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						<h1 itemprop="headline">Heba Y. Amin, Artistic Research: Politics, Technology and Architecture</h1>
						
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							<p class="text--intro" itemprop="description">Aesthetic Seminar are organized by Anika Marschall (Post.Doc, Dramaturgy), Peter M. Boenisch (Professor, Dramaturgy) and Karen-Margrethe Simonsen (Associate Professor, Comparative Literature) for the School of Communication and Culture, Aarhus University.</p>
						
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														Thursday 11  November 2021,
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														&nbsp;at 14:15 -  16:00
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														<p>School of Communication and Culture, Aarhus University, Langelandsgade 139, Building 1584, Room 126, 8000 Aarhus C </p>
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									<h3>Heba Y. Amin, Artistic Research: Politics, Technology and Architecture</h3>
<p>Registration required if you want to have potential updates on the seminar sent to you. <br>Please register here: <a href="https://events.au.dk/heba/signup" target="_self">https://events.au.dk/heba/signup</a>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<br>But you are also Welcome to turn up at the door.</p>
<p>Artist Heba Y. Amin engages with political themes and archival history, using mediums including film, photography, archival material, lecture performance and installation. Her artistic research addresses the convergence of politics, technology, and architecture, and takes a speculative, often satirical, approach to challenging narratives of conquest and control. Amin looks for tactics of subversion and other techniques to flip dominant historical narratives through a critical practice.</p>
<p> Amin is a Professor of Digital and Time-Based art at ABK-Stuttgart, the co-founder of the Black Athena Collective, curator of visual art for the MIZNA journal, and currently sits on the editorial board of the Journal of Digital War. She was awarded the 2020 Sussmann Artist Award for artists committed to the ideals of democracy and antifascism, and was selected as a Field of Vision Fellow, NYC (2019). Amin’s work has been shown in numerous exhibitions including The Mosaic Rooms, London (2021), the Böttcherstrasse Prize Exhibition, Bremen (2018), Eye Film Museum, Amsterdam (2020), Quai Branly Museum, Paris (2020), MAXXI Museum, Rome (2018), Liverpool Biennial (2021), 10th Berlin Biennale (2018), 15th Istanbul Biennale (2017), and 12th Dak’Art Biennale (2016), to name a few. Her latest publication,&nbsp;<em>Heba Y. Amin: The General’s Stork</em>&nbsp;(ed. Anthony Downey) was recently published by Sternberg Press (2020) and her works and&nbsp;<br>interventions have been covered by&nbsp;<em>The New York Times, The Guardian</em>,&nbsp;<em>the Intercept</em>, and&nbsp;<em>BBC</em>&nbsp;among others.&nbsp;Furthermore, Amin is also one of the artists behind the subversive graffiti action on the set of the television series “Homeland” which received worldwide media attention.&nbsp;&nbsp; &nbsp;&nbsp;</p>
<p><a href="https://cc.au.dk/fileadmin/cc/dac/Events/Aesthetic_Seminar_Autumn_2021.pdf">Read Aesthetic Seminar Program</a></p>
<p><a href="https://cc.au.dk/fileadmin/cc/dac/Events/Poster_Autumn_2021.pdf">See Aesthetic Seminar Poster</a></p>
								
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