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Refskou, A. S. (2024). Word Games, Affect and Play in Hamlet and Romeo & Juliet. In E. Whipday (Ed.), Shakespeare/Play: Contemporary Readings in Playing, Playmaking and Performance (pp. 346-364). Bloomsbury Academic. https://doi.org/10.5040/9781350304468

Refskou, A. S. (2024). Word games: Affect and play in Hamlet and Romeo and Juliet. In E. Whipday (Ed.), Shakespeare / Play: Contemporary Readings in Playing, Playmaking and Performance (pp. 346-364). Bloomsbury Academic.

Wallentin, M., Vuust, P., Mouridsen, K., Dohn, A., Nielsen, A. H., Roepstorff, A. & Lund, T. E. (2009). Word co-occurrence effects driving language cortex during listening to a narrative. Poster session presented at Organization for Human Brain Mapping 2009 Annual Meeting, San Francisco, United States.

Rijkhoff, J. (2007). Word classes. Language and Linguistics Compass, 1(6), 709-726.

Wamberg, J. (2011). Wood Nation Infrathin - A Narrow Guide to Leonard Forslund. In L. Forslund (Ed.), Leonard Forslund 99-11 (pp. 4-12). Kunsthal Brænderigårdens Forlag.

Wamberg, J. (2011). Wood Nation Inframince - Smal guide til Leonard Forslund. In L. Forslund (Ed.), Leonard Forslund 99-11 (pp. 5-13). Kunsthal Brænderigårdens Forlag.

Andersen, F. (2025). Wonders: A Literary History of the Deep Sea. Aarhus Universitetsforlag.

Jacobs, R. & French, C. (2021). Women, robots and a sustainable generation: Reading artworks envisioning education in 2050 and beyond. Unesco.

Doubinsky, S. & Kkona, C. (Eds.) (2024). Women of Horror and Speculative Fiction in Their Own Words: Conversations with Authors and Editors. Bloomsbury Academic.

Maier, C. D. (2024). Women in Innovation as empowering game changers and trailblazers: Discursive explorations of addressing gender, diversity, and intersectionality challenges. Paper presented at EURAM, Bath.

Tjønndal, A., Turtiainen, R., Frandsen, K. & Trasti Rogstad, E. (Eds.) (2025). Women in a Digitized Sports Culture: Nordic Perspectives. Routledge. https://doi.org/10.4324/9781003527565

Frandsen, K., Tjønndal, A., Turtiainen, R. & Trasti Rogstad, E. (2025). Women in a Digitized Sports Culture: Insights from the Nordic Countries. In A. Tjønndal, E. Trasti Rogstad, R. Turtiainen & K. Frandsen (Eds.), Women in a Digitized Sports Culture: Nordic Perspectives (pp. 3-12). Routledge. https://doi.org/10.4324/9781003527565-2

Almeida, T., Søndergaard, M. L. J., Homewood, S., Morrissey, K. & Balaam, M. (2018). Woman-Centered Design. In S. Prendeville, A. Durrant, N. O’ Murchú & K. Leahy (Eds.), Book of DRS 2018 Conversations: Catalyst (pp. 16-23). Design Research Society. https://www.scribd.com/document/397997585/DRS2018-Conversations

Paldam, C. S. (2002). Woman as Cohesive Agent: Surrealist Perception and Montage as Reconstructive Strategy in Louis Aragon's Le paysan de Paris. In H. Balling & A. K. Madsen (Eds.), From Homer to Hypertext: Studies in Narrative, Literature and Media (pp. 95-110). Syddansk Universitetsforlag.

Fauth, S. R., (Trans.) & Tilling, G., (Trans.) (1996). Wolfgang Maria Bauer: Julie, drøm og rus.

Kjerkegaard, S. (2007). Wold mod lyrikken. Standart, (3).

Bergenholtz, H. (1995). Wodurch unterscheidet sich Fachlexikographie von Terminographie? Lexicographica: International Annual for Lexicography / Revue Internationale de Lexicographie / Internationales Jahrbuch für Lexikographie, 11/1995, 50-59.

Albertsen, L. L. (2001). Wodehouse und die Lyrik. Das metrische Handwerk als Zeugnis freier, humorvoller Existenz. Jahrbuch fuer Internationale Germanistik, (32), 98-110.

Sørensen, M.-M. Z. (2011). Wittgensteins brors venstre hånd: David Clark's “88 constellations for Wittgenstein (to be played with the left hand)". Litteraturmagasinet Standart, (2), 23-23.

Wamberg, J. (2018). Witnesses under the Influence: The Subtly Posthuman in the Sculptures of Hestelund. In A. Holm (Ed.), Lea Guldditte Hestelund, "Consumed Future Spewed Up as Present", 07.04 – 27.05 2018 (pp. 2). Overgaden: Institute of Contemporary Art.

Kau, E. (2011). With Raised Hands: Film as fantasy within a photograph. Short Film Studies, 2(1), 37-40.

Nielsen, J. I. (2003). With Raised Hands. P. O. V. - A Danish Journal of Film Studies, (15), 19-33.

Larsen, S. E. (2013). With Other Eyes or the Eyes of the Others? A Scandinavian Case. In V. Biti (Ed.), Reexamining the National-Philological Legacy: Quest for a New Paradigm (pp. 99-121). Brill | Rodopi.

Mortensen, P. (2022). Witches’ Milk: Queer Breastfeeding and Alternative Kin-Making in Isak Dinesen’s “The Caryatids”. NORA - Nordic Journal of Feminist and Gender Research, 30(4), 264-277. https://doi.org/10.1080/08038740.2022.2100824

Møller, A. H. (2018). "Wissen, welches tief der Geistigkeit gelinget": Tre nye danske oversættelser af klassiske tyske vers. WissensWert, 2018(35), 57-60.

Luttermann, K. & Engberg, J. (2025). Wissensvermittlung von Recht durch Popularisierung in der Fachkommunikation. In A. M. Pichler, F. M. Tesch & B. von der Lühe (Eds.), Deutsch als Fremd- und Fachsprache im internationalen Kontext: Festschrift für Thorsten Roelcke zum 60. Geburtstag (pp. 351-367). Frank & Timme.

Fauth, S. R. (2016). Wissenschaftskritik als negative Poetik: Von Heidegger über Schopenhauer zu Hofmannsthals »Ein Brief«. In T. Ernst & G. Mein (Eds.), Literatur als Interdiskurs: Realismus und Normalismus, Interkulturalität und Intermedialität von der Moderne bis zur Gegenwart (pp. 243-254). Wilhelm Fink Verlag.

Cox, G. (2012). Wirtualne samobójstwo jako definitywny akt polityczny. In P. Celiński (Ed.), Mindware: Technologie dialogu (pp. 133). Lublin College of Enterprise and Administration.

Ladegaard, J. (2009). Wir leben in einer politischen Welt - Lyrik und Politik seit 1945. Orbis Litterarum, 64(2), 165-166.

), V. E. (Ed.) & Nielsen, K. H. (2001). Wirken und Wissen. Zur Rhetorizität des Sprechens. Paper presented at Forskningskollokvium om Sproghandlingsteori. 29.11.,2000, Århus.

Kratschmer, A. R. & Jørgensen, H. J. (2025). “Wir habEn sehr gut gespieLt”: Findes der en mesolekt i wienerisk tysk? Globe, 19. Advance online publication. https://journals.aau.dk/index.php/globe/article/view/9742/8472

Weed, E., Kratschmer, A. R., Lieberoth, A. & Pedersen, M. N. (2014). Wireless EEG for field study: Checking the data quality. Poster session presented at CFIN/MINDLab Retreat 2014, Denmark.

Zetterberg-Nielsen, H. (2022). Winther is coming: eller endelig queer. Passage, 37(88), 9-31. https://tidsskrift.dk/passage/article/view/135732/180466

Tække, J. (2008). Winni Johansen og Finn Frandsen: Krisekommunikation - når virksomhedens image og omdømme er truet, Forlaget Samfundslitteratur, 2007. MedieKultur, 08(44), 74-76.

Soon, W. & Heisler, E. (2020). Winnie Soon, Time, Code, and Poetry. Asymptote Journal, (Jan 2020). https://www.asymptotejournal.com/visual/winnie-soon-time-code-and-poetry/

Soon, W. (2015). Winnie Soon. In D. Francis (Ed.), 改變種子: Contemporary Art from Hong Kong and Beyond (pp. 62-63). Center on Contemporary Art.

Schoonderbeek Hansen, I. (2000). Windet met opragte finger och eed: Anmeldelse. Ord & Sag (online), 19, 55-60. https://tidsskrift.dk/ordogsag/article/view/149776/192584

Green, K. R. & Wraight, T. (2025). Willy Wonka and the Boy-Entrepreneur archetype: the changing faces of entrepreneurial masculinity, 1971-2023. International Journal of Gender and Entrepreneurship. Advance online publication. https://doi.org/10.1108/ijge-05-2024-0168

Pihl, P. (2024). Willy Ørskovs pneumatiske skulpturer, oppustelig og ustabil kunst. Perspective. https://www.perspectivejournal.dk/willy-oerskovs-pneumatiske-skulpturer-oppustelig-og-ustabil-kunst/

Hansen, M. F. (2013). Willy Ørskovs Bøjninger. In Carlsbergfondets Årsskrift 2013 (pp. 100-107). Carlsbergfondet. http://www.carlsbergfondet.dk/

Bertelsen, L. K. (1994). Willy Ørskov og skulpturens fænomenologi. Passepartout, (3), 55-73.

Troelsen, A. (2016). Willumsen, vitalismen og lyset / Willumsen, Vitalism and the Light. In E. G. Høyersten (Ed.), Den vilde vovede og sene Willumsen / Wild, Bold, and Late Willumsen (pp. 12-51). ARoS Publishing.

Povlsen, S. K. (2006). Willumsens smil: En omvendt ekfrase. In Produktive paradokser: Festskrift til Svend Erik Larsen (pp. 189-198). Aarhus Universitetsforlag.

Bech, I. L. M. (2016). Willumsen og lyset. In J. R. Schelde & L. Pennington (Eds.), Den vilde, vovede og sene Willumsen (pp. 154-186)

Petersen, P. S. (2001). Williams, Tennessee. In Den Store Danske Encyklopædi, Vol. 20

Refskou, A. S. H. (2013). 'William Shakespeare: Samlede skuespil i oversættelse, bind I-II'. Litteraturmagasinet Standart.

Kuhlmann, A. (2020). William Shakespeare. Hamlet. Skuespilhuset, september 2020. Peripeti - tidsskrift for dramaturgiske studier. https://www.peripeti.dk/2020/09/27/william-shakespeare-hamlet-skuespilhuset-13-september-2020/

Ladegaard, J. (2018). William Shakespeare: Othello. In J. Ladegaard, D. Ringgaard & M. Rosendahl Thomsen (Eds.), 50 værker: Højdepunkter i verdenslitteraturen (pp. 71-75). Aarhus Universitetsforlag.

Risum, J. (1994). William Edvard Bloch. In J. W. Frick & S. M. Vallillo (Eds.), Theatrical Directors: A Biographical Dictionary (pp. 37-39). Greenwood Press.

Johansen, I. (2012). William Blake og hans poesi: En introduktion. B U M, 149-154.

Displaying results 251 to 300 out of 24757

Revised 22.08.2023

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