Anthologies

· Michelsen, Morten, Iben Have, Anja Lindelof, Charlotte Rørdam Larsen, Henrik Smith- Sivertsen (eds.). 2018. Stil nu ind ... Danmarks Radio og musikken. Aarhus: Aarhus Universitetsforlag, 

· Michelsen, Morten, Mads Krogh, Iben Have og Steen Kaargaard Nielsen (eds.). 2018. Tunes for All? Music on Danish Radio. Aarhus: Aarhus Universitetsforlag, 357 sider.

· Michelsen, Morten, Mads Krogh, Steen Kaargaard Nielsen og Iben Have (eds.). 2019. Music Radio: Building Communities, Mediating Genres. New York: Bloomsbury, 329 sider.

Thesis

• Wallevik, Katrine. 2020. Stop or Flow? How Culture Matters in P3’s Music Radio Production. University of Copenhagen: Unpubl. PhD Thesis.

Articles

• Fjeldsøe, Michael. 2016. “The concept of 'Radio Music'.” Danish Yearbook of Musicology 40, 70-78.

• Graakjær, Nicolai Jørgensgaard. 2018. "Oscillations, Interruptions and Interphonic Gearings: On Music in Studio-Based Sports Radio." In Tunes for All? Music on Danish Radio, 157-86.

• Have, Iben. 2018. A Lost Link Between Music and Hosts: The Development of a Morning Music Radio Programme. In Tunes for All? Music on Danish Radio, 129-56.

• Krogh, Mads. 2019. Formats, Genres, and Abstraction: On Musico-Generic Assemblages in the Context of Format Radio Production. In Music Radio: Building Communities, Mediating Genres, 211-29.

• Krogh, Mads. 2018. Non/Linear Radio: Genre, Format and Rationalisation in DR Programming. In Tunes for All? Music on Danish Radio, 67-90.

• Krogh, Mads. In press. Musico-generic assemblages: On format radio and musical genre cultures within (and beyond) the Danish Broadcasting Corporation. I G. Born, & D. Brackett (red.), Music and Genre: New Directions. Duke University Press.

• Mads Krogh and Morten Michelsen. 2019. Introduction: Complexities of Genre, of Mediation, and of Community. In Music Radio: Building Communities, Mediating Genres, 1-30.

• Larsen, Charlotte Rørdam. 2015. Den gode lytning og dens udfordringer. Radiolytning omkring 1930. In Jacob Kreutzfeldt et al. (red.): Radioverdener: Auditiv kultur, historie og arkiver. Aarhus: Aarhus Universitetsforlag, 79-96.

• Larsen, Charlotte Rørdam. 2018. Radio, Music and the Provinces: The Danish State Broadcasting Corporation’s Creation of Musical Provinces. In Tunes for All? Music on Danish Radio, 283-308.

• Lindelof, Anja Mølle. 2018. Why Do Broadcasting Corporations Have Orchestras? Understanding the Production Mentality of DR Through the Case of the Danish National Chamber Orchestra. In Tunes for All? Music on Danish Radio, 241-59.

• Michelsen, Morten. 2015. ”Mellem musik, litteratur og oplysning. En radiogenretypologi for Statsradiofoniens udsendelser i mellemkrigstiden.” In Jacob Kreutzfeldt et al. (red.): Radioverdener: Auditiv kultur, historie og arkiver. Aarhus: Aarhus Universitetsforlag, 59-78.

• Michelsen, Morten. 2016. “Here, There and in Between: Radio Spaces before the Second World War. In Johannes Brusila, Bruce Johnson and John Richardson (eds.): Memory, Space, Sound. London: Intellect Press, 145-161.

• Michelsen, Morten. 2016. “Radio Within and Across Borders. Music as national and international in interbellum Danish radio.” Danish Yearbook of Musicology 40, 79-86.

• Michelsen, Morten. 2018. “European Music? The International Broadcasting Union’s 1930s’ Concert Series Concerts Européens.” In Transnationalizing Radio Research: New Encounters with an Old Medium, edited by Golo Föllmer og Alexander Badenoch, 155-62.

• Michelsen, Morten. 2018. Negotiating Musical Hierarchies: Music Programming and Genre on Inter-War Danish Radio. In Tunes for All? Music on Danish Radio, 309-44.

• Michelsen, Morten: Music Radio’s Mediations of the Music-–Cultural High/Low Divide before the 1980s. 2019. In Music Radio: Building Communities, Mediating Genres, 230-48.

• Michelsen, Morten. 2019. Radios, Sounds, Imaginaries: Music, Space, and Broadcasting in the 1950s. Oxford Handbook of Sound and Imagination, redigeret af Mark Grimshaw, Mads Walter-Hansen og Martin Knakkergaard. Oxford og London: Oxford University Press.

• Michelsen, Morten. In press. „Klänge, Räume, Radio. Rundfunkhören in Europa vor der 1960er Jahren.“

• Michelsen, Morten and Mads Krogh. 2018. Introduction: Music Radio Perspectives: I: Music Radio Research; II: Danish Music Radio (Ramund); III: Music Radio Multiplicities. In Tunes for All? Music on Danish Radio, 13-66.

• Michelsen, Morten, Erik Granly, Jakob Kreutzfeldt, Erik Svendsen. 2015. ”Introduktion: Den mangfoldige radioforskning.” In Erik Granly Jensen, Jacob Kreutzfeldt, Morten Michelsen og Erik Svendsen (eds.): Radioverdener: Auditiv kultur, historie og arkiver. Aarhus: Aarhus Universitetsforlag, 7-20.

• Michelsen, Morten og Mads Krogh. 2017. ”Music, Radio, and Mediatization.” Media, Culture & Society, 39 (4), 520-535.

• Nielsen, Steen Kaargaard. 2018. The Cautionary Tale of Emil Holm and the Gramophone: Controversial(ised) Uses of Recorded Music and Music Recording in Danish Radio Broadcasting Before the Second World War. In Tunes for All? Music on Danish Radio, 259-82.

• Ringsager, Kristine. 2018. ”Voicing World Music on Danish Radio.” Ethnomusicological Forum 27 (3), 344-61.

• Ringsager, Kristine. 2018. Presenting a World of Music: Musical Diversity and Cosmopolitan Practices Within the Danish Broadcasting Corporation. In Tunes for All? Music on Danish Radio, 187-212.

• Ringsager, Kristine and Sandra Lori Pedersen. 2019. Voicing Otherness on Air: Theorizing Radio through the Figure of Voice. In Music Radio: Building Communities, Mediating Genres, 70-95.

• Smith-Sivertsen, Henrik. 2015. Hvad spillede de egentlig på P3 i januar 1963? In Jacob Kreutzfeldt et al. (red.): Radioverdener: Auditiv kultur, historie og arkiver. Aarhus: Aarhus Universitetsforlag, 113-34.

• Smith-Sivertsen, Henrik. 2018. When the Hit Parade(s) Hit Denmark. In Tunes for All? Music on Danish Radio, 213-40.

• Wallevik, Katrine. 2018. To Go with the Flow and to Produce It: The P3 Head of Music’s Work in Practice. In Tunes for All? Music on Danish Radio, 91-128.