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Latest publications

The following overview shows the latest publications published by the department's researchers.

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Tække, J. (2025). Skolen i det digitaliserede samfund: AI, algoritmer og skolens teknologiunderskud. 1-25. Paper presented at NordMedia 2025, Odense, Denmark.
Henriksen, A., Enni, S. & Bechmann, A. (2021). Situated Accountability: Ethical Principles, Certification Standards, and Explanation Methods in Applied AI. In AIES '21: Proceedings of the 2021 AAAI/ACM Conference on AI, Ethics, and Society (pp. 574-585). Association for Computing Machinery. https://doi.org/10.1145/3461702.3462564
Damkjaer, M. S. (2022). Sharenting. In G. Agger, N. Nørgaard Kristensen, P. Jauert & K. Schrøder (Eds.), Medie- og Kommunikationsleksikon Samfundslitteratur. https://medieogkommunikationsleksikon.dk/sharenting/
Salovaara-Moring, I. (2015). Serious Games: Gamification of Digital Journalism. Paper presented at Nordmedia 2015, Copenhagen, Denmark.
Povlsen, K. K. (2015). Serielle medier: metodedesign med systematisk content analysis og næranalyse. In N. J. Graakjær & I. B. Jessen (Eds.), Selektioner: om udvælgelse af medietekster til analyse (pp. 123-144). Systime.
Heiselberg, L., Walther, B. K., Nielsen, J. I. & Rønlev, R. (2025). Seriality in the Streaming Era. Routledge. https://doi.org/10.4324/9781003539735
Nielsen, J. I. (2025). Seriality and Platform Vernacular. In L. Heiselberg, B. K. Walther, J. I. Nielsen & R. Rønlev (Eds.), Seriality in the Streaming Era (pp. 32-68). Routledge. https://doi.org/10.4324/9781003539735-2
Eichner, S. (2021). Selling location, selling history: New German Series and changing market logic. In European Television Fiction Renaissance: Premium Production Models and Transnational Circulation (pp. 191-210). Routledge.
Eichner, S. (2016). Selling location - reaching audiences: The example of Deutschland 83. Abstract from ECREA, Prague, Czech Republic.
Lomborg, S. & Frandsen, K. (2016). Self-tracking as communication. Information, Communication & Society, 19(7), 1015-1027. https://doi.org/10.1080/1369118X.2015.1067710
Bødker, H. (2024). Seasonal Journalism and Climate Change. In S. Eldridge II, S. Banjac, D. Cheruiyot & J. Swart (Eds.), The Routledge Companion to Digital Journalism Studies (2. ed., pp. 339-348). Routledge. https://doi.org/10.4324/9781003334774-40
Teke, N. (2004). SDF's Illusive Infallibility. The Post Newspaper, (0607), 10.
Bengesser, C. H. & Waade, A. M. (2021). Screen Tourism on the Smartphone: A Typology and Critical Evaluation of the First Decade of Smart Screen Tourism . In A. Leotta & B. Diego (Eds.), Audiovisual Tourism Promotion (pp. 173-195). Palgrave.
Schorr, S. & Soon, W. (2020). Screenshooting Life Online: Two Artworks. In A. N. Markam & K. Tiidenberg (Eds.), Metaphors of the internet: ways of being in the age of ubiquity (pp. 175-181). Peter Lang. https://doi.org/10.3726/b16196, https://doi.org/10.3726/b16196
Soon, W. & Schorr, S. (2022). Screenshooting Impermanence. In C. D. Warner, T. Otto & H. Geismar (Eds.), Introduction to Impermanence: exploring continuous change across cultures (pp. 292-304). UCL Press. https://www.uclpress.co.uk/collections/ro_homepage_products/products/161184
Waade, A. M. (2021). Screening the west coast: Developing New Nordic Noir tourism in Denmark and using the actual places as full-scale visual mood boards for the scriptwriting process. In N. van Es, S. Reijnders, L. Bolderman & A. Waydorf (Eds.), Locating Imagination in Popular Culture: Place, Tourism and Belonging (pp. 99-117). Routledge.
Eichner, S. (2019). Screening migration. European television drama series and female agency. Abstract from NECS 2019: Structures and Voices: Storytelling in Post-Digital Times, Gdańsk, Poland.
Saunders, R. A., Souch, I. & Waade, A. M. R. (2023). Screening Arctic Landscapes in Nordic Television Drama: Anthropocenic Imageries, Ecological Crises, National Identities . In Disturbed Ecologies : Photography, Geopolitics, and the Northern Landscape in the Era of Environmental Crisis. (Vol. 203, pp. 257-281). Transcript Verlag.
Kau, E. & Moestrup, S. (2011). Scorsese on the Boardwalk - gangster-tv med havudsigt. In J. I. Nielsen, A. halskov & H. Højer (Eds.), Fjernsyn for viderekomne: De nye amerikanske tv-serier (pp. 148-164). Turbine.
Bruun, H. (2018). Scheduling in Cross Platform Television: A Comparative Agenda for Public Service television in the Internet Age. 48. Abstract from Media Industry Studies: Current debates and future directions, London, United Kingdom.
Bruun, H. (2017). Scheduling and 'Continuity' in the Third Television Paradigm? A production Study. Paper presented at Nordmedia 2017, Tampere, Finland.
Eichner, S. (2015). Scene of Crime Germany: Regionalism and Audience Appeal in ‘Tatort’. Abstract from Crime Pays, Crime Days-Conference, Aalborg , Denmark.
Waade, A. M. (2016). Scandinavian Crime Series and Fan Tourism: Location study as an interdisciplinary approach . Paper presented at International Tourism and Media Conference, Helsingborg, Sweden.
Bruun, H. (2013). Satirisk piratvirksomhed: Om ironi i aktuel tv-satire. In M. Birkelund (Ed.), Ironistik: Ironi i et multidisciplinært perspektiv (pp. 131-143). Publizon.
Brügger, N. (1990). Sartre, Lyotard og den intellektuelle. (Pré)publications, (125), 27-34.
Have, I. (2024). Rutiner skaber rytme og ro. In B. Lange & M. Pade (Eds.), Hvor tanken sættes fri: San Cataldo på Amalfikysten (pp. 33-39). Lindhardt & Ringhof.