Publications

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Bødker, S. & Petersen, A. B. (2005). Mediating the co-production of complex media products. Poster session presented at International ACM SIGGROUP Conference on Supporting Group Work, Sanibel Island, United States.

Bødker, S. & Petersen, A. B. (2007). Seeds of Cross-Media Production. Computer Supported Cooperative Work (CSCW): The Journal of Collaborative Computing and Work Practices, 16(6), 539-566.

Bødker, S. & Petersen, A. B. (2008). Between casual commitment and cross-media articulation – the faith of the Napkin. In P. Hassanaly, A. Ramrajsingh, D. Randall, P. Salembier & M. Tixier (Eds.), Proceeding of the 8th International Conference on the Design of Cooperative Systems 2008: COOP'08: Conference on the Design of Cooperative Systems 2008 (pp. 75-84). Institut d'Etudes Politiques d'Aix-en-Provence.

Bødker, S. & Bechmann, A. (2005). Mediating the co-production of complex media products. Poster session presented at International ACM SIGGROUP conference on Supporting group work. GROUP 2005, Sanibel Island, Florida, United States. https://doi.org/10.1145/1099203.1099267

Bødker, S. & Petersen, A. B. (2010). Between casual commitment and cross-media articulation – the faith of the Napkin. In D. Randall & P. Salembier (Eds.), From CSCW to Web 2.0: European Developments in Collaborative Design : Selected Papers from COOP08 (pp. 115-129). Springer. https://doi.org/10.1007/978-1-84882-965-7_6

Bødker, H. & Brügger, N. (2018). The shifting temporalities of online news: The Guardian’s website from 1996 to 2015. Journalism, 19(1), 56-74. https://doi.org/10.1177/1464884916689153

Bødker, H. & Ngomba, T. J. (2018). Community Repair through Truce and Contestation: Danish Legacy Print Media and the Copenhagen Shootings. Journalism Studies, 19(4), 579-593. https://doi.org/10.1080/1461670X.2017.1386584

Bødker, H. & Brügger, N. (2019). Local news time on the web. In M. Hartmann, E. Prommer, K. Deckner & S. Görland (Eds.), Mediated time: perspectives on time in the digital age (pp. 239-256). Palgrave Macmillan.

Bødker, H. & Ngomba, T. (2020). Community repair through truce and contestation: Danish legacy print media and the Copenhagen shootings. In R. Gutsche & K. Hess (Eds.), Reimagining journalism and social order in a fragmented media world Routledge.

Blond, L. & Bechmann, A. (2018). Frygt fremtiden. Eller stol på ingeniørerne. Morgensavisen Jyllands-Posten, Sektion K. (Erhverv), 2 .

Bjerring-Hansen, J., Brügger, N., Christensen, J., Klüver, P., Nyvang, C., Skouvig, L. & Sørensen, N. A. (Eds.) (2017). Informationssamfundet. TEMP - tidsskrift for historie. TEMP. Tidsskrift for historie Vol. 7 No. 14 https://tidsskrift.dk/temp/issue/view/6693/showToc

Bjerring-Hansen, J., Brügger, N., Christensen, J., Klüver, P., Nyvang, C., Skouvig, L. & Sørensen, N. A. (2017). Indledning - Informationssamfundet. TEMP. Tidsskrift for historie, 7(14), 5-9. https://tidsskrift.dk/temp/article/view/96334/145182

Bengesser, C. (2019). Partners in crime: Transnational television’s role in the emergence and distribution of narratives of European solidarity. Journal of European Studies, 49(3-4), 410-426. https://doi.org/10.1177/0047244119859165

Bengesser, C. H., Hansen, K. T. & Gemzøe, L. S. (Eds.) (2020). Location marketing and cultural tourism. http://www.detect-project.eu/wp-content/uploads/2020/02/COMPLETE_d4.1_final2.pdf

Bengesser, C. H. (2019). TV to Go: Negotiating Site Specificity in a Mobile Web App on Nordic Crime Drama. Abstract from Biannual Conference of the Television Studies Section of ECREA , Groningen, Netherlands.

Bengesser, C. H. & Waade, A. M. (2020). Locative media in screen tourism: The production of the DETECt Aarhus app. In C. Bengesser, K. T. Hansen & L. S. Gemzøe (Eds.), Location marketing and cultural tourism (pp. 13-18) http://www.detect-project.eu/wp-content/uploads/2020/02/COMPLETE_d4.1_final2.pdf

Bengesser, C. H. & Waade, A. M. (2021). Smart Crime Tourism as Multilayered Cultural Encounters: Exploring Aarhus via Locative Media and Crime Narratives. European Review, 29(5), 635-650. https://doi.org/10.1017/S1062798720001155

Bengesser, C. H. & Keszeg, A. (2020). Media-Systemic Differences Influencing European Crime Drama Production and Distribution. In Researching transcultural identity I: production perspectives (DETECt Deliverable 4.2) (pp. 30-33). Article 8 EU-kommissionen.

Bengesser, C. H. & Hansen, K. T. (2020). Policy Brief: Creative Europe’s Support for European TV Fiction Programming. In Researching transcultural identity I: production perspectives: DETECt Deliverable 4.2 EU-kommissionen. http://www.detect-project.eu/wp-content/uploads/2020/12/POLICY-BRIEF-WP4-final.pdf

Bengesser, C. H. & Waade, A. M. (2021). Screen Tourism on the Smartphone: A Typology and Critical Evaluation of the First Decade of Smart Screen Tourism . In A. Leotta & B. Diego (Eds.), Audiovisual Tourism Promotion (pp. 173-195). Palgrave.

Bengesser, C. H. & Hansen, K. T. (2021). Evaluation of Creative Europe support for television. In S. Baschiera & M. Schleich (Eds.), Cultural mobility through narrative media production in the European cultural space (pp. 12-26). DETECT. http://www.detect-project.eu/wp-content/uploads/2021/07/D4.3-Final.pdf

Bengesser, C. H., Jensen, P. M., Spaletta, M. & De Rosa, P. (2021). Audiences’ perceptions of place, society and (TV) culture in popular European audiovisual crime narratives. Abstract from NECS 2021, Palermo, Italy. https://create.piktochart.com/output/54843434-detect_audience

Bengesser, C. H., De Rosa, P., Jensen, P. M. & Spaletta, M. (2023). Audiences of popular European television crime drama: A nine-country study on consumption patterns, attitudes and drivers of transcultural connection. European Journal of Communication, 38(2), 148-165. https://doi.org/10.1177/02673231221112535

Bengesser, C. H., De Rosa, P., Jensen, P. M. & Spaletta, M. (2021, Oct 29). Detect’s European Audience Study: Insights into the preferences and passions of European crime viewers. https://cstonline.net/detects-european-audience-study-insights-into-the-preferences-and-passions-of-european-crime-viewers-by-cathrin-bengesser-marica-spalletta-pia-majbritt-jensen-paola-de-rosa/

Bengesser, C. H. (2022). Why Translations Matter: An Introduction to Critical Studies in Television's new section 'In Translation'. Critical Studies in Television, 17(1), 76-83. https://doi.org/10.1177/17496020211070046

Bengesser, C. H. & Hansen, K. T. (2022). Scandinavian success as European policy dilemma: Creative Europe’s funding for TV drama co-productions, 2014-20. International Journal of Cultural Policy, 28(6), 697-714. https://doi.org/10.1080/10286632.2021.2022653

Bengesser, C. H. & Antoniazzi, L. (2021). ‘European Netflix’, Media Policy and PSBs Interoperability. In Diversity and Transculturality on VoD platforms (pp. 38-50)

Bengesser, C. H. (2021). Public value after the news: A life-world-based approach to the role of popular fiction and entertainment for the legitimacy of PSM’s content universality. Paper presented at RIPE@2021.

Bengesser, C. H., Esser, A. & Steemers, J. (2022). Researching transnational audiences in the streaming era: Designing, piloting and refining a mixed methods approach. Participations: Journal of Audience & Reception Studies, 19(1). https://www.participations.org/19-01-02-bengesser.pdf

Bengesser, C. H. (2023). Public Value after the News: A Life-world-based Approach to the Legitimation of Content Universality as Contribution to Society. In M. Puppis & C. Ali (Eds.), RIPE@2021: Public Service Media’s Contribution to Society (pp. 47-68). Nordicom. https://doi.org/10.48335/9789188855756

Bengesser, C. H. (2022). Tom O'Malley and Janet Jones (eds.) (2009) The Peacock Committee and UK Broadcasting Policy. Book Review. Critical Studies in Television, 17(4), 448-450.

Bengesser, C. H. (2022). Simon Eckhardt/ Hans-Martin Gutmann/ Julian Sengelmann/ Anna Lena Veit (Hrsg.): Gott in Serie. Theologische Rezeption populärer Narrationen. Rezension. tv-diskurs, (99), 86.

Bengesser, C. H., Esser, A. & Steemers, J. (2023). Young Danish audiences and British screen content: A critical reflection on transnational consumption, geo-linguistic regions and cultural proximity. Nordicom Review, 44(1), 85-105. https://doi.org/10.2478/nor-2023-0005

Bengesser, C. (2024). Four types of video-on-demand markets: Comparing the development of European VoD. Journal of Digital Media and Policy, 15(2), 193-212. https://doi.org/10.1386/jdmp_00146_1

Bengesser, C. H. (2024, May 14). VoD infrastructure. https://www.crescine.eu/small-film-industries/exhibition#5

Bengesser, C. & Sørensen, J. K. (2024). Different diversities: Policies and practices at three European public service VoD services. Convergence, 30(4), 1365-1387. https://doi.org/10.1177/13548565241270897

Bengesser, C. H. & Nielsen, J. I. (2024, May 14). Genre mix. https://www.crescine.eu/small-film-industries/production#2

Bengesser, C. H. & Øfsti, M. (2024, May 14). Export markets and international distribution. https://www.crescine.eu/small-film-industries/distribution#5

Bengesser, C. H. (2024, May 14). Circulation on VoD. https://www.crescine.eu/small-film-industries/distribution#6

Bengesser, C. H. (2024, May 14). Box office & ticket prices. https://www.crescine.eu/small-film-industries/exhibition#4

Bengesser, C. H. (2024, May 14). Admissions and market shares. https://www.crescine.eu/small-film-industries/exhibition#3

Bengesser, C. H. (2024, May 14). Admissions and cinema attendance levels. https://www.crescine.eu/small-film-industries/exhibition#2

Bengesser, C. H. (2024). Business models in the audiovisual sector. In Study on the implementation of the provisions of the revised AVMSD concerning the promotion of European works in audiovisual media services: Final report (pp. 100) https://doi.org/10.2759/513194

Bengesser, C. H. (2025). Qualitätsserien aus Deutschland: Produktionspraktiken, Erzählweisen und Transformationen des Fernsehens. tv-diskurs. https://mediendiskurs.online/beitrag/qualitaetsserien-aus-deutschland-beitrag-1123/

Bengesser, C. H., Øfsti, M. & Trans, M. B. (2025). Assessing the distinctiveness of public service catalogues: A comparison of European content in local, regional and global video-on-demand service. MedieKultur, 40(78), 11-38. https://doi.org/10.7146/mk.v40i78.147197

Bengesser, C., Hilborn, M. & Steemers, J. (2025). Comparative VOD catalogue research: Circulation, presence and prominence of British content in Europe. Convergence, 31(5), 1511-1531. https://doi.org/10.1177/13548565241268057

Bengesser, C. H. (2025). Discoverability of What for Whom? Inequalities in Europe’s Path towards a Competitive European Audiovisual Industry and a Diverse Cultural Public Sphere . Paper presented at DIGISCREENS, Vilnius, Lithuania. https://vimeo.com/1135688838

Bengesser, C. H. & Nielsen, J. I. (2025). Crescine – Audience methodologies & insights. Paper presented at EFARN Annual Meeting, Helsinki, Finland. https://doi.org/10.5281/zenodo.18925543

Bengesser, C. H. & Øfsti, M. (2025). Who produces (what) for whom? : Identifying the European streaming industry. Paper presented at NordMedia 2025, Odense.

Bengesser, C. H. & Damásio, M. J. (2025). Understanding European Audiences: Internal Perspectives from Small Markets and Preview of Future Recommendations. https://www.crescine.eu/2025?wmTabs=audiences

Displaying results 1701 to 1750 out of 1861

Revised 25.04.2025

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