Institut for Kommunikation og Kultur

Afdeling for Medievidenskab og Journalistik

Aarhus Universitets segl

Seneste Publikationer

I nedenstående oversigt kan du se de seneste publikationer udgivet af afdelingens forskere.

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Korsgaard, M. B. (2025). The History of Music Video in 169 Seconds. Billeder, Video- og Lydoptagelser (digital), 16:9 Filmtidsskrift. https://www.16-9.dk/2025/06/the-history-of-music-video/
Brügger, N. & Laursen, D. (red.) (2019). The historical web and Digital Humanities: The case of national web domains. Routledge.
Consalvo, M. & Ess, C. (2011). The handbook of internet studies. Wiley-Blackwell.
Johansen, S. L. (2015). The Glue of Everyday Life: – children’s playful media practices . Abstract fra NordMedia, København, Danmark.
Jensen, P. M. (2016). The Global Rise of the Danish TV Drama. Afhandling præsenteret på Transnational Audiences, Wollongong, Australien.
Jensen, P. M. & Jacobsen, U. C. (red.) (2020). The Global Audiences of Danish Television Drama. Nordicom. http://norden.diva-portal.org/smash/record.jsf?pid=diva2%3A1414057&dswid=-2095
Waade, A. M. & Hansen, K. T. (2017). The German Connection in Nordic noir. Afhandling præsenteret på Researching Media Companies Producing Audio-visual Content, Lillehammer, Norge.
Tække, J., Ericson, S., Forsler, I. & Forsman, M. (2019). The future of the media literacy classroom as a material, imagined, and practiced space. Afhandling præsenteret på NordMedia 2019, Malmö, Sverige.
Jauert, P., Ala-Fossi, M., Föllmer, G., Lax, S. & Murphy, K. (2017). The Future of Radio Revisited: Expert Perspectives and Future Scenarios for Radio Media in 2025. Journal of Radio and Audio Media, 24(1), 7-27. https://doi.org/10.1080/19376529.2017.1310574
Bruun, H. (2019). The Frugality of Television: Dilemmas of Scheduling and Curating for a Young Audience in Public Service Television. Afhandling præsenteret på NordMedia 2019, Malmö, Sverige.
Bechmann, A. (2017). The Facebook newsfeed as a news source. Abstract fra Nordmedia 2017, Tampere, Finland. http://www.uta.fi/cmt/en/Conferences/NordMedia2017/Downloads/TWG5_Abstracts.pdf
Eichner, S. & Mikos, L. (2016). The Export of Nordic Stories: The International Success of Scandinavian TV Drama Series. Nordicom Information, 38(2), 17-21. http://www.nordicom.gu.se/sites/default/files/kapitel-pdf/nordicom-information_38_2016_2_17-21.pdf
Tække, J. (2023). The Environment as the Anthropocene: the Sociotechnical Autopoiesis Machine. 1 - 25. Afhandling præsenteret på Environments. Observed with social systems theory, Dubrovnik, Kroatien.
Bruun, H. (2014). The Entertaining Qualities of Non-Convergence: User involvement and the Political Debate Talk Show in PSM. Afhandling præsenteret på ECREA “Communication for Empowerment: Citizens, Markets, Innovation”, Lisboa, Portugal. http://ecrea2014.ulusofona.pt/images/abstracts.pdf
Bruun, H. (2014). The Entertaining Qualities of Non-convergence: A Case Study of User involvement in Political Journalism in Multi-channel PSM. Afhandling præsenteret på RIPE 2014, Tokyo, Japan.
Teke, N. (2011). The Enduring Allure of Proximity-Based Campaign Communication Strategies in Cameroon. International Journal of Media and Cultural Politics, 7(3), 293-314.
Korsgaard, M. B. (2022). The End... or Is It?. Billeder, Video- og Lydoptagelser (digital), [in]Transition. http://mediacommons.org/intransition/end-or-it
Oggolder, C., Brügger, N., Metykova, M., Salaverría, R. & Siapera, E. (2019). The emergence of the internet and the end of journalism? I K. Arnold, P. Preston & S. Kinnebrock (red.), The handbook of European communication history (s. 333-350). Wiley.
Kazakov, V. & Andrejevs , D. (2025). The Eastern European Mega-Event Decade: Sports, Geopolitics, and War at the Start of the Twenty-First Century. I S. D. Wolfe (red.), The Hard Edge of Soft Power: Mega-Events, Geopolitics, and Making Nations Great Again (s. 113). Palgrave/McMillan. https://doi.org/10.1007/978-981-96-3515-3_8
Salovaara-Moring, I. (2009). The East as an Object of Governance: Journalism and Spaces of Power. Aether, 4(1), 85-101.
Esser, A., Jensen, P. M., Keinonen, H. & Lemor, A. M. (2016). The duality of banal transnationalism and banal nationalism: television audiences and the musical talent competition genre. I K. Aveyard, A. Moran & P. M. Jensen (red.), New Patterns in Global Television Formats (s. 295-309). Intellect.
O'Leary, A. (2023). The Digital Videoessay: Getting Creative-Critical Audiovisually. https://interdisciplinaryitaly.org/the-digital-videoessay-getting-creative-critical-audiovisually/
Kazakov, V. (2024). The Digital Symbolic Legacy of the Russia 2018 FIFA World Cup in Times of ‘Plague’ and War. I S. Chadwick, P. Widdop & M. M. Goldman (red.), The Geopolitical Economy of Football: Where Power Meets Politics and Business (s. 234-241). Routledge. https://doi.org/10.4324/9781003473671-32
Engberg, M., Have, I. & Pedersen, B. S. (red.) (2023). The Digital Reading Condition. Routledge.
Bødker, H. (2021). The digital news industry: The intertwining commodities of audiences and news. I P. McDonald (red.), The Routledge Companion to Media Industries (s. 281-290). Routledge. https://doi.org/10.4324/9780429275340-28
Degn, H.-P. & Hansen, L. E. (2015). The development of a formative, partnership-based evaluation. Abstract fra Nordic Conference on Cultural Policy Research, Bø, Norge. https://nccpr2015.files.wordpress.com/2014/07/nccpr-abstract-booklet-2015.pdf
Hansen, L. E. & Degn, H.-P. (2015). The development of a formative, partnership-based evaluation. Afhandling præsenteret på Nordic Conference on Cultural Policy Research, Bø, Norge.
Bruun, H. (2018). The Delay Economy of ‘Continuity’ and the Emerging Impatience Culture of the Digital Era. Afhandling præsenteret på ECREA 2018, Lugano, Schweiz.
Bruun, H. (2019). The delay economy of “continuity” and the emerging impatience culture of the digital era. Northern Lights, 1(1), 85-101. https://doi.org/10.2478/njms-2019-0006
Nielsen, J. I. (2016). The Danish Way of Doing It the American Way. Kosmorama, (263). http://www.kosmorama.org/artikler/~/link.aspx?_id=223706CF95AD4D18A289EA40A7F8313C&_z=z
Sparre, K. (2017). The dangers of sports journalism. I U. Carlsson & R. Pöyhtäri (red.), The Assault on Journalism: Building Knowledge to Protect Freedom of Expression (s. 205-217). Nordicom. http://www.nordicom.gu.se/sites/default/files/publikationer-hela-pdf/the_assault_on_journalism.pdf
Sparre, K. (2017). The dangers of sports journalism. Abstract fra Play the Game 2017, Eindhoven, Holland.
Eichner, S. (2014). The Crime Genre, Audience Preferences and the German Television Landscape.
O'Leary, A., Hoybye, M. & Andersen, M. H. (2024). The Creative Potential of Evolving Constraints in Peer-to-Peer Reciprocal Coaching: A Three-way Investigation. Journal of Artistic Research, (34). https://jar-online.net/en/exposition/abstract/creative-potential-evolving-constraints-peer-peer-reciprocal-coaching-three-way
Eichner, S. (2018). The circulation of discourse between cultural journalism and audiences: The case of Danish television series in Germany. 44. Abstract fra IAMCR 2018, Eugene, Oregon, USA.
Bødker, H. (2011). The Changing Significance of Commentary. Afhandling præsenteret på future of journalism, Cardiff, Storbritannien.
Bruun, H. (2023). The changing role of a video-on-demand service in the strategies of public service media: A production study of Danish TV 2 Play and its impact on the production culture of the schedulers, 2016–2022. Nordicom Review, 44(2), 235-252. https://doi.org/10.2478/nor-2023-0013
Nørgaard Kristensen, N., From, U. & Kammer, A. (2017). The Changing Logics of Danish Cultural Journalism. I N. Nørgaard Kristensen & K. Riegert (red.), Cultural Journalism in the Nordic Countries (s. 29-48). Nordicom. https://www.nordicom.gu.se/sv/system/tdf/publikationer-hela-pdf/cultural_journalism_in_the_nordic_countries.pdf?file=1&type=node&id=38457&force=0
Tække, J. & Paulsen, M. E. (2012). The challenge of social media: between prohibition and indifference in the classroom. Afhandling præsenteret på the Thirteenth Annual Convention of the Media Ecology Association: , New York, USA.
Teke, N. (2005, jul. 9). The Challenge of 'Rolling out AIDS' from South Africa.
Kau, E. (2012). The Cage; Framing Dad. Short Film Studies, 3(1), 93-96.
Nielsen, J. I., Øfsti, M., Bengesser, C. H., Kostovska, I., Rohn, U. & Falcon Araujo, A. V. (2024, maj 14). The Bigger Picture. https://www.crescine.eu/small-film-industries?wmTabs=bigger-picture
Schorr, S. (2014). The Bereavement Project: Picturing Time and Loss Through Photographs in the Landscape of New Media. I Mediating and Remediating Death (s. 75-91). Ashgate.
O'Leary, A. (2019). The Battle of Algiers. Mimesis International.
Have, I. & Pedersen, B. S. (2020). The audiobook circuit in digital publishing: Voicing the silent revolution. New Media & Society, 22(3), 409-428. https://doi.org/10.1177/1461444819863407
Freudendal, J. & Jensen, P. M. (2024). The Audience Turn in Screen Production: Changing Audience Behaviour and New Audience-centric Production Methods in Fictional Screen Content for Adolescents. Abstract fra Media Industries 2024, London, Storbritannien.
Brügger, N. (2018). The archived web: Doing history in the digital age. MIT Press. https://doi.org/10.3917/tdm.030.0247
Jensen, P. M. & Mitric, P. (2023). The appeal of public service fiction in an internationalised media context: Findings from a survey of 8–17-year-old Danes. I Audiovisual content for children and adolescents in Scandinavia: Production, distribution, and reception in a multiplatform era (s. 139-162). Nordicom. https://doi.org/10.48335/9789188855817-8
Teke, N. (2004). The Anglican Church Crisis: Of Dogma and Idiosyncracy. The Post Newspaper, (0614), 4.
Klausen, H. B. (2019). The ambivalence of technology in ASMR experiences – do YouTube videos help or hinder to establish intimacy?. Afhandling præsenteret på NordMedia 2019, Malmö, Sverige.

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Revideret 19.05.2026
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