Publications

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Bengesser, C. H. (2019). TV to Go: Negotiating Site Specificity in a Mobile Web App on Nordic Crime Drama. Abstract from Biannual Conference of the Television Studies Section of ECREA , Groningen, Netherlands.

Bengesser, C. H. & Waade, A. M. (2020). Locative media in screen tourism: The production of the DETECt Aarhus app. In C. Bengesser, K. T. Hansen & L. S. Gemzøe (Eds.), Location marketing and cultural tourism (pp. 13-18) http://www.detect-project.eu/wp-content/uploads/2020/02/COMPLETE_d4.1_final2.pdf

Bengesser, C. H. & Waade, A. M. (2021). Smart Crime Tourism as Multilayered Cultural Encounters: Exploring Aarhus via Locative Media and Crime Narratives. European Review, 29(5), 635-650. https://doi.org/10.1017/S1062798720001155

Bengesser, C. H. & Keszeg, A. (2020). Media-Systemic Differences Influencing European Crime Drama Production and Distribution. In Researching transcultural identity I: production perspectives (DETECt Deliverable 4.2) (pp. 30-33). Article 8 EU-kommissionen.

Bengesser, C. H. & Hansen, K. T. (2020). Policy Brief: Creative Europe’s Support for European TV Fiction Programming. In Researching transcultural identity I: production perspectives: DETECt Deliverable 4.2 EU-kommissionen. http://www.detect-project.eu/wp-content/uploads/2020/12/POLICY-BRIEF-WP4-final.pdf

Bengesser, C. H. & Waade, A. M. (2021). Screen Tourism on the Smartphone: A Typology and Critical Evaluation of the First Decade of Smart Screen Tourism . In A. Leotta & B. Diego (Eds.), Audiovisual Tourism Promotion (pp. 173-195). Palgrave.

Bengesser, C. H. & Hansen, K. T. (2021). Evaluation of Creative Europe support for television. In S. Baschiera & M. Schleich (Eds.), Cultural mobility through narrative media production in the European cultural space (pp. 12-26). DETECT. http://www.detect-project.eu/wp-content/uploads/2021/07/D4.3-Final.pdf

Bengesser, C. H., Jensen, P. M., Spaletta, M. & De Rosa, P. (2021). Audiences’ perceptions of place, society and (TV) culture in popular European audiovisual crime narratives. Abstract from NECS 2021, Palermo, Italy. https://create.piktochart.com/output/54843434-detect_audience

Bengesser, C. H., De Rosa, P., Jensen, P. M. & Spaletta, M. (2023). Audiences of popular European television crime drama: A nine-country study on consumption patterns, attitudes and drivers of transcultural connection. European Journal of Communication, 38(2), 148-165. https://doi.org/10.1177/02673231221112535

Bengesser, C. H., De Rosa, P., Jensen, P. M. & Spaletta, M. (2021, Oct 29). Detect’s European Audience Study: Insights into the preferences and passions of European crime viewers. https://cstonline.net/detects-european-audience-study-insights-into-the-preferences-and-passions-of-european-crime-viewers-by-cathrin-bengesser-marica-spalletta-pia-majbritt-jensen-paola-de-rosa/

Bengesser, C. H. (2022). Why Translations Matter: An Introduction to Critical Studies in Television's new section 'In Translation'. Critical Studies in Television, 17(1), 76-83. https://doi.org/10.1177/17496020211070046

Bengesser, C. H. & Hansen, K. T. (2022). Scandinavian success as European policy dilemma: Creative Europe’s funding for TV drama co-productions, 2014-20. International Journal of Cultural Policy, 28(6), 697-714. https://doi.org/10.1080/10286632.2021.2022653

Bengesser, C. H. & Antoniazzi, L. (2021). ‘European Netflix’, Media Policy and PSBs Interoperability. In Diversity and Transculturality on VoD platforms (pp. 38-50)

Bengesser, C. H. (2021). Public value after the news: A life-world-based approach to the role of popular fiction and entertainment for the legitimacy of PSM’s content universality. Paper presented at RIPE@2021.

Bengesser, C. H., Esser, A. & Steemers, J. (2022). Researching transnational audiences in the streaming era: Designing, piloting and refining a mixed methods approach. Participations: Journal of Audience & Reception Studies, 19(1). https://www.participations.org/19-01-02-bengesser.pdf

Bengesser, C. H. (2023). Public Value after the News: A Life-world-based Approach to the Legitimation of Content Universality as Contribution to Society. In M. Puppis & C. Ali (Eds.), RIPE@2021: Public Service Media’s Contribution to Society (pp. 47-68). Nordicom. https://doi.org/10.48335/9789188855756

Bengesser, C. H. (2022). Tom O'Malley and Janet Jones (eds.) (2009) The Peacock Committee and UK Broadcasting Policy. Book Review. Critical Studies in Television, 17(4), 448-450.

Bengesser, C. H. (2022). Simon Eckhardt/ Hans-Martin Gutmann/ Julian Sengelmann/ Anna Lena Veit (Hrsg.): Gott in Serie. Theologische Rezeption populärer Narrationen. Rezension. tv-diskurs, (99), 86.

Bengesser, C. H., Esser, A. & Steemers, J. (2023). Young Danish audiences and British screen content: A critical reflection on transnational consumption, geo-linguistic regions and cultural proximity. Nordicom Review, 44(1), 85-105. https://doi.org/10.2478/nor-2023-0005

Bengesser, C. (2024). Four types of video-on-demand markets: Comparing the development of European VoD. Journal of Digital Media and Policy, 15(2), 193-212. https://doi.org/10.1386/jdmp_00146_1

Bengesser, C. H. (2024, May 14). VoD infrastructure. https://www.crescine.eu/small-film-industries/exhibition#5

Bengesser, C. & Sørensen, J. K. (2024). Different diversities: Policies and practices at three European public service VoD services. Convergence, 30(4), 1365-1387. https://doi.org/10.1177/13548565241270897

Bengesser, C. H. & Nielsen, J. I. (2024, May 14). Genre mix. https://www.crescine.eu/small-film-industries/production#2

Bengesser, C. H. & Øfsti, M. (2024, May 14). Export markets and international distribution. https://www.crescine.eu/small-film-industries/distribution#5

Bengesser, C. H. (2024, May 14). Circulation on VoD. https://www.crescine.eu/small-film-industries/distribution#6

Bengesser, C. H. (2024, May 14). Box office & ticket prices. https://www.crescine.eu/small-film-industries/exhibition#4

Bengesser, C. H. (2024, May 14). Admissions and market shares. https://www.crescine.eu/small-film-industries/exhibition#3

Bengesser, C. H. (2024, May 14). Admissions and cinema attendance levels. https://www.crescine.eu/small-film-industries/exhibition#2

Bengesser, C. H. (2024). Business models in the audiovisual sector. In Study on the implementation of the provisions of the revised AVMSD concerning the promotion of European works in audiovisual media services: Final report (pp. 100) https://doi.org/10.2759/513194

Bengesser, C. H. (2025). Qualitätsserien aus Deutschland: Produktionspraktiken, Erzählweisen und Transformationen des Fernsehens. tv-diskurs. https://mediendiskurs.online/beitrag/qualitaetsserien-aus-deutschland-beitrag-1123/

Bengesser, C. H., Øfsti, M. & Trans, M. B. (2025). Assessing the distinctiveness of public service catalogues: A comparison of European content in local, regional and global video-on-demand service. MedieKultur, 40(78), 11-38. https://doi.org/10.7146/mk.v40i78.147197

Bengesser, C., Hilborn, M. & Steemers, J. (2025). Comparative VOD catalogue research: Circulation, presence and prominence of British content in Europe. Convergence, 31(5), 1511-1531. https://doi.org/10.1177/13548565241268057

Bengesser, C. H. (2025). Discoverability of What for Whom? Inequalities in Europe’s Path towards a Competitive European Audiovisual Industry and a Diverse Cultural Public Sphere . Paper presented at DIGISCREENS, Vilnius, Lithuania. https://vimeo.com/1135688838

Bengesser, C. H. & Nielsen, J. I. (2025). Crescine – Audience methodologies & insights. Paper presented at EFARN Annual Meeting, Helsinki, Finland. https://doi.org/10.5281/zenodo.18925543

Bengesser, C. H. & Øfsti, M. (2025). Who produces (what) for whom? : Identifying the European streaming industry. Paper presented at NordMedia 2025, Odense.

Bengesser, C. H. & Damásio, M. J. (2025). Understanding European Audiences: Internal Perspectives from Small Markets and Preview of Future Recommendations. https://www.crescine.eu/2025?wmTabs=audiences

Bengesser, C. H. (2025). Circulation, Presence and Prominence of UK Content in Europe: Policy implications.

Bengesser, C. H. & Øfsti, M. (2024). Physical sales, rentals and Transactional VoD (TVoD) revenues. Crescine.eu. https://www.crescine.eu/small-film-industries/distribution#7

Bengesser, C. & Waade, A. M. (2022). Screen tourism on the smartphone: A typology and critical evaluation of the first decade of smart screen tourism. In Audiovisual Tourism Promotion: A Critical Overview (pp. 173-195). Springer Nature. https://doi.org/10.1007/978-981-16-6410-6_9

Ben-David, A., Aasman, S. & Brügger, N. (2025). Introducing Transnational Web Archive Studies. In S. Aasman, A. Ben-David & N. Brügger (Eds.), The Routledge Companion to Transnational Web Archive Studies (pp. 1-14). Routledge.

Bechmann, A. (2009). Flermedialitet. In S. Kolstrup, G. Agger, P. Jauert & K. Schrøder (Eds.), Medie- og kommunikationsteoretisk leksikon Samfundslitteratur.

Bechmann, A. (2010). Brugerproduceret underholdning? In H. Bruun & K. Frandsen (Eds.), Underholdende tv (pp. 255-276). Aarhus Universitetsforlag.

Bechmann, A. (2011). Closer Apart? The Networks of Cross-Media News Production. In D. David & P. Chris (Eds.), Making Online News 2 (pp. 15-29). Peter Lang.

Bechmann, A. (2007). Realizing Cross Media. In T. Storsul & D. Stuedahl (Eds.), Ambivalence towards Convergence. Digitalization and Media Change (pp. 57-72). Nordicom.

Bechmann, A. (2006). Mediediffusion. (pp. 1-38).

Bechmann, A. (2008). Cross-Media as Innovation Strategy. Paper presented at RIPE@08, Mainz, Germany.

Bechmann, A. (2010). The Shifting Role of PSB Online Activities in Cross-Media Networks 1997-2010. Abstract from ICA 2010 (International Communication Association), Singapore, Singapore.

Bechmann, A. (2010). Around Me: Digital Cross-Media between Relevance and Exploitation. Abstract from Internet Research 11.0 (AoIR), Göteborg, Sweden.

Bechmann, A. (2011). User Participation at the Danish Broadcasting Corporation 1998-2010: Changing Patterns. In M. Burns & N. Brügger (Eds.), Histories of Public Service Broadcasters on the Web (pp. 193-206). Peter Lang.

Bechmann, A. & Lomborg, S. (2013). Mapping Actor Roles in Social Media: Different Perspectives on Value Creation in Theories of User Participation. New Media & Society, 15(5), 765-781 . https://doi.org/10.1177/1461444812462853

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