Publications

Dias, T. & Willert, K. B. (Accepted/In press). En anden økologi: Antikapitalistisk håndbog. Antipyrine.

Ørskov, M. (2024). Afterimages of the 2011 Egyptian Uprising. In J. I. Wessels & T. Tunali (Eds.), Art Against Authoritarianism in Southwest Asia and North Africa Bloomsbury Publishing. https://www.bloomsbury.com/uk/art-against-authoritarianism-in-southwest-asia-and-north-africa-9780755650675/

Lund, J. (2024). Autonomi som problem i samtidskunstneriske praksisser. In G. Strandberg, K. West & J. Wikström (Eds.), Autonomins sken: Om Kalliasbreven och frågan om estetikens politik hos Friedrich Schiller (Södertörn Studies in Art History and Aesthetics ed., Vol. 10, pp. 185–198). Södertörn University Press. https://sh.diva-portal.org/smash/get/diva2:1905875/FULLTEXT02.pdf

Bak Herrie, M., Maleve, N. R. M., Philipsen, L. & Bryld Staunæs, A. (2024). Democratization and generative AI image creation: aesthetics, citizenship, and practices. AI & Society. https://doi.org/10.1007/s00146-024-02102-y, https://doi.org/10.1007/s00146-024-02102-y

Dias, T. (2024). Efterskrift. In Theodor W. Adorno - Æstetisk teori (pp. 515-576). Klim.

Dias, T. (2024). Det er sjældent, en kunsthistorisk bog er skrevet på indestængt had. Men den her er – og den er fremragende. Information, Moderne tider, 30. https://www.information.dk/kultur/anmeldelse/2024/08/sjaeldent-kunsthistorisk-bog-skrevet-paa-indestaengt-had-fremragende

Lund, J. (2024). The Meta-Cognitional Work of Aesthetics in Times of Epistemic Crisis – A Tentative Sketch. Nordic Journal of Aesthetics, 33(67), 204-208. https://doi.org/10.7146/nja.v33i67.148466

Dias, T. & Bak Herrie, M. (2024). Questionnaire on Aesthetics in the Age of Unreason. Nordic Journal of Aesthetics, 33(67), 4-6. https://doi.org/10.7146/nja.v33i67.148447

Maleve, N. R. M. & Sluis, K. (2024). Review: James E. Dobson’s The Birth of Computer Vision. Critical AI. Advance online publication. https://criticalai.org/2024/04/05/sneak-preview-review-james-e-dobsons-the-birth-of-computer-vision/

Rocha, J. & Maleve, N. R. M. (2024). Concreta 23, La composición activa de la presencia. Concreta, 23. https://editorialconcreta.org/revista-concreta/concreta-23/editorial-concreta-23-la-composicion-activa-de-la-presencia-jara-rocha-nicolas-maleve/

Maleve, N. R. M. (2024). Lost in Compression: Models of Authorship in Generative AI. Media Theory, 8(1), 205-228. https://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/1074/683

Lund, J. (2024). Fight to the Death with Clubs: Essay published on the occasion of the exhibition Destituent Bodies? by Lise Tovesdatter Skou. Galleri Image, Aarhus. https://liseskou.com/a-fight-with-sticks

Lund, J. (2023). An Exercise in Metamorphosis: Aesthetics of the Curatorial. In M. Ryynänen & Z. Somhegyi (Eds.), Aesthetic Theory Across the Disciplines (pp. 159-170). Rowman & Littlefield Publishers.

Lund, J. (2023). Billedlig tidslighed: Historiens plasticitet. Passepartout, 25(43), 95-111. https://tidsskrift.dk/passepartout/article/view/141820/185533

Dias, T., Bryld Staunæs, A. & Krog Møller, B. (2023). Organ for de Autonome Videnskaber. Randers Kunstmuseum Magasin, 2023(2), 13. https://randerskunstmuseum.dk/wp-content/uploads/2023/08/16396_RKM_02-2023-final.pdf

Lund, J. (2023). The Sense and Experience of Language in Samuel Beckett's "The Unnamable". In V. Vinogradovs (Ed.), Aesthetic Literacy: Vol. 3 : an endgame (pp. 200-205). Mongrel Matter.

Dias, T. (2024). Court Report. In R. D'Souza & J. Staal (Eds.), Court for Intergenerational Climate Crimes: Comrades Past, Present and Future versus the State of the Netherlands, Unilever, ING and Airbus (pp. 345-351). Framer Framed.

Maleve, N. R. M. & Zouli, I. (Eds.) (2023). A cat, a dog, a microwave... Cultural Practices and Politics of Image Datasets. The Photographers' Gallery.

Maleve, N. R. M. & Sluis, K. (2023). The Photographic Pipeline of Machine Vision; or, Machine Vision's Latent Photographic Theory. Critical AI, 1(1-2). https://doi.org/10.1215/2834703X-10734066

Maleve, N. R. M. (2023). Practices of benchmarking: Vulnerability in the computer vision pipeline. Photographies, 16(2), 173-189. https://doi.org/10.1080/17540763.2023.2189159

Dias, T. (2023). Den form, der aldrig hviler: Bidrag til kritik af Georges Didi-Hubermans billedmorfologi. Passepartout, 25(43), 145-173. https://tidsskrift.dk/passepartout/article/view/141824

Organ of the Autonomous Sciences (2023). "The Passion of Freemen": Towards a Nashist Aesthetics. Kritische Berichte, 51(3), 63-72. https://doi.org/10.11588/kb.2023.3

Organ of the Autonomous Sciences (2023). Tilføjelse til Definitionen: Nashisme fællesbetegnelse for. Randers Kunstmuseum.

Lund, J., Pedersen, B. S., Sørensen, M.-M. Z. & Bak Herrie, M. (2023). Introduction: The Aesthetics of Attention. Nordic Journal of Aesthetics, 32(65), 6-9. https://doi.org/10.7146/nja.v32i65-66.140090

Ørskov, M. & Lund, J. (2023). Protest, subjekt og udsagn i to nutidige egyptiske eksperimentalfilm. K&K: kultur og klasse, 51(134-135), 49-70. https://tidsskrift.dk/kok/article/view/137130

Dias, T. (2022). The Hyperaesthetics of Witnessing. Texte zur Kunst. https://www.textezurkunst.de/en/articles/tobias-dias-hyperaesthetics-of-witnessing/

Maleve, N. R. M. (2022). Panoramic Unknowns. In J. Rocha & F. Snelting (Eds.), Volumetric regimes: material cultures of quantified presence (pp. 105-121). Open Humanities Press. http://www.data-browser.net/pdf/DB08-Volumetric-Regimes-web-version.pdf

Maleve, N. R. M., Siré, N. & Tedone, G. (2022). !!!Sección ARTE [Arte digital offline en el Paquete Semanal]. Arte Cubano.

Maleve, N. R. M., Siré, N. & Tedone, G. (2022). Packaging Across Networks: Tracing Strategies and Curatorial Intelligences of the Cuban Paquete Semanal. In The Book of X : 10 Years of Computation, Communication, Aesthetics & X (pp. 131-146). i2ADS. https://doi.org/10.24840/978-989-9049-26-0

Maleve, N. R. M. (2022). It Takes a Cloud to Detect One. In K. Schönegg (Ed.), Songs of the Sky. Photography & the Cloud (pp. 200-217). SPECTOR Books.

Maleve, N. R. M. (2022). The Computer Vision Lab: The Epistemic Configuration of Machine Vision. In A. Dewdney & K. Sluis (Eds.), The Networked Image in Post-Digital Culture (pp. 83-101). Routledge.

Lund, J. (2022). Kunstens politiske virksomhed. Standart, 36(3), 19-22.

Dias, T. (2022). Jeannette Ehlers’s “Archives in the Tongue: A Litany of Freedoms”. Art-Agenda. https://www.art-agenda.com/criticism/479538/jeannette-ehlers-s-archives-in-the-tongue-a-litany-of-freedoms

Organ of the Autonomous Sciences (2022). The Resurrection of Nashism: Report on the Emergent Forms of Spectacular Fascism in Scandinavia. E-Flux Journal, September 2022(129). https://www.e-flux.com/journal/129/486513/the-resurrection-of-nashism-report-on-the-emergent-forms-of-spectacular-fascism-in-scandinavia/

Lund, J. (2022). Exhibition as Reflexive Transformation. OBOE - Journal on Biennials and Other Exhibitions, 3(1), I-X. https://doi.org/10.25432/2724-086X/3.1.0001

Lund, J. (2022). Fremtidighed på samtidige vilkår.

Lund, J. (2022). The Changing Constitution of the Present: Essays on the Work of Art in Times of Contemporaneity. Sternberg Press.

Lund, J. (2022). Hyperæstetiseringens politik. In Eyal Weizman: Retsteknisk arkitektur: Vold på tærsklen til sporbarhed (pp. 579-592). Informations Forlag.

Dias, T. (2022). Court Report. Texte zur Kunst. https://www.textezurkunst.de/articles/tobias-dias-court-report/

Dias, L. & Dias, T. (2022). Stofskiftets kløft og den kommunistiske kur: Bemærkninger om økosocialistiske vidensøkologier. In K. B. Willert (Ed.), Planetære Frakturer: humanistiske og socialvidenskabelige perspektiver på antropocæn (pp. 123-147). Multivers.

Revised 12.04.2023

School of Communication and Culture

Centre for Research in Artistic Practice under Contemporary Conditions

Publications