Publikationer

Lokal litteratursøgningsfunktion

Nedenfor kan du søge efter publikationer udgivet af eller redigeret af forskere på Institut for Kommunikation og Kultur.

Se også: Aarhus Universitets Litteratursøgningsfunktion

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Sippola, E. & Lesho, M. (2013). Folk perceptions of variation among the Chabacano varieties. Abstract fra SPCL Summer Conference 2013 & ACBLPE Annual Meeting, Lisbon, Portugal.

Kuhlmann, A. (2014). 进入“掩盖之下”——丹麦国家档案馆的表演. E-Performing Arts, 79-87. [05-2014]. http://www.eyann.com/

Tarp, S. & Xue, M. (2016). 语料库驱动词典学、语料库词典学与语料库辅助词典学: 论语料库在注释专科语料库词条时的局限性. Lexicographical Studies. Journal of the China Association for Lexicography, 2016(4), 1-11.

Kuhlmann, A. (2015). 罗贝塔。卡芮：“雪迹”一部以表演形式吴县的艺术自传: 体现了亚洲戏剧对世界现存最古老的剧院丹麦奥丁剧院演员培训的影响. I L. Libin & H. Ippei (red.), 亚洲戏剧与戏剧教育: Asian Theatre and Theatre Education (s. 309-332). China Theatre Press.

Kuhlmann, A. (2016). 欧丁剧场和《漫长的生命》. I Shanghai Scenography Association (Bind 20-4-2016). Shanghai Scenography Association.

Salovaara-Moring, I. (2010). 媒体系统，公共知识及民主的比较研究. China Media Report, 55-67.

Tarp, S., Li, R. & Xue, M. (2017). 功能词典学理论与在线专科翻译词典. 辞书研究 = Lexicographical studies, 2017(2), 26-36+94.

Bøss, M. (2005). ′Belonging without Belonging′: Colm Tóibín′s Dialogue with the Past. Estudios Irlandeses, 1(0), 22-29.

Christoffersen, E. E. (2018). … Og på den 8. dag begyndte de at drømme: Anmeldelse af Kirsten Dahl og Catherine Poher: … Og på den 8. dag begyndte de at drømme. Peripeti. http://www.peripeti.dk/2018/11/16/kirsten-dahl-og-catherine-poher-og-paa-den-8-dag-begyndte-de-at-droemme/

Gorbahn, K. (2004). „Mutig vorwärts“ oder „dankbar rückwärts“? Analytische Zugänge zum Innovationspotential des neuen bayerischen Gymnasiallehrplans für das Fach Geschichte. I S. Handro & B. Schönemann (red.), Geschichtsdidaktische Lehrplanforschung. Methoden - Analysen - Perspektiven (s. 81-101).

Müller, K. L. & Hallsteinsdóttir, E. (2016). „Man muss sich darauf einlassen, auf die dänische Mentalität“ – Funktionale Angemessenheit in der deutsch-dänischen interkulturellen Kommunikation. Linguistik Online, 79(5), 275-294. https://doi.org/10.13092/lo.79.3346

Eichner, S., Mikos, L. & Wedel, M. (2006). „Apocalypse Now in Middle Earth“: „Genre“ in the Critical Reception of The Lord of the Rings in Germany. I E. Mathijs (red.), The Lord of the Rings. Popular Culture in Global Context Wallflower Press.

Siem, J. B. (2018). ”WHEN REALITY TRUMPS FICTION: HAUNTOLOGIES OF THE NEW COLD WAR”.

Larsen, A. H. & Krøgholt, I. (2011). ”Vandet” – et projektsamarbejde mellem kunstmuseer og teatre om kuratering og læring. En analyse af udstillinger og pædagogisk materiale. I C. Reiche & L. Laigaard (red.), Vandet – et børnekulturelt tværfagligt samarbejdsprojekt: Skrifter fra Kulturprinsen nr. 10 (s. 49). Kulturprinsen.

Pedersen, B. S. & Vilmar, T. W. (2021). ”Sound and Listening Spaces” - Editorial Sound Effects. SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience, 10(1), 2-6.

Bjørnsten , T. (2012). ”Sound [signal] noise: significative effects in contemporary sonic art practices. Journal of Aesthetics & Culture, 4, 1-8. http://www.aestheticsandculture.net/index.php/jac/article/view/18615/22785

Bak Herrie, M. (2019). ”Qui est Dominique Lambert?”: sammenligning og virtualitet. K&K: kultur og klasse, (127), 71-90. https://tidsskrift.dk/kok/article/download/114744/163277/

Dinesen, A. M. (1992). ”Octavio Paz og det orientalske”. Standart.

Lauritsen, P. (2015). ”L62” er en milepæl. Regeringen opløser retsstaten. Raeson. http://raeson.dk/2015/peter-lauritsen-l62-er-en-milepael-regeringen-oploeser-retsstaten/

Kratschmer, A. R. (2021, aug 31). ”I read your Facebook post and (I think) I know who you are”, part 2: A mini-experiment on author psychology assessment. Lingoblog.dk. https://www.lingoblog.dk/en/i-read-your-facebook-post-and-i-think-i-know-who-you-are-part-2-a-mini-experiment-on-author-psychology-assessment/

Kratschmer, A. R. (2021, aug 24). ”I read your Facebook post and (I think) I know who you are”, part 1: A mini-history of author analysis. Lingoblog.dk. https://www.lingoblog.dk/i-read-your-facebook-post-and-i-think-i-know-who-you-are-part-1-a-mini-history-of-author-analysis/

Nielsen, J. I. (2007). ”En kort, en lang: reklamefilmen og spillefilmen”. 16:9, (22).

Nielsen, J. I. (2008). ”Den australske balletdanser”. 16:9, (27).

Nielsen, J. I. (2009). ”David Bordwell”. I Medie- og Kommunikationsleksikon (1. udg., s. 59-60). Samfundslitteratur.

Nielsen, J. I. (2008). ”Classics revisited". 16:9, (26).

Nielsen, H. S. (2009). ”At give ret, ret at give”. Passage, (61).

Sterrett, J. W. (2019). “‘On my word’: Trust and the Word in Romeo and Juliet”. Etudes Anglaises, 71(4), 409-423.

Sterrett, J. W. (2018). “‘Let him speak no more’: Trust, Censorship, and Early Modern Anti-Confession”. I S. Chiari (red.), Freedom and Censorship in Early Modern English Literature (s. 132-140). Routledge. Routledge Studies in Renaissance Literature and Culture Bind 48

Mortensen, P. (2018). “We’re Going in for Natural Training”: Athletics and Agriculture in Jack London’s The Valley of the Moon. Ecozon@: European Journal of Literature, Culture and Environment, 9(2), 159-173. http://ecozona.eu/article/view/2429

Johansen, I. (2017). “Uhyggestunder. Omkring H.C. Andersen og det uhyggelige. Plys, (30), 157-162.

Johansen, I. (2017). “Tidstornadoer og skæve klokkeslæt. Om det uhyggelige set-up i Jeanette Wintersons Pigen med det gyldne ansigt (2006) . Plys, (30), 135-143.

Refskou, A. S. H. & de Amorim, M. A., (TRANS.) (2015). “Thou Map of Woe that thus dost talk in Signs”: Lendo (com) o Corpo do Ator em Titus Andronicus. I Shakespeare 450 Anos (s. 345-366). Instituto Shakespeare Brasil.

Nielsen, E. B. & Kühn Paulsen, F. (2020). “This will all be yours – and under water”: Climate Change Depictions in Editorial Cartoons. I S. Auken & C. Sunesen (red.), Genre in the Climate Debate (s. 129–149). De Gruyter. Copenhagen Studies in Genre https://doi.org/10.1515/9788395720499-008

Mortensen, P. (2020). “There is a Great Joy that Comes from the Wild Creatures:” Greening Happiness across Cultures and Disciplines. Ecocene: Cappadocia Journal of Environmental Humanities, 1(2), 5-18. https://doi.org/10.46863/ecocene.1

Mortensen, P. (2016). “The grass was me . . . the distant invisible mountains were me, the tired oxen were me”: Greening Karen Blixen. Scandinavian Studies , 88(3), 225-245. [1]. https://doi.org/10.5406/scanstud.88.3.0225

Kjeldgaard-Christiansen, J. (2016). “The good ended happily and the bad unhappily”: An Evolutionary Approach to Narrative Agonistic Structure. Abstract fra The 28th Human Evolution and Behavior Society conference, Vancouver, Canada.

Lund, J. (2009). “The Glimpse of hope that religion or politics can no longer promise." An Interview with Thierry de Duve. The Nordic Journal of Aesthetics, (36-37), 6-10.

Andreoli, E. N. (2014). “Scars&Borders”, Artist talk & Live Cinema Performance. Hyperwerk Institute for Post-Industrial Design, Basel (Switzerland).

Christensen, D. R. & Sandvik, K. (2017). “Saying now”: the production of presence in bereaved parents’ timework. Paper præsenteret ved Timework, Aarhus, Danmark.

Siem, J. B. (2018). “QUALIFYING THE CRINGE: AFFECTIVE DRAMATURGY IN CHRISTIAN LOLLIKE’S HOSPITALET”. Paper præsenteret ved Uses of Art and Culture, Sønderborg, Danmark.

Bergenholtz, H. (2013). “Politivold” har to betydninger – hvorfor bruger vi mest den ene? Den Korte Avis. https://denkorteavis.dk/2013/politivold-har-to-betydninger-hvorfor-bruger-vi-mest-den-ene/

Dalsgaard, I. H. (2010). “Perchance to Dream”: Clock Time and Creative Resistance Against the Day. I S. Pöhlmann (red.), Against the Grain: Reading Pynchon's Counternarratives (s. 81-96). Brill | Rodopi. Dialogue Bind 8

Andreoli, E. N. (2019). “POV as figure of surveillance-assemblage, or POV-opticon”.. Abstract fra Surveillance beyond borders and boundaries, 8th Biennial Surveillance Studies Network Conference, Aarhus University, Aarhus, (Denmark), Aarhus , Danmark.

Andreoli, E. N. (2019). “POV and machine vision”. Abstract fra The thinking machines. Interdisciplinary perspectives on neural networks. AIAS Aarhus Institute for Advanced Studies, Aarhus, (Denmark). .

Jensen, P. M. (2017). “Original Good, Adaptation Bad”: Investigating the Deeper Reasons behind Australian Audience Preference for the Nordic Versions of Forbrydelsen and Bron/Broen. Paper præsenteret ved Media Mutations 9: The Format Factor, Bologna, Italien.

Helle, S. (2018). “Only in dress?”: Methodological Concerns Regarding Non-Binary Gender. I S. Budin, M. Cifarelli, A. Garcia-Ventura & A. Millet Albà (red.), Gender and Methodology in the Ancient Near East: Approaches from Assyriology and beyond (s. 41-53). Publicacions i Edicions de la Universitat de Barcelona. Barcino Monographica Orientalia http://www.publicacions.ub.edu/hojear.aspx?fichero=08982.pdf

Darwin, G. (2015). “On Mermaids, Meroveus, and Mélusine: Reading the Irish Seal Woman and Mélusine as Origin Legend. Folklore, 126(2), 123-41.

Bergenholtz, H. (2013). “Og så til vallet i Norge …” – forslag til at stoppe sprogjapperiet. Den Korte Avis. http://denkorteavis.dk/2013/og-sa-til-vallet-i-norge-forslag-til-at-stoppe-sprogjapperiet/

Tiidenberg, K. (2017). “Nude selfies til I die”: making of ‘sexy’ in selfies. I P. G. Nixon & I. K. Düsterhöft (red.), Sex in the Digital Age (s. 78-88). Routledge. Sexualities in society

Mortensen, P. (2011). “Nu, vi flyder”: Knut Hamsun, Scandinavian Identitarian Discourse, and the Politics of Transatlantic Mobility. I S. Dingstad, Y. Frøjd, E. Oxfeldt & E. Rees (red.), Knut Hamsun: Transgression and Worlding (s. 221-238). TAPIR Akademisk Forlag. Acta Nordica

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