School of Communication and Culture

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Publications

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Waade, A. M. (2018). The value chain of Danish TV drama series: Transnational and cross-sectorial perspectives: Global/public values in Danish television drama. Paper presented at Transnational Television Drama, Aarhus, Denmark.
Waade, A. M. (2018). The value chain of Nordic television drama series. Paper presented at Media Industry Studies: Current debates and future directions, London, United Kingdom.
Waade, A. M. (2018). Rethinking production values and the value chain of Danish television drama series. Paper presented at ECREA 2018, Lugano, Switzerland.
Waade, A. M. (2018). What Makes Danish Television Drama Series Travel?. Poster session presented at Transnational Television Drama, Aarhus, Denmark.
Waade, A. M., Redvall, E. N. & Jensen, P. M. (2020). Transnational Television Drama? Lessons Learned from Danish Drama. In A. M. Waade, E. N. Redvall & P. M. Jensen (Eds.), Danish Television Drama: Global Lessons from a Small Nation (Vol. 34, pp. 1-22). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-40798-8
Waade, A. M., Redvall, E. N. & Jensen, P. M. (Eds.) (2020). Danish Television Drama: Global Lessons from a Small Nation. Palgrave Macmillan. Palgrave European Film and Media Studies https://doi.org/10.1007/978-3-030-40798-8
Waade, A. M. (2020). Book Review: The Killing. Critical Studies in Television, 15(2), 208-210. https://doi.org/10.1177/1749602020909620c
Waade, A. M. & Toft-Nielsen, C. (2021). Fankultur. In P. Schantz Lauridsen & E. Svendsen (Eds.), Medietemaer (pp. 167-183). Samfundslitteratur.
Waade, A. M. R. & Dobrescu, C. (2023). Euroscapes: Space, Place, and Multi-Level Governance in European Television Crime Series. In M. Dall'Asta, J. Migozzi, F. Pagello & A. Pepper (Eds.), Contemporary European Crime Fiction : Representing History and Politics (pp. 271-290). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-21979-5_15
Waade, A. M. R. & Leyda, J. (2022, Oct). Petro-Monopause in "Borgen: Power & Glory". https://lareviewofbooks.org/article/petro-menopause-in-borgen-power-glory/
Waade, A. M. R. & Grønlund, A. (2023). Televisual landscape technologies: Borgen: Power & Glory in Greenland. 45-45. Abstract from Redefining Televisuality: Programmes, Practices, Methods, Potsdam-Babelsberg, Germany.
Waade, A. M. R. (2026). Location, location, location! From Local Colour to Location Placement and Sustainability : The Importance of Location in Television Drama Productions. In A. Spicer, A. Genders & R. Barton (Eds.), The Politics of Place: Space and Locality in the European Screen Industries (pp. 27-49). Palgrave Macmillan. https://doi.org/10.1007/978-3-032-06780-7_2
Waade, A. M. (2000). Zapping, shopping, and sightseeing: Contemporary theatre and new patterns of reception. International Journal of Cultural Policy, 7(2), 281-297. https://doi.org/10.1080/10286630009358147
Virilio, P., Brügger, N., (Trans.) & Vigsø, O., (Trans.) (1989). Synsmaskinen. Forlaget Politisk Revy.
Toft-Nielsen, C. & Waade, A. M. R. (2023). Transmedia storytelling, paratekster og fankultur. In P. S. Lauridsen & E. Svendsen (Eds.), Medieanalyse (2 ed., pp. 59-79). Samfundslitteratur.
Tjønndal, A., Turtiainen, R., Frandsen, K. & Trasti Rogstad, E. (Eds.) (2025). Women in a Digitized Sports Culture: Nordic Perspectives. Routledge. https://doi.org/10.4324/9781003527565
Thorup, M. & Brænder, M. (Eds.) (2007). Antiterrorismens idéhistorie: stater og vold i 500 år. Aarhus Universitetsforlag.
Thorup, M. & Brænder, M. (2007). Forord. In M. Thorup & M. Brænder (Eds.), Antiterrorismens idéhistorie (pp. 9-15). Aarhus Universitetsforlag.
Thorup, M. & Brænder, M. (2007). Staten og dens udfordrere: vold som terror eller krig. In M. Thorup & M. Brænder (Eds.), Antiterrorismens idéhistorie (1. ed., pp. 19-39). Aarhus Universitetsforlag.
Thorup, M. & Brænder, M. (2007). Undtagelse og terror. In M. Thorup & M. Brænder (Eds.), Antiterrorismens idéhistorie (pp. 41-55). Aarhus Universitetsforlag.
Thorhauge, A. M. & Johansen, S. L. (2018). Hvorfor er det en dårlig idé at tale om afhængighed af medier? https://www.medieraadet.dk/medieradet/temaer/hvorfor-er-det-en-darlig-ide-tale-om-afhaengighed-af-medier
Thomsen, L. (2007). INTRODUCTION: Theoretical Models as Mass Media Practice: Perspectives from the West: What is journalism? How does it exist and why? How does journalism define itself and in what ways can we make use of looking theoretically at the practice of it? In C. Baldwin, L. Thomsen, V. Vemuri & D. Sills-Jones (Eds.), Networking Knowledge: Journal of the MeCCSA PGN: Vol 1, No 1 (2007) Minding the Gap: Reflections on Media Practice & Theory (1 ed., Vol. 1,1, pp. 1-4). MeCCSA.
Thomsen, L. H. (2011). Vi vil have mere end quizzer og kendisser. Aarhus Stiftstidende, 10-11.
Thomsen, L. H. (2013). Tv nyheder: Journalistiske Idealer er under Pres: Der er ikke forskel på om journalister arbejder på kommercielle eller licens-finansierede redaktioner viser ny forskning. Politiken, debatsektionen, 6.
Thomsen, L. H. (2014). Betyder Køn noget på en nyhedsredaktion?. Abstract from Årskonference for Dansk Kønsforskning 2014, Aarhus, Denmark. http://konferencer.au.dk/fileadmin/konferencer/Koen_og_Rum/EndeligtprgAArskonference2014ProgramWORDudendeltagerliste.pdf
Thomsen, L. H. (2014, Jun 4). Eksperter: Medierne lader sig rive med i Løkke-sagen: I ophidselsen over den gode historie begynder medierne at skabe nyhederne i stedet for kun at dække dem, mener to medieforskere. http://www.dr.dk/Nyheder/Kultur/Medier/2014/06/03/115427.htm
Thomsen, L. H. (2014). Ethnographic Fieldwork: Studying Journalists at Work. SAGE Research Methods Cases. https://doi.org/10.4135/978144627305014539108
Thomsen, L. H. (2014). ‘It’s like a family!’ - The Unity and Community of Journalists: On connections between newsrooms and how journalists share a community of practice.. Paper presented at Ecrea 2014, Lisbon, Portugal. http://ecrea2014.ulusofona.pt/
Thomsen, L. H. (2015). What is anthropological about The Perfect Human? Short Film Studies, 5(2), 161-165. https://doi.org/10.1386/sfs.5.2.161_1
Thomsen, L. H. (2015). BOOK REVIEW: Silvio Waisbord:Reinventing Professionalism: Journalism and News in a Global Perspective. MedieKultur: Journal of media and communication research, 31(58), 150-153. http://ojs.statsbiblioteket.dk/index.php/mediekultur/issue/view/2201
Thomsen, L. H. (2016). ‘It’s like a family!’: On connections between newsrooms and how journalists share a community of practice. 2497-2506. https://doi.org/10.1590/1413-81232015218.18812015
Thomsen, L. H. (2017). Da flashmobs blev kommercielle: Nye marketingstrategier i byrummet. In B. Stougaard Pedersen & A. M. Waade (Eds.), Kreativ markedskommunikation : Æstetik og digital deltagelse (pp. 195-218). Systime.
Thomsen, L. H. (2018). “It’s like a family!” How Danish journalists unite across broadcasters. In E. Freedman, R. Goodman & E. Steyn (Eds.), Critical Perspectives on Journalistic Beliefs (pp. 47-56). Routledge.
Thomsen, L. H. (2018). Inside the TV Newsroom: Profession under Pressure: A Newsroom Ethnography of Public Service TV Journalism in the UK and Denmark. Intellect.
Thomsen, L. H. (2019). Fox populism: Branding conservatism as working class. Journalism, 20(7), 981-982. https://doi.org/10.1177/1464884919853050
Thomsen, L. H. & Willig, I. (2019). Journalism by emoji’s: SoMe editors in the newsroom. Paper presented at Future of Journalism, Cardiff, United Kingdom.
Thomsen, L. H. (2013). New Struggles, Old Ideals: The Everyday struggle towards being a 'Good Journalist' inside public service TV newsrooms in the UK and Denmark. Aarhus Universitet. Institut for Æstetik og Kommunikation.
Terkildsen, T., Christensen, L. E. & Clasen, M. (2023). Work Hard, Scare Hard? An Investigation of How Mental Workload Impacts Jump Scare Intensity. Proceedings of the ACM on Human-Computer Interaction, 7(CHI PLAY), 27-44. Article 375. https://doi.org/10.1145/3611021
Teke, N. (2012). Differing Paradigms of Media Systems Development in Contemporary Africa: Does the Chinese Model Have a Place? Journal of Asian and African Studies, 47(1), 52-67.
Teke, N. (2011). Journalists’ Perceptions of ‘the Audience’ and the Logics of Participatory Development/Communication: A Contributory Note. Ecquid Novi: African Journalism Studies, 32(1), 4-24.
Teke, N. (2010). Journalists' Role Conceptions and the Democratization of Contemporary Cameroon. Cameroon Journal on Democracy and Human Rights, 4(2), 36-63.
Teke, N. (2010). Re-Visiting the Contending Frontiers of Development Journalism in Africa: Of Official Dogma and Journalists’ Rejection in Cameroon. Journal of Development Communication, 21(2), 63-76.
Teke, N. (2011). The Enduring Allure of Proximity-Based Campaign Communication Strategies in Cameroon. International Journal of Media and Cultural Politics, 7(3), 293-314.
Teke, N. (2011). Vote-Buying or Respecting 'Culture'? Cameroonian Politicians' Contending Interpretations of Campaign Donations. Politics, Culture and Socialization, 2(1), 39-56.
Teke, N. (2010). Beyond Family Remittances: Assessing the Prospects of Alternative Approaches to 'Remittances for Development' in Africa. International Migration, 50(1), 177-195.
Teke, N. (2011). Review of: Orgeret, K. and Rønning, H. (Eds.) The Power of Communication: Changes and Challenges in African Media. Oslo: Oslo Academic Press, Unipub Norway. 2009. Ecquid Novi: African Journalism Studies, 32(3), 83-85.
Teke, N. (2010). Review of: Norma Pecora, Enyonam Osei-Hwere & Ulla Carlsson (Eds.): African media, African children. Gothenburg: The International Clearinghouse on Children, Youth and Media, NORDICOM. 2008. MedieKultur, 26(48), 167-170.
Teke, N. (2012). Circumnavigating De-Westernisation: Theoretical Reflexivities in Researching Political Communication in Africa. Communicatio: South African Journal for Communication Theory and Research , 38(2), 164-180. https://doi.org/10.1080/02500167.2012.717346
Teke, N. & Thorsen, J. (2012). Discourses of Positionality and the Challenges of Democratization in the Global South: The Case of Nepal and Cameroon. MedieKultur, 28(52), 62-80.
Teke, N. (2012). Review of: Coleman, S. and Ross, K. (2010). The Media and the Public: 'Them' and 'Us' in Media Discourse. Wiley-Blackwell. MedieKultur, 28(52), 177-180.

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