Seneste Publikationer

I nedenstående oversigt kan du se de seneste publikationer udgivet af afdelingens forskere.

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Klausen, H. B. (2019). T. L. Taylor: Watch Me Play. Princeton University Press. 2018. MedieKultur, 35(66). https://tidsskrift.dk/mediekultur/article/download/115622/164616

Bruun, H. & Frandsen, K. (2018). Time and Timing in Current Media production Studies: Methodological Callenges in Production Studies. 49. Abstract fra Media Industry Studies: Current debates and future directions, London, Storbritannien.

Bruun, H. & Frandsen, K. (2022). Time and Timing - A methodological perspective on production analysis. Critical Studies in Television, 17(1), 84-97. https://doi.org/10.1177/17496020211070045

Brügger, N. & Føhns, H. (2024). Til kamp mod det digitale hukommelsestab. Billeder, Video- og Lydoptagelser (digital), IDA Techtopia. https://tv.ida.dk/video/104030834/techtopia-337-til-kamp-mod-det

Tække, J. (2019). Til forsvar for 23.000 Chromebooks i Aarhus. KommunikationsForum. https://www.kommunikationsforum.dk/artikler/Uddannelses-digitalisering-?fbclid=IwAR2bUPILM3AjbQvZH8qmf_7-d86VPFrxp0P3SP8bkih-Hzs8xdWGeAOuAjk

Mouritsen, A. (2023). TikTok. Medie- og kommunikationsleksikon. https://medieogkommunikationsleksikon.dk/tiktok/

Bruun, H. & Frandsen, K. (2016). Tid og timing i produktionsanalysen. Afhandling præsenteret på SMID - Sammenslutningen af Medieforskere i Danmark 2016, Middelfart, Danmark.

Bruun, H. & Frandsen, K. (2017). Tid og timing: et metodisk perspektiv på produktionsanalyse. MedieKultur, 62, 119-133. https://tidsskrift.dk/mediekultur/article/download/25217/23225

Finnemann, N. O. & Center for Kulturforskning, Aarhus Universitet (1989). Tidens tegn: natur, information, kultur. Aarhus Universitetsforlag.

Brügger, N., (Trans.), Lyotard, J.-F. & Frandsen, F., (Trans.) (1989). Tiden, i dag. I N. Brügger & F. Frandsen (red.), Filosofiske forskydninger (s. 169-192). Akademisk Forlag.

Raskin, R. (2016). Three storytelling strategies in the live-action TV spot. The Projector: A Journal on Film, Media and Culture, 16(2), 4-18. https://www.theprojectorjournal.com/uploads/5/4/9/9/54999077/projector_summer2016.pdf

Wildermuth, N. & Arregui Olivera, C. (2026). Three intergenerational conversations: Postcolonial critique, data colonialism and methodological diversity in global media studies. MedieKultur: Journal of media and communication research, 42(80), 75-84. https://doi.org/10.7146/mk.v42i80.166329

Hagedoorn, B., Eichner, S. & Gutiérrez Lozano, J. F. (2021). The ‘youthification’ of television. Critical Studies in Television, 16(2), 83-90. https://doi.org/10.1177/17496020211011804

Raskin, R. (2022). The yin and yang of short film storytelling: with focused studies and shot-by-shot breakdowns of 10 modern classics . Quid Pro Books.

Teke, N. (2006, sep. 24). The World Bank versus Poor Countries: Deconstructing Wolfowitzism.

Brügger, N. (red.) (2016). The Web's first 25 years. (7 udg.) SAGE Publications. New Media & Society http://nms.sagepub.com/content/18/7

Brügger, N. & Schroeder, R. (red.) (2017). The Web as History: Using Web Archives to Understand the Past and the Present. UCL Press. https://doi.org/10.1145/3027063.3053259

Smith-Sivertsen, H. & Brügger, N. (2015). The web archive as historical source: The case of recent music history. Afhandling præsenteret på Web Archives as scholarly Sources: Issues, Practices and Perspectives, Aarhus, Danmark.

Brügger, N. & Finnemann, N. O. (2013). The Web and Digital Humanities: Theoretical and Methodological Concerns. Journal of Broadcasting and Electronic Media, 57(1), 66-80. https://doi.org/10.1080/08838151.2012.761699

Brügger, N. (2021). The WARCnet network: The first year. WARCnet. WARCnet Papers https://cc.au.dk/fileadmin/user_upload/WARCnet/Bru__gger_The_first_year.pdf

Brügger, N. (2022). The WARCnet network: The second year. WARCnet. https://cc.au.dk/fileadmin/dac/Projekter/WARCnet/Bru__gger_The_second_year.pdf

Brügger, N. (2023). The WARCnet network: The third year. WARCnet. WARCnet Papers https://cc.au.dk/fileadmin/dac/Projekter/WARCnet/Bru__gger_The_third_year.pdf

Ngomba, T. (2015). The Voice of the International Community: A Critical Discourse Analysis of Immigration Reports in the Copenhagen Post. I O. Ogunyemi & W. A. C. Stewart (red.), Journalism, Audiences and Diaspora (s. 104-120). Palgrave Macmillan.

Waade, A. M. (2018). The value chain of Nordic television drama series. Afhandling præsenteret på Media Industry Studies: Current debates and future directions, London, Storbritannien.

Waade, A. M. (2018). The value chain of Danish TV drama series: Transnational and cross-sectorial perspectives: Global/public values in Danish television drama. Afhandling præsenteret på Transnational Television Drama, Aarhus, Danmark.

Jensen, P. M. (2013). The Use of Television Format Adaptation in Denmark: Public Service Broadcasters Compared to Commercial Broadcasters. Afhandling præsenteret på NordMedia 2013, Oslo, Norge.

Esser, A. & Jensen, P. M. (2013). The Use of International Television Formats by Public-Service Broadcasters in Australia, Denmark and Germany. Afhandling præsenteret på IAMCR 2013, Dublin, Irland.

Esser, A. & Jensen, P. M. (2015). The use of international television formats by public-service broadcasters in Australia, Denmark and Germany. The International Communication Gazette (Online), 77(4), 359-383. https://doi.org/10.1177/1748048514568766

Jensen, P. M. (2013). The Use of Format Adaptation in Danish Public Service Programming. Critical Studies in Television, 8(2). https://doi.org/10.7227/CST.8.2.9

Teke, N. (2011). The (Un)Desirability of Neo-Colonialism and the Development Challenge in Africa.

Bechmann, A. & Lomborg, S. (red.) (2014). The Ubiquitous Internet: User and Industry Perspectives. (1 udg.) Routledge. Routledge Studies in New Media and Cyberculture Bind 25 https://doi.org/10.4324/9781315856667

Bechmann, A. & Lomborg, S. (2012). The ubiquitous internet. Afhandling præsenteret på Internet Research 13.0: Technologies , Manchester, Storbritannien.

Jensen, P. M. & Waade, A. M. (2021). The Transnational Value Chain of Danish Television Drama Series. Abstract fra NECS 2021, Palermo, Italien.

Jensen, P. M. (2015). The transnational appeal of Danish TV series. Afhandling præsenteret på Media Engagement International Conference, Lund, Sverige.

Jensen, P. M. (2015). The transnational appeal of Danish TV series: a buyer’s and distributor's perspective. Abstract fra TV in the Age of Transnationalisation and Transmedialisation, London, Storbritannien.

Bødker, H. (2015). The Times of News Websites. Afhandling præsenteret på 2015 ICA Annual Conference, San Juan, Puerto Rico.

Bødker, H. (2016). The Time(s) of News Websites. I B. Franklin & S. A. Eldridge II (red.), The Routledge Companion to Digital Journalism Studies (s. 55-63). Routledge. https://doi.org/10.4324/9781315713793

Karo, G., Divon, T. & Hallinan, B. (2026). The TikTok Caliphate: How Jihadist Supporters Exploit Algorithmic Recommendations and Evade Content Moderation. Social Media and Society, 12(1), 1-15. https://doi.org/10.1177/20563051251412167

Tække, J. & Paulsen, M. E. (2015). The three waves of the Internet: From closed to open classrooms - the evolution of educational communities within the digital medium environment. Afhandling præsenteret på NordMedia, København, Danmark.

Jensen, P. M. & Jacobsen, U. C. (2017). The 'three-leaf clover': A methodological lens to understand transnational audiences. Critical Studies in Television, 12(4), 430-444. https://doi.org/10.1177/1749602017729312

Raskin, R. (2015). The Third Man: on the dynamics of an unhappy ending. I Short Story Criticism: Excerpts from Criticism of the Works of Short Fiction Writers (Bind 212, s. 57-62). Gale. http://pov.imv.au.dk/Issue_02/section_3/artc3C.html

Brügger, N., Ben-David, A., Milligan, I. & Schafer, V. (2024). The third internet histories Early Career Researcher Award. Internet Histories, 8(4), 275-276. https://doi.org/10.1080/24701475.2024.2421583

Kristensen, N. N. & From, U. (2021). The Survival of the Critic: Audiences’ Use of Cultural Information and Cultural Reviews in Legacy Media. I Rethinking Cultural Criticism : New Voices in the Digital Age (s. 209-233). Palgrave Macmillan.

Have, I. (2019). The Strength of Stillness. Short Film Studies, 9(2), 169-172. https://doi.org/10.1386/sfs.9.2.169_1

Frandsen, K. (2014). The Significance of Nordicom and NordMedia – as Seen from a Danish ‘Third Generation’ Perspective. Nordicom Review, Special Issue(35). http://www.nordicom.gu.se/sites/default/files/kapitel-pdf/frandsen.pdf

Stegger Gemzøe, L. (2018). The Showrunner Effect: System, Culture and Individual Agency in American Remakes of Danish Television Series.

Bødker, H. & Brügger, N. (2018). The shifting temporalities of online news: The Guardian’s website from 1996 to 2015. Journalism, 19(1), 56-74. https://doi.org/10.1177/1464884916689153

Bødker, H. & Sonnevend, J. (2018). The Shifting Temporalities of Journalism: In Memory of Kevin Barnhurst. Journalism, 19(1), 3-6. https://doi.org/10.1177/1464884916688510

Brügger, N. & Milligan, I. (red.) (2018). The SAGE Handbook of Web History. SAGE Publications.

Aasman, S., Ben-David, A. & Brügger, N. (red.) (2025). The Routledge Companion to Transnational Web Archive Studies. Routledge. The Routledge Companions to the Digital Humanities

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Revideret 11.05.2026

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