Institut for Kommunikation og Kultur

Afdeling for Medievidenskab og Journalistik

Aarhus Universitets segl

Seneste Publikationer

I nedenstående oversigt kan du se de seneste publikationer udgivet af afdelingens forskere.

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Frandsen, K. (2018). Therorizing the sport and media relationship. Abstract fra MeCCSA - Media, Communication and Cultural Studies Association, London, Storbritannien.
Damkjaer, M. S. & Nielsen, J. (2025). The Role of Sharenting in Danish Politicians’ Personalization Strategies on Social Media. Afhandling præsenteret på Nordmedia pre-conference 2025, Odense, Danmark.
Raats, T. & Jensen, P. M. (2021). The role of public service media in sustaining TV drama in small markets. Television & New Media, 21(5), 835-855. Artikel 1527476420913398. https://doi.org/10.1177/1527476420913398
Sonne Damkjær, M. (2016). The Role of Digital Media in the Transition to Parenthood. Abstract fra ECREA, Prague, Tjekkiet.
Arregui Olivera, C. & Cheruiyot, D. (2023). The risks of peace: Exploring the relationship between peaceocracy and journalism in Kenya. The International Communication Gazette (Online), 85(8), 663-677. https://doi.org/10.1177/17480485231214365
Degn, H.-P., Straubhaar, J. D. & Hjarvard, S. (2009). The Rise of the Anglophone in an Increasingly Multilayered, Transnational Danish Television System and Audience?. Afhandling præsenteret på Keywords in Communication. 59th Annual Conference of ICA., Chicago, USA.
Jensen, J. L. & Schwartz, S. A. (2021). The Return of the “Lurker”: A Longitudinal Study of Citizens’ Use of Social Media in Danish Elections 2011, 2015, and 2019. Social Media and Society, 7(4). https://doi.org/10.1177/20563051211063463
Bødker, H. (1998). The Re-Inscription of Distance; Doing non-American American Studies in a Diminishing World. I American Studies in the Nordic Countries Uppsala North American Studies Reports.
Bødker, H. (2011). The Refined and the Obvious — Vanity Fair from 1913-1935. Afhandling præsenteret på Mapping the Magazine 3, Swansea, Storbritannien.
Lassen, J. M. M. (2023). The reappropriation of time in television: How traditional qualities of broadcast media are being adopted by their video-on-demand services. Nordicom Review, 44(2), 217-234. https://doi.org/10.2478/nor-2023-0012
From, U. (2010). The Reading of Cultural and Lifestyle Journalism. Northern Lights, 8, 157–175. https://doi.org/10.1386/nl.8.157_1
Bruun, H. (2016). The Qualitative Interview in Media Production Studies. I C. Paterson, D. Lee, A. Saha & A. Zoellner (red.), Advancing Media Production Research : Shifting Sites, Methods, and Politics (s. 131-146). Palgrave Macmillan.
Eichner, S. (2017). The “Public Presence” of Danish Film and Television: the circulation of discourse between cultural journalism and audiences. Abstract fra ICA 2017, San Diego, USA. https://convention2.allacademic.com/one/ica/ica17/index.php?cmd=Online+Program+View+Paper&selected_paper_id=1233282&PHPSESSID=fa59tds52sgbcqsp67uceopch5
Eichner, S. (2016). The “Public Presence” of Danish Drama Series in Germany. Abstract fra IAMCR, Leicester, Storbritannien.
Bruun, H. (2016). The Prism of Change: 'Continuity' in Public Service Television in the Digital Era. Nordicom Review, 37(2), 33-49. https://doi.org/10.1515/nor-2016-0016
Rebello, D. & Silva, E. (2023). The President's Versions: How did Bolsonaro format his Speech to dialogue with different Social Segments during the Presidency?. Afhandling præsenteret på 2023 IPSA World Congress of Political Science, Buenos Aires, Argentina.
Tække, J. (2020). The post-humanism of Niklas Luhmann’s systems theory. 1-10. Afhandling præsenteret på Posthumanism 20/20 , Aarhus, Danmark.
Eichner, S. (2018). The Popularity of Danish TV Drama Series on German Television. Poster-session præsenteret på Transnational Television Drama, Aarhus, Danmark.
Bruun, H. & Lassen, J. M. M. (2023). The platformisation of public service television: a quatitative study of the changing continuity announcements on DR and TV 2. Abstract fra NordMedia 2023, Bergen, Norge.
Schorr, S. & Warner, C. (2015, okt. 14). The Photographed Gift: Participation, Relief Efforts, and Social Media. http://www.culanth.org/fieldsights/734-the-photographed-gift-participation-relief-efforts-and-social-media
Jensen, P. M. (2016). The peripheral counter-flow of Danish TV drama and the reasons behind it: a non-anglophone turn in global television?. Afhandling præsenteret på ECREA 2016 Prague, Prague, Tjekkiet.
Pedersen, B. S. & Have, I. (2014). The Performing Voice of the Audiobook. I M. Angelucci & C. Caines (red.), VOICE/PRESENCE/ABSENCE: An interdisciplinary dialogue on voice and the humanities Artikel 11 UTS epress. https://doi.org/10.5130/978-1-86365-431-9
Ngomba, T. (2026). “The Past Still Present”: China-Africa Media Relations and the Transformations in Global Communications. I C. Stacey, J. Cruz & P. M. Lumala (red.), The Handbook of Communication in Africa: Theory, Research, and Praxis (s. 206-219). Routledge. https://doi.org/10.4324/9781003166894-17
Nielsen, J. I. (2013). The Oscars og den klassiske Hollywoodfilm. I Guldfeber – på sporet af Oscarfilmen (1 udg., Bind 1). Turbine.
Ngomba, T. (2025). Theorizing Political Campaign Communication in Africa: Reflections on the Relevance and Legacy of Jay Blumler. I Global Transformations in Media and Communication Research (s. 169-186). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-83364-9_8
Korsgaard, M. B. (2017). The Origins of Ruben Östlund's Long-Take Style. 16:9. http://www.16-9.dk/2017/11/ruben-ostlund/
Teke, N. (2003). The Opposition should Learn from History. The Post Newspaper, (0470), 4.
Kazakov, V. (2025). The normative trap of “sportswashing”: addressing the missing link between sports politics, journalism and media research. Sport in Society. Advance online publication. https://doi.org/10.1080/17430437.2025.2585861
Tække, J. (2023). The Nexus of Education, Climate Crisis, and Digital Media Revolution: An Examination of Future Scenarios. 1-16. Afhandling præsenteret på NordMedia 2023, Bergen, Norge.
Jauert, P. (2014). The New Radio and Social Media: PSM forms of user participation and inclusion. Afhandling præsenteret på RIPE 2014, Tokyo, Japan.
Bruun, H. (2015). The new communicative ethos of the political debate talk show in Danish multi-platform public service television. International Journal of Digital Television, 6(1), 25-41. https://doi.org/10.1386/jdtv.6.1.25_1
Brügger, N. (2021). The need for research infrastructures for the study of web archives. I D. Gomes, E. Demidova, J. Winters & T. Risse (red.), The past web: Exploring web archives (s. 217-224). Springer. https://doi.org/10.1007/978-3-030-63291-5_17
Bødker, H. (1995). The Myth of Dissent: from Black Blues to White Rock. I American Images United States Information Service.
Korsgaard, M. B. & Jirsa, T. (2019). The Music Video in Transformation: Notes on a Hybrid Audiovisual Configuration. Music, Sound and the Moving Image, 13(2), 111-122. https://doi.org/10.3828/msmi.2019.7
Have, I. (2017). The Musical Framing of THE BEACH. Short Film Studies, 7(1), 63-65. https://doi.org/10.1386/sfs.7.1.63_1
Bødker, H. (2020). "The Mercy Seat" as inescapable heat: the proposition and ideas of justice in the Australian outback. I D. Brode & S. Brode (red.), The twenty-first century western: new riders of the cinematic stage (s. 197-204). Lexington Books.
Bødker, H. (2015). The Marketplace of Attention: How Audiences Take Shape in a Digital Age. Digital Journalism, 3(6), 944-945. https://doi.org/10.1080/21670811.2015.1026627
Damkjaer, M. S. (2024). The life-transition perspective in mediatization research: Exploring lived experiences of media-related social changes through transitioning social roles. Media, Culture & Society, 46(6), 1251-1268. https://doi.org/10.1177/01634437241237946
Waade, A. M. & Jensen, P. M. (2013). The Killing and The Bridge as Nordic Noir: Setting, LIght and Language as Production Values in Danish TV series. Afhandling præsenteret på nordmedia 2013: Defending Democracy, Oslo, Norge.
Teke, N. (2005, nov. 28). The Kibaki Chameleon.
Teke, N. (2004, nov. 16). The Ivorian Crisis: Xenophobia as Patriotism.
Korsgaard, M. B. (2025). The History of Music Video in 169 Seconds. Billeder, Video- og Lydoptagelser (digital), 16:9 Filmtidsskrift. https://www.16-9.dk/2025/06/the-history-of-music-video/
Brügger, N. & Laursen, D. (red.) (2019). The historical web and Digital Humanities: The case of national web domains. Routledge.
Consalvo, M. & Ess, C. (2011). The handbook of internet studies. Wiley-Blackwell.
Johansen, S. L. (2015). The Glue of Everyday Life: – children’s playful media practices . Abstract fra NordMedia, København, Danmark.
Jensen, P. M. (2016). The Global Rise of the Danish TV Drama. Afhandling præsenteret på Transnational Audiences, Wollongong, Australien.
Jensen, P. M. & Jacobsen, U. C. (red.) (2020). The Global Audiences of Danish Television Drama. Nordicom. http://norden.diva-portal.org/smash/record.jsf?pid=diva2%3A1414057&dswid=-2095
Waade, A. M. & Hansen, K. T. (2017). The German Connection in Nordic noir. Afhandling præsenteret på Researching Media Companies Producing Audio-visual Content, Lillehammer, Norge.
Tække, J., Ericson, S., Forsler, I. & Forsman, M. (2019). The future of the media literacy classroom as a material, imagined, and practiced space. Afhandling præsenteret på NordMedia 2019, Malmö, Sverige.
Jauert, P., Ala-Fossi, M., Föllmer, G., Lax, S. & Murphy, K. (2017). The Future of Radio Revisited: Expert Perspectives and Future Scenarios for Radio Media in 2025. Journal of Radio and Audio Media, 24(1), 7-27. https://doi.org/10.1080/19376529.2017.1310574

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Revideret 11.05.2026