Seneste Publikationer

I nedenstående oversigt kan du se de seneste publikationer udgivet af afdelingens forskere.

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Tække, J. (2025). Skolen i det digitaliserede samfund: AI, algoritmer og skolens teknologiunderskud. 1-25. Afhandling præsenteret på NordMedia 2025, Odense, Danmark.

Tække, J. (2023). Skolen bør omfavne mobiltelefonerne. Drop forbud. Politiken. https://politiken.dk/debat/kroniken/art9203627/Det-er-skadeligt-at-forbyde-mobiltelefoner-i-skolerne

Povlsen, K. K. & Kamuk, A. (2018). Skolemad, Rapport: Tre cases fra Lolland og Guldborgsund kommune.

Tække, J. (2025, feb. 28). Skærmen stjæler barndommen. Copenhagen Review of Communication. https://www.copenhagen-review-of-communication.com/skaermen-stjaeler-barndommen/?fbclid=IwY2xjawJKHIVleHRuA2FlbQIxMQABHWksf8bBa4Fu5aT0jeVX2x-esKek0zdcE2sIbfyabxwHM0iZFGYEe85GAA_aem_qLrpob2m2AnyLvYVHZycsA

Henriksen, A., Enni, S. & Bechmann, A. (2021). Situated Accountability: Ethical Principles, Certification Standards, and Explanation Methods in Applied AI. I AIES '21: Proceedings of the 2021 AAAI/ACM Conference on AI, Ethics, and Society (s. 574-585). Association for Computing Machinery. https://doi.org/10.1145/3461702.3462564

Bengesser, C. H. (2022). Simon Eckhardt/ Hans-Martin Gutmann/ Julian Sengelmann/ Anna Lena Veit (Hrsg.): Gott in Serie. Theologische Rezeption populärer Narrationen. Rezension. tv-diskurs, (99), 86.

Garms, F. & Raetzsch, C. (2024). Shifting epistemologies of data journalism and the audience turn: A systematic literature review. Abstract fra ECREA , Ljublijana, Slovenien.

De Place Bak, P. & Weed, E. (2025). Sharing, commenting, and reacting to Danish misinformation: A case study of cognitive attraction on Facebook. Nordicom Review, 46(1), 55-75. https://doi.org/10.2478/nor-2025-0003

Damkjaer, M. S. (2022). Sharenting. I G. Agger, N. Nørgaard Kristensen, P. Jauert & K. Schrøder (red.), Medie- og Kommunikationsleksikon Samfundslitteratur. https://medieogkommunikationsleksikon.dk/sharenting/

Salovaara-Moring, I. (2015). Serious Games: Gamification of Digital Journalism. Afhandling præsenteret på Nordmedia 2015, Copenhagen, Danmark.

Povlsen, K. K. (2015). Serielle medier: metodedesign med systematisk content analysis og næranalyse. I N. J. Graakjær & I. B. Jessen (red.), Selektioner: om udvælgelse af medietekster til analyse (s. 123-144). Systime.

Heiselberg, L., Walther, B. K., Nielsen, J. I. & Rønlev, R. (2025). Seriality in the Streaming Era. Routledge. https://doi.org/10.4324/9781003539735

Nielsen, J. I. (2025). Seriality and Platform Vernacular. I L. Heiselberg, B. K. Walther, J. I. Nielsen & R. Rønlev (red.), Seriality in the Streaming Era (s. 32-68). Routledge. https://doi.org/10.4324/9781003539735-2

Teke, N. (2006, okt. 7). Senegal: From Democracy Winner to Democracy Loser?

Tække, J. (2014, sep. 3). Selvcensurens sørgelige sejr. http://www.kommunikationsforum.dk/artikler/vi-debatterer-ikke-paa-de-sociale-medier

Eichner, S. (2021). Selling location, selling history: New German Series and changing market logic. I European Television Fiction Renaissance: Premium Production Models and Transnational Circulation (s. 191-210). Routledge.

Eichner, S. (2016). Selling location - reaching audiences: The example of Deutschland 83. Abstract fra ECREA, Prague, Tjekkiet.

Lomborg, S. & Frandsen, K. (2016). Self-tracking as communication. Information, Communication & Society, 19(7), 1015-1027. https://doi.org/10.1080/1369118X.2015.1067710

Frandsen, K. (2018). Selftracking among recreational athletes - mediatzation and blurring boundaries. Abstract fra Voices , Prague, Tjekkiet.

Gemzøe, L. S. (2014). Se det fra den lyse side: Den ulykkelige slutning i nyere amerikansk film. I Terminus i litteratur, medier og kultur (Bind Bind 6, s. 187-217). Aalborg Universitetsforlag. http://aauforlag.dk/Shop/historie-kultur-litteratur/terminus-the-end-in-literature-media-and-cult.aspx

Nielsen, J. I. (2015). Secrets Pages in DR’s Playbook: the development of audiovisual style in DR series from Gøngehøvdingen (1992) to 1864 (2014). Afhandling præsenteret på NordMedia 2015, Copenhagen, Danmark.

Bødker, H. (2024). Seasonal Journalism and Climate Change. I S. Eldridge II, S. Banjac, D. Cheruiyot & J. Swart (red.), The Routledge Companion to Digital Journalism Studies (2. udg., s. 339-348). Routledge. https://doi.org/10.4324/9781003334774-40

Raskin, R. (2021). Seashell Beauty and the Concept of Nature at Play. Quid Pro Books.

Teke, N. (2004). SDF's Illusive Infallibility. The Post Newspaper, (0607), 10.

Bengesser, C. H. & Waade, A. M. (2021). Screen Tourism on the Smartphone: A Typology and Critical Evaluation of the First Decade of Smart Screen Tourism . I A. Leotta & B. Diego (red.), Audiovisual Tourism Promotion (s. 173-195). Palgrave.

Bengesser, C. & Waade, A. M. (2022). Screen tourism on the smartphone: A typology and critical evaluation of the first decade of smart screen tourism. I Audiovisual Tourism Promotion: A Critical Overview (s. 173-195). Springer Nature. https://doi.org/10.1007/978-981-16-6410-6_9

Schorr, S. & Soon, W. (2020). Screenshooting Life Online: Two Artworks. I A. N. Markam & K. Tiidenberg (red.), Metaphors of the internet: ways of being in the age of ubiquity (s. 175-181). Peter Lang. https://doi.org/10.3726/b16196, https://doi.org/10.3726/b16196

Soon, W. & Schorr, S. (2022). Screenshooting Impermanence. I C. D. Warner, T. Otto & H. Geismar (red.), Introduction to Impermanence: exploring continuous change across cultures (s. 292-304). UCL Press. https://www.uclpress.co.uk/collections/ro_homepage_products/products/161184

O'Leary, A. & Thomsen, S. P. (2023). Screen Production in MEDJOUR: Supporting Research, Teaching, and Employability.

Waade, A. M. (2021). Screening the west coast: Developing New Nordic Noir tourism in Denmark and using the actual places as full-scale visual mood boards for the scriptwriting process. I N. van Es, S. Reijnders, L. Bolderman & A. Waydorf (red.), Locating Imagination in Popular Culture: Place, Tourism and Belonging (s. 99-117). Routledge.

Saunders, R. & Waade, A. M. (2018). Screening the regions: Framework for studying the geopolitical aspects of television drama series across Europe. Afhandling præsenteret på ECREA 2018, Lugano, Schweiz.

Eichner, S. (2019). Screening migration. European television drama series and female agency. Abstract fra NECS 2019: Structures and Voices: Storytelling in Post-Digital Times, Gdańsk, Polen.

Grønlund, A. & Waade, A. M. R. (2024). Screening Greenland in Borgen - Power & Glory: The on- and off-screen contestedness of Arctic landscapes and locations. Critical Studies in Television, 19(3), 352-370. https://doi.org/10.1177/17496020241258709

Saunders, R. A., Souch, I. & Waade, A. M. R. (2023). Screening Arctic Landscapes in Nordic Television Drama: Anthropocenic Imageries, Ecological Crises, National Identities . I Disturbed Ecologies : Photography, Geopolitics, and the Northern Landscape in the Era of Environmental Crisis. (Bind 203, s. 257-281). Transcript Verlag.

Steemers, J., Sundet, V. S. & Jensen, P. M. (2026). Screen entertainment and the ‘youth challenge’: Home advantage, audience preferences and industry responses. Critical Studies in Television, 21(1), 3-15. Artikel 1. https://doi.org/10.1177/17496020251404730

Kau, E. & Moestrup, S. (2011). Scorsese on the Boardwalk - gangster-tv med havudsigt. I J. I. Nielsen, A. halskov & H. Højer (red.), Fjernsyn for viderekomne: De nye amerikanske tv-serier (s. 148-164). Turbine.

Tække, J. (2025). Schooling in the Digitalized Society: AI, Algorithms, and the Educational System’s Technological Deficit. 1-26. Afhandling præsenteret på NordMedia 2025, Odense, Danmark.

Bruun, H. (2018). Scheduling in Cross Platform Television: A Comparative Agenda for Public Service television in the Internet Age. 48. Abstract fra Media Industry Studies: Current debates and future directions, London, Storbritannien.

Bruun, H. (2017). Scheduling and 'Continuity' in the Third Television Paradigm? A production Study. Afhandling præsenteret på Nordmedia 2017, Tampere, Finland.

Eichner, S. (2015). Scene of Crime Germany: Regionalism and Audience Appeal in ‘Tatort’. Abstract fra Crime Pays, Crime Days-Conference, Aalborg , Danmark.

Bengesser, C. H. & Hansen, K. T. (2022). Scandinavian success as European policy dilemma: Creative Europe’s funding for TV drama co-productions, 2014-20. International Journal of Cultural Policy, 28(6), 697-714. https://doi.org/10.1080/10286632.2021.2022653

Waade, A. M. (2016). Scandinavian Crime Series and Fan Tourism: Location study as an interdisciplinary approach . Afhandling præsenteret på International Tourism and Media Conference, Helsingborg, Sverige.

Salovaara-Moring, I. (2000). Scales of Space, Place and Money: Discursive Landscapes of Identity and Economic Crises. Nordicom Review, 3, 165-187.

Brügger, N. (1993). Saussure, Saussure: Mellem sprogvidenskab og tekstanalyse. (Pré)publications, (139), 15-24.

Bruun, H. (2013). Satirisk piratvirksomhed: Om ironi i aktuel tv-satire. I M. Birkelund (red.), Ironistik: Ironi i et multidisciplinært perspektiv (s. 131-143). Publizon.

Brügger, N. (1990). Sartre, Lyotard og den intellektuelle. (Pré)publications, (125), 27-34.

Finnemann, N. O. (1974). Samfundets fjende nr. 1. Undertrykkelsen af de politiske fanger i Vesttyskland. Politisk Revy, 12(258), 8-10.

Povlsen, K. K. (2016). Salon og saloner til tiden. Baggrund, (14. maj 2016). http://baggrund.com/salon-og-saloner-til-tiden/

Klausen, H. B. (2019). 'Safe and Sound': What technologically-mediated ASMR is capable of through sound. SoundEffects, 8(1), 87-103. https://www.soundeffects.dk/article/view/115035

Have, I. (2024). Rutiner skaber rytme og ro. I B. Lange & M. Pade (red.), Hvor tanken sættes fri: San Cataldo på Amalfikysten (s. 33-39). Lindhardt & Ringhof.

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Institut for Kommunikation og Kultur

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