This page contains links to textual or audiovisual materials that will be referred to by the speakers in panel 2, or which have informed their presentations.

Ariel Avissar, “The Collaborative Potential of Algorithmic Procedures (and the Algorithmic Potential of Collaboration)”

Here is my presentation in progress, and here is a transcript.

As part of my presentation I will be discussing these 3 videos (the second and third are responses to the first):

Liquid Perception by Catherine Grant
Space Perception by Shira Havron
Movement in Water by Ido Harambam

I might also briefly mention these other examples:

Who Ever Heard…? by Matt Payne and other videos following its form (AKA “Payne’s Constraint”) are curated in this showcase
Satis House by Catherine Grant – and my own response, Paradiso Perduto
The Age of Emptiness by Oswald Iten – and Lia Dekel’s response, The Age of Longing

Lastly, here are links to various collaborative videographic projects based on pre-defined parameters:

The “ABC Top Ten videos” started by Catherine Grant (write-up by Christian Keathley)
The videographic exercises developed in Middlebury’s “Scholarship in Sound & Image” workshops
- Also used as homework assignments on The Video Essay Podcast
The “Once Upon a Screen” audio-visual essay collection organized by Evelyn Kreutzer and myself
The “TV Dictionary” collection, started by myself

Kevin Ferguson, "Tennis for Yes, Home for No: Medical Imaging as Videographic Criticism?"

Here's the work-in-progress I’ll show for my presentation

Jenny Oyallon-Koloski, “Poetic parameters: Leading with form and the limits of parametric scholarship”

My [in]Transition videographic piece about West Side Story (1961), which draws heavily on parametric methods.
My Vimeo showcase of musical number grids, which continues to grow.
Musical grids from more recent films are private for cautious copyright purposes; please email joyallon@illinois.edu for access.

Matthew Thomas Payne, “Break it, ’til you make it”

Here's the short piece, '"Why is that Funny?": Videographic Experimentation as Equipment for Living', that Matt showed to close his presentation.

School of Communication and Culture

Poetics of Videographic Criticism

Resources for Panel 2: Parametric/Deformative/Experimental

Ariel Avissar, “The Collaborative Potential of Algorithmic Procedures (and the Algorithmic Potential of Collaboration)”

Kevin Ferguson, "Tennis for Yes, Home for No: Medical Imaging as Videographic Criticism?"

Jenny Oyallon-Koloski, “Poetic parameters: Leading with form and the limits of parametric scholarship”

Matthew Thomas Payne, “Break it, ’til you make it”