School of Communication and Culture

Department of Media and Journalism Studies

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 School of Communication and Culture Departments Media and Journalism Studies Research Publications

Latest publications

The following overview shows the latest publications published by the department's researchers.

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Klausen, H. B. (2019). T. L. Taylor: Watch Me Play. Princeton University Press. 2018. MedieKultur, 35(66). https://tidsskrift.dk/mediekultur/article/download/115622/164616
Bruun, H. & Frandsen, K. (2018). Time and Timing in Current Media production Studies: Methodological Callenges in Production Studies. 49. Abstract from Media Industry Studies: Current debates and future directions, London, United Kingdom.
Bruun, H. & Frandsen, K. (2022). Time and Timing - A methodological perspective on production analysis. Critical Studies in Television, 17(1), 84-97. https://doi.org/10.1177/17496020211070045
Brügger, N. & Føhns, H. (2024). Til kamp mod det digitale hukommelsestab. Pictures, Video and sound recordings (digital), IDA Techtopia. https://tv.ida.dk/video/104030834/techtopia-337-til-kamp-mod-det
Tække, J. (2019). Til forsvar for 23.000 Chromebooks i Aarhus. KommunikationsForum. https://www.kommunikationsforum.dk/artikler/Uddannelses-digitalisering-?fbclid=IwAR2bUPILM3AjbQvZH8qmf_7-d86VPFrxp0P3SP8bkih-Hzs8xdWGeAOuAjk
Mouritsen, A. (2023). TikTok. Medie- og kommunikationsleksikon. https://medieogkommunikationsleksikon.dk/tiktok/
Bruun, H. & Frandsen, K. (2016). Tid og timing i produktionsanalysen. Paper presented at SMID - Sammenslutningen af Medieforskere i Danmark 2016, Middelfart, Denmark.
Bruun, H. & Frandsen, K. (2017). Tid og timing: et metodisk perspektiv på produktionsanalyse. MedieKultur, 62, 119-133. https://tidsskrift.dk/mediekultur/article/download/25217/23225
Finnemann, N. O. & Center for Kulturforskning, Aarhus Universitet (1989). Tidens tegn: natur, information, kultur. Aarhus Universitetsforlag.
Brügger, N., (Trans.), Lyotard, J.-F. & Frandsen, F., (Trans.) (1989). Tiden, i dag. In N. Brügger & F. Frandsen (Eds.), Filosofiske forskydninger (pp. 169-192). Akademisk Forlag.
Raskin, R. (2016). Three storytelling strategies in the live-action TV spot. The Projector: A Journal on Film, Media and Culture, 16(2), 4-18. https://www.theprojectorjournal.com/uploads/5/4/9/9/54999077/projector_summer2016.pdf
Wildermuth, N. & Arregui Olivera, C. (2026). Three intergenerational conversations: Postcolonial critique, data colonialism and methodological diversity in global media studies. MedieKultur: Journal of media and communication research, 42(80), 75-84. https://doi.org/10.7146/mk.v42i80.166329
Hagedoorn, B., Eichner, S. & Gutiérrez Lozano, J. F. (2021). The ‘youthification’ of television. Critical Studies in Television, 16(2), 83-90. https://doi.org/10.1177/17496020211011804
Raskin, R. (2022). The yin and yang of short film storytelling: with focused studies and shot-by-shot breakdowns of 10 modern classics . Quid Pro Books.
Teke, N. (2006, Sept 24). The World Bank versus Poor Countries: Deconstructing Wolfowitzism.
Brügger, N. (Ed.) (2016). The Web's first 25 years. (7 ed.) SAGE Publications. New Media & Society http://nms.sagepub.com/content/18/7
Brügger, N. & Schroeder, R. (Eds.) (2017). The Web as History: Using Web Archives to Understand the Past and the Present. UCL Press. https://doi.org/10.1145/3027063.3053259
Smith-Sivertsen, H. & Brügger, N. (2015). The web archive as historical source: The case of recent music history. Paper presented at Web Archives as scholarly Sources: Issues, Practices and Perspectives, Aarhus, Denmark.
Brügger, N. & Finnemann, N. O. (2013). The Web and Digital Humanities: Theoretical and Methodological Concerns. Journal of Broadcasting and Electronic Media, 57(1), 66-80. https://doi.org/10.1080/08838151.2012.761699
Brügger, N. (2021). The WARCnet network: The first year. WARCnet. WARCnet Papers https://cc.au.dk/fileadmin/user_upload/WARCnet/Bru__gger_The_first_year.pdf
Brügger, N. (2022). The WARCnet network: The second year. WARCnet. https://cc.au.dk/fileadmin/dac/Projekter/WARCnet/Bru__gger_The_second_year.pdf
Brügger, N. (2023). The WARCnet network: The third year. WARCnet. WARCnet Papers https://cc.au.dk/fileadmin/dac/Projekter/WARCnet/Bru__gger_The_third_year.pdf
Ngomba, T. (2015). The Voice of the International Community: A Critical Discourse Analysis of Immigration Reports in the Copenhagen Post. In O. Ogunyemi & W. A. C. Stewart (Eds.), Journalism, Audiences and Diaspora (pp. 104-120). Palgrave Macmillan.
Waade, A. M. (2018). The value chain of Nordic television drama series. Paper presented at Media Industry Studies: Current debates and future directions, London, United Kingdom.
Waade, A. M. (2018). The value chain of Danish TV drama series: Transnational and cross-sectorial perspectives: Global/public values in Danish television drama. Paper presented at Transnational Television Drama, Aarhus, Denmark.
Jensen, P. M. (2013). The Use of Television Format Adaptation in Denmark: Public Service Broadcasters Compared to Commercial Broadcasters. Paper presented at NordMedia 2013, Oslo, Norway.
Esser, A. & Jensen, P. M. (2013). The Use of International Television Formats by Public-Service Broadcasters in Australia, Denmark and Germany. Paper presented at IAMCR 2013, Dublin, Ireland.
Esser, A. & Jensen, P. M. (2015). The use of international television formats by public-service broadcasters in Australia, Denmark and Germany. The International Communication Gazette (Online), 77(4), 359-383. https://doi.org/10.1177/1748048514568766
Jensen, P. M. (2013). The Use of Format Adaptation in Danish Public Service Programming. Critical Studies in Television, 8(2). https://doi.org/10.7227/CST.8.2.9
Teke, N. (2011). The (Un)Desirability of Neo-Colonialism and the Development Challenge in Africa.
Bechmann, A. & Lomborg, S. (Eds.) (2014). The Ubiquitous Internet: User and Industry Perspectives. (1 ed.) Routledge. Routledge Studies in New Media and Cyberculture Vol. 25 https://doi.org/10.4324/9781315856667
Bechmann, A. & Lomborg, S. (2012). The ubiquitous internet. Paper presented at Internet Research 13.0: Technologies , Manchester, United Kingdom.
Jensen, P. M. & Waade, A. M. (2021). The Transnational Value Chain of Danish Television Drama Series. Abstract from NECS 2021, Palermo, Italy.
Jensen, P. M. (2015). The transnational appeal of Danish TV series. Paper presented at Media Engagement International Conference, Lund, Sweden.
Jensen, P. M. (2015). The transnational appeal of Danish TV series: a buyer’s and distributor's perspective. Abstract from TV in the Age of Transnationalisation and Transmedialisation, London, United Kingdom.
Bødker, H. (2015). The Times of News Websites. Paper presented at 2015 ICA Annual Conference, San Juan, Puerto Rico.
Bødker, H. (2016). The Time(s) of News Websites. In B. Franklin & S. A. Eldridge II (Eds.), The Routledge Companion to Digital Journalism Studies (pp. 55-63). Routledge. https://doi.org/10.4324/9781315713793
Karo, G., Divon, T. & Hallinan, B. (2026). The TikTok Caliphate: How Jihadist Supporters Exploit Algorithmic Recommendations and Evade Content Moderation. Social Media and Society, 12(1), 1-15. https://doi.org/10.1177/20563051251412167
Tække, J. & Paulsen, M. E. (2015). The three waves of the Internet: From closed to open classrooms - the evolution of educational communities within the digital medium environment. Paper presented at NordMedia, København, Denmark.
Jensen, P. M. & Jacobsen, U. C. (2017). The 'three-leaf clover': A methodological lens to understand transnational audiences. Critical Studies in Television, 12(4), 430-444. https://doi.org/10.1177/1749602017729312
Raskin, R. (2015). The Third Man: on the dynamics of an unhappy ending. In Short Story Criticism: Excerpts from Criticism of the Works of Short Fiction Writers (Vol. 212, pp. 57-62). Gale. http://pov.imv.au.dk/Issue_02/section_3/artc3C.html
Brügger, N., Ben-David, A., Milligan, I. & Schafer, V. (2024). The third internet histories Early Career Researcher Award. Internet Histories, 8(4), 275-276. https://doi.org/10.1080/24701475.2024.2421583
Kristensen, N. N. & From, U. (2021). The Survival of the Critic: Audiences’ Use of Cultural Information and Cultural Reviews in Legacy Media. In Rethinking Cultural Criticism : New Voices in the Digital Age (pp. 209-233). Palgrave Macmillan.
Have, I. (2019). The Strength of Stillness. Short Film Studies, 9(2), 169-172. https://doi.org/10.1386/sfs.9.2.169_1
Frandsen, K. (2014). The Significance of Nordicom and NordMedia – as Seen from a Danish ‘Third Generation’ Perspective. Nordicom Review, Special Issue(35). http://www.nordicom.gu.se/sites/default/files/kapitel-pdf/frandsen.pdf
Stegger Gemzøe, L. (2018). The Showrunner Effect: System, Culture and Individual Agency in American Remakes of Danish Television Series.
Bødker, H. & Brügger, N. (2018). The shifting temporalities of online news: The Guardian’s website from 1996 to 2015. Journalism, 19(1), 56-74. https://doi.org/10.1177/1464884916689153
Bødker, H. & Sonnevend, J. (2018). The Shifting Temporalities of Journalism: In Memory of Kevin Barnhurst. Journalism, 19(1), 3-6. https://doi.org/10.1177/1464884916688510
Brügger, N. & Milligan, I. (Eds.) (2018). The SAGE Handbook of Web History. SAGE Publications.
Aasman, S., Ben-David, A. & Brügger, N. (Eds.) (2025). The Routledge Companion to Transnational Web Archive Studies. Routledge. The Routledge Companions to the Digital Humanities

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Revised 11.05.2026