043409-19
Rybner, A., Jessen, E. T., Mortensen, M. D., Larsen, S. N., Grossman, R., Bilenberg, N., Cantio, C., Jepsen, J. R. M., Weed, E., Simonsen, A. & Fusaroli, R. (2022). Vocal markers of autism: Assessing the generalizability of machine learning models. Autism Research, 15(6), 1018-1030. https://doi.org/10.1002/aur.2721
Denscherz, S., Feld-Knapp, I. & Heine, C. (Eds.) (2022). Vorwort. In L. Auteri, N. Barrale, A. Di Bella & S. Hoffmann (Eds.), Jahrbuch für Internationale Germanistik: Wege der Germanistik in transkultureller Perspektive : Akten des XIV. Kongresses der Internationalen Vereinigung für Germanistik (IVG) (Vol. 3, pp. 159-161). Peter Lang. https://library.oapen.org/bitstream/handle/20.500.12657/60728/9783034338325.pdf?sequence=1&isAllowed=y
Zoelner, M., Barzantny, C., ANDRESEN, MAIKE., ANGER, SILKE., DICKMANN, MICHAEL., BRUCKER, HERBERT., MAKELA, LIISA., AL ARISS, AKRAM., SAALFELD, THOMAS. & MUHR, SARA. LOUISE. (Eds.) (2022). Wanderlust to wonderland? Exploring key issues in expatriate careers: individual, organizational, and societal insights. Personalmanagement und Arbeits- und Organisationspsychologie Vol. BAND 2
Zoelner, M. (Ed.), ANDRESEN, MAIKE. (Ed.), ANGER, SILKE. (Ed.), AL ARISS, AKRAM. (Ed.), Barzantny, C. (Ed.), Brücker, H. (Ed.), Dickmann, M. (Ed.), MAKELA, LIISA. (Ed.), Muhr, S. L. (Ed.), SAALFELD, THOMAS. (Ed.) & Suutari, V. (2022). Wanderlust to wornderland? Exploring key issues in expatriate careers: Individual, organizational, and societal insights. University of Bamberg Press. Personalmanagement und Arbeits- und Organisationspsychologie
Nielsen, M. (2022). Werberhetorik: Kulturspezifik vs. Internationalisierung. Manuscript submitted for publication. In N. Janich & K. S. Roth (Eds.), Handbuch Werberhetorik De Gruyter.
Raetzsch, C. (2022). Wer kommuniziert eigentlich Digitalisierung? Für zivile Innovationen braucht es neue Kompetenzprofile in der Kommunikation. In Journalismus und Unternehmenskommunikation: Zwischen Konvergenz und Konkurrenz (pp. 89–105). Springer. https://doi.org/10.1007/978-3-658-35471-8_5
Pereira, G., Moreschi, B., Mintz, A. & Beiguelman, G. (2022). We’ve always been antagonistic: algorithmic resistances and dissidences beyond the Global North. Media International Australia, 183(1), 124-138. https://doi.org/10.1177/1329878X221074792
Pereira, G., Bueno Bojczuk Camargo, I. & Parks, L. (2022). WhatsApp Disruptions in Brazil: A content analysis of user and news media responses, 2015-2018. Global Media and Communication, 18(1), 113-148. https://doi.org/10.1177/17427665211038530
Pedersen, M. R. (2022). Where is the harm? Exploring online peer-support forums for people sexually attracted to minors as platforms to prevent child sexual abuse. In D. Stelzmann & J. Ischebeck (Eds.), Child Sexual Abuse and the Media (pp. 279-302). Nomos Verlagsgesellschaft.
Ledderer, L. K. & Fage-Butler, A. (2022). WHO’s communication on Twitter about the risks of COVID-19: A discourse analysis of WHO’s tweets. Abstract from The 24th World Conference on Health Promotion, Montreal, Canada.
Borkfelt, S. (2022). Who Slaughters and Who Consumes? On Butcher(ing) Identities. In Reading Slaughter: Abattoir Fictions, Space, and Empathy in Late Modernity (pp. 181-221). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-98915-6_6
Kuhlmann, A. (2022). Who's there? - Agency, temporality and spatiality in theatre historiography exemplified with the first Danish stage production of Hamlet in Denmark, 1813. 52-53. Abstract from International Federation of Theatre Research World Congress 2022 , Reykjavík, Iceland.
Parikka, J. & Dragona, D. (Eds.) (2022). Words of Weather. Onassis Foundation.
Uldbjerg, S. (2022). Writing Therapy, Writing Data: Therapeutic Writing as a Methodological and Ethical Approach in Researching Digital Sexual Assault. In Madness and Literature: What Fiction Can Do for the Understanding of Mental Illness (pp. 201-219). University of Exeter Press. https://doi.org/10.47788/SWBN2997
Heidrich, F., Heine, C., Link, L. & Villiger, C. (2022). Würdigung und Einführung in den Sammelband. In F. Heidrich-Wilhelms, C. Heine, L. Link & C. Villiger (Eds.), Fachkommunikation gestern – heute – morgen: Festschrift für Klaus Schubert (pp. 7-13). UV Universitätsverlag Hildesheim. https://doi.org/10.18442/213
Tarp, S., Chen, R., (Trans.) & Geng, Y. D., (Trans.) (2022). 数字词典学视阈下“有意学习” 与“附带学习”新探. Journal of Lexicographical Studies, 2022(6), 1-11. https://doi.org/10.16134/j.cnki.cn31-1997/g2.2022.06.002
Rainsford, D. (2021). 1827: Real, Fictional, and Mythic Time in The Pickwick Papers. In G. Bystydzieńska & E. Harris (Eds.), From Queen Anne to Queen Victoria: Readings in 18th and 19th Century British Literature and Culture (pp. 165-178). University of Warsaw Press. https://doi.org/10.31338/uw.9788323552840
Payne, E. A. (2021). 4 catalogue entries on Ribera’s paintings and prints. In M. Roglán (Ed.), Meadows Museum: A Handbook of the Collection (pp. 48-51, 214). Scala Arts Publishers, Inc..
Erslev, M. S. & Visti, A. (2021). Aarhus Urban Operating System (AaUOS). Interactive production, Electronic Literature Organization. https://aauos.online/
Mårup, S. H., Møller, C. & Vuust, P. (2021). A bodily hierarchy of rhythm performance – effects of musicianship. Abstract from Rhythm Production and Perception Workshop 2021, Oslo, Norway.