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						<h1 itemprop="headline">Seminar on Historical Method in HISTAC</h1>
						
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							<p class="text--intro" itemprop="description">only for members of The research programme "Historical Studies of Arts and Culture (HISTAC).</p>
						
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									<h2 class="screenreader-only">Oplysninger om arrangementet</h2>

									
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														Torsdag 30. maj 2024,
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														&nbsp;kl. 09:00 -  16:00
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													<p class="news-event__info__item__ical-link"><a href="/forskning/forskningsprogrammer/historical-studies-of-arts-and-culture-histac/arrangementer/vis/artikel/seminar-on-historical-method-in-histac?tx_news_pi1%5Bformat%5D=ical&amp;type=9819&amp;cHash=2c5d94d7821436e282a83bfb25c3a999">Tilføj til kalender</a></p>
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														<p>LYNfabrikken, Vestergade 49B, 8000 Aarhus C</p>
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													Senest  onsdag <span class="u-avoid-wrap"> 1. <span class="au_news_events_month">maj 2024, </span> <span class="u-avoid-wrap">kl. 12:00</span></span>
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									<h3><br> <strong>Program for Seminar on Historical Method in HISTAC&nbsp;</strong><strong>(for members of HISTAC)</strong></h3>
<p><strong>Attendance:</strong> Registration by May 1 (by accepting calendar invitation or contact <a href="mailto:litkms@cc.au.dk">litkms@cc.au.dk</a>)</p><ul> 	<li><span><span><span><strong><span><span>Date: </span></span></strong><span><span>May 30, 2024</span></span></span></span></span></li> 	<li><span><span><span><strong><span><span>Time:</span></span></strong><span><span> 9 am to 4 pm</span></span></span></span></span></li> 	<li><span><span><span><strong><span><span>Venue:</span></span></strong><span><span> LYNfabrikken, Vestergade 49B, 8000 Aarhus</span></span></span></span></span></li> </ul><p><strong>PROGRAM:</strong></p>
<p><strong>09:00-09:15 Coffee </strong></p>
<p><strong>09:15-09:30 Intro</strong></p>
<p><strong>09:30-10:10</strong> <strong>Martin Zerlang: </strong><strong>The Locomotive of History and Locomotives in the history of literature.</strong><br> In the 19<sup>th</sup> century the locomotive rapidly becomes a highly important metaphor of “the metaphors we live by”, not least as a metaphor of time, history, direction. In literature – I’ll concentrate on Danish literature – the representation of locomotives (by writers such as Hans Christian Andersen, Georg Brandes, Herman Bang, Johannes V. Jensen, Emil Bønnelycke) can be read as instances of this metaphor at the same time as they reflect real changes in the history of the (Danish) railways.</p>
<p><strong>10:10-10:50 Mads Anders Baggesgaard: Authoring Slavery</strong><br> The presentation reflects on collaborations as historiographical method&nbsp;on th basis of&nbsp;experiences with intercultural/continental collaboration in a &nbsp;research project on narratives of slavery in Ghana</p>
<p><strong>10.50-11:10 Coffee Break</strong></p>
<p><strong>11.10-11.50 Isabelle Torrance:</strong></p>
<p><strong>Working Across Different Centuries: Insights and Limitations</strong><br> Drawing on my experience directing the ERC project on ‘Classical Influences and Irish Culture’, which spans the medieval period to the present day, this short talk will address the benefits and challenges of a <em>longue durée</em> approach. Using examples from the project’s research results, I propose some parameters for successful transhistorical study on a specific theme.</p>
<p><strong>10:50-12.30 Annelis Kuhlmann</strong><br> <strong>Dramaturgical reflections on period and periodization in history of theatre in Denmark and in theatre historiography</strong></p>
<p>In this presentation I shall exemplify some of the challenges, I have encountered in the use of the notions period and periodisation in history of theatre in Denmark and in theatre historiography. I want to make sense of the two notions in a fragmentary and fluid context, using examples of famous contemporary theatre repertoire, created for Royal birthday celebrations at the Royal Danish Theatre at the very end of the 18th century. The examples represent artistic practices and topics, referring to crucial events in the dramatic history of the monarchy in Denmark. Eventually, the methodological problems become more complex, when, in a new political context, the decorations of these theatre productions were recycled for the first Danish production of Shakespeare’s <em>Hamlet. Prinds af Danmark </em>in 1813.</p>
<p><strong>12:30-13.15 Lunch</strong></p>
<p><strong>13.15-13.30 Karen-Margrethe and Simona introduce workshop&nbsp; </strong></p>
<p><strong>13:30-15.30 Workshop on historical methods in groups</strong></p>
<p><strong>13:45-15:15 Presentation and discussion of groupwork </strong></p>
<p><strong>15:15-15.30 Round up</strong></p>
<p><strong>15:30-16:00 Drinks</strong></p>
<p>looking forward to seeing you there!<br> All the best,&nbsp;Karen-Margrethe and Simona</p>
								
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